Review: Baby Beatles - Caspar Babypants

Let us first stipulate that there is no need for a Beatles cover album. The most popular rock band of all time, I have no doubt full cover albums number in the thousands (let alone individual songs, which probably approach if not exceed a million in recorded form).  The originals are permanently lodged in listeners' heads, often in a way that those listeners might wonder why anybody would even try improving upon them.

So, having said that, what of Caspar Babypants' latest collection of songs, Baby Beatles?  Is this just a cop-out, the kindie equivalent of digging into the Great American Songbook as a final musical cash grab?

Let's answer that last question with a firm "no."  As he noted in a recent essay, Chris Ballew, the Caspar Babypants mastermind, owes a great deal of his musical career to the inspiration of the Beatles.   It is better, perhaps, then to view this album as an homage to the lads from Liverpool and their songs, and in that regard Baby Beatles works quite nicely.

Ballew's entire Babypants career has been dedicated to making music for the youngest listeners -- while he certainly would welcome the kindergarteners who want to dance along, he's more interested in their younger siblings.  So while he's always been interested in stripped-down arrangements, that becomes even more important in a covers album where the tricky part is retaining the song's essence while giving the artist's own spin.  That's especially tough given how familiar some of these songs are. 

For the most part, I think Ballew succeeds, usually by making the songs nimble and as light as a feather, even more so than his previously-released songs.  "Here Comes the Sun" is peppier than the original, an incredibly joyful way to kick off the album (his version of "Ob La Di Ob La Da" with Jen Wood gives me similarly happy feelings).   I love the use of faint handclaps on "Birthday."  "Blackbird" hews very closely to the original, but why wouldn't it when it's so perfect to begin with?

I'm not enthused with every reworking -- "Yellow Submarine" and "Octopus's Garden" in particular sound too thin -- but the hits here exceed the misses.  And while some of the song choices seem odd and perhaps picked because of their ostensible ties to childhood ("Mother Nature's Son," "Little Child," "Cry Baby Cry"), those choices at least prevent the album from just being a recap of the Beatles' greatest hits.

The 20-song has a runtime of about 48 minutes and is most appropriate for kids ages 1 through 4, though, c'mon, it's the Beatles.  Just about everybody will recognize at least some of these tracks. 

I don't think any Beatles cover album is essential -- just listen to the originals -- but Baby Beatles is just different enough to hold the listeners' attention far more than they would for some random (often Muzak-inspired) cover.  There is no such thing as a bad Caspar Babypants album, and while I look forward to the next album of his original music and less-well-known traditional songs, this will do quite nicely in the meantime.  Definitely recommended.

Note: I received a copy of the album for possible review.

Itty-Bitty Review: Frog Trouble - Sandra Boynton

I'm a Sandra Boynton fan from way back, mostly for her simple and brilliantly funny illustrated books for young (pre-)readers, but also for some of her albums of family-friendly music.  She's tackled Broadway, rock, and retro on previous albums, and for her fifth collection of songs she's gone Nashville.

On Frog Trouble, Boynton and her musical partner, the arranger Michael Ford, offer up another dozen songs of often surreal and animal-based nature.  Take the unreliable narrator of "Frog Trouble" (or don't), or the meta-approach of "CopyCat"  (I think you can probably guess how a song with that title gets meta).  But a number of the songs, some of them the album's strongest, play it mostly straight -- Alison Krauss' lovely take on "End of Summer Storm" and Ryan Adams performing "When Pigs Fly," which takes that absurd premise and turns it into something beautiful.

Of course, the key for Boynton and Ford is finding the right artists for the songs.  They return to Krauss and Mark Lanegan, who've sung on previous Boynton albums, and many of the other choices are inspired, if not always totally country -- I'm not complaining that Ben Folds ("Broken Piano") and Fountains of Wayne ("Trucks") are on the disk by any means, and Brad Paisley is a good sport on "CopyCat."  Also: Kacey Musgraves singing anything is a good thing.  It's most appropriate for kids ages 6 and up.  You can find the 34-minute album anywhere and also in book form should you desire whimsical illustrations and sheet music.

