How I Got Here: Lucky Diaz (The Jimi Hendrix Experience: Are You Experienced)

With the recent release of Lishy Lou and Lucky Too, Lucky Diaz and the Family Jam Band continue their run of bright and poppy kids music for the 21st century.

And so, as often happens when I get these "How I Got Here" essays, I was a bit surprised when I got Diaz's recollection of discovering Are You Experienced  by The Jimi Hendrix Experience -- was I expecting something shinier, I don't know.  But I think one of the lessons I'm learning in doing these is that context is everything, and it doesn't take a lot for a piece of music to change your life.

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One of the most vivid days of my childhood -- I believe it was a crisp early evening 1989, and for California, about as Fall as it gets -- I was riding my bike home from a friend's house.  In my back pocket was a Maxwell cassette tape (yes, I know let's all spare each other the- ‘man I'm so old comment’…) with the words "Are You Experienced" scribbled on it. My friend Ben had given it to me. He told me it was a guy named Jimi Hendrix and that I had to listen to him. Ben, already obsessed, had pilfered it from his father's pile of amazing cassettes and LP's which included Bob Dylan, Fleetwood Mac, and the Beatles, among other epic things I had no clue about yet.

At the time, I thought very little about the tape, and to be honest, it must have laid on