One need not be a country fan to enjoy Frog Trouble ; a kid-like sense of humor and occasional taste for the absurd will suffice.  It's my favorite Boynton-Ford album.  Definitely recommended.

Note: I was provided a copy of the album for possible review.

Monday Morning Smile: Lemony Snicket on Non-Kids Poems for Kids

Just as some songs not written for kids are perfect for kids (hi, Spare the Rock, Spoil the Child; hi, Greasy Kid Stuff!), some poetry not written for kids is perfect for kids. 

Or that's the assertion of Lemony Snicket (occasionally known as Daniel Handler), who wrote a wonderful article for Poetry Magazine.  His article, All Good Slides Are Slippery, features illustrations by Chris Raschka that are every bit as vibrant as Snicket is droll ("Poetry is like a curvy slide in a playground — an odd object, available to the public — and, as I keep explaining to my local police force, everyone should be able to use it...").

The article is definitely worth a read, and, I agree - those are some excellent poems to read to your kids, regardless of your stance on slides.

Weekly Summary (9/9/15 - 9/15/13)

Review: Rubber Baby Buggy Bumpers - Trout Fishing in America

Let us begin this review by noting the long history of Trout Fishing in America.  Formed in 1979 out of the ashes of another band, Keith Grimwood (bass, AKA the short one) and Ezra Idlet (guitar and banjo, AKA the tall one) have made folk-rock together as a duo for nearly 35 years, including more than 20 years of family music releases.  Not to mention many hours (weeks? months?) of between-song banter That, friends, is a long career, one that the duo shows no signs of wrapping up.

Their new album Rubber Baby Buggy Bumpers is in many respects similar to prior releases of theirs.   Goofy wordplay and joy in rhyme?  The title track is for you, as is their version of Emily Kaitz's "To Be a Wood Bee."  Songs from songwriting workshops done with kids?  Please check out "Zoo Wacky Zoo" and "It's Not Mud" (the latter featuring Chris Wiser and Rob Martin from the Sugar Free Allstars).  Just plain odd? "Meow, Meow, Meow" serves as your English-Feline dictionary.

While I've always appreciated kid-centric narrative approach that TFIA takes, I've never been a big fan of most of the songs that have come out of their songwriting workshops with youth -- I think the two such songs here are the album's weakest tracks.  Far stronger, at least from a narrative perspective, is "The Late, Great, Nate McTate," featuring a strutting bass line and a perfectly captured character study of a timeliness-challenged person.  It's a song that makes me very much want to hear the full 2009 musical the band wrote the songs for (P's and Q's: The ABCs of Manners) on which it first appeared.

I can't finish this review without a special shout-out to "Don't Touch My Stuff!"   The song was inspired (if that's the right word) by the burglary of the band's van in 2012.  The not-at-all concealed anger and frustration (albeit leavened with humor - "Hey! what's wrong with our CDs?!") makes me feel it's not quite a kids song, but then again, it's the sort of raw emotion that's rare in music for families, and in that regard I like it.

The 36-minute album is most appropriate for kids ages 5 through 9.  You can hear three of the songs at the band's homepage.

Any band with as long a career as Trout Fishing in America has had clearly understands what their audience wants, and the band is comfortable in what they're offering musically, occasionally wandering down paths just because they're amused by doing so.  Longtime TFIA fans won't be disappointed by Rubber Baby Buggy Bumpers  and newcomers will find the album a good introduction to the band, its music, and its sense of humor, not to mention a number of songs worth putting into your family music rotation.  Recommended.  

Monday Morning Smile: "1000 Cones"

I'm featuring this video this morning because the idea that a bunch of people on the internet would pool their money together just to buy a thousand strangers in Denver ice cream cones amused me.  (Amused me enough that I threw in a few ducats for the Kickstarter campaign for the project.) 

So, yeah, it's pretty much Jordan Morris and Jesse Thorn from the Jordan, Jesse, Go! show just being silly as they help distribute a thousand ice cream cones.  But it's still fun.

Plus: ice cream.  No feature about ice cream can ever be bad. 

Note: I'm not a comedy podcast person, so I can't say that I'm a Jordan, Jesse, Go! listener (yet), but I am a big fan of Thorn's Bullseye show, which I recommend tracking down via podcast if it's not on your local public radio station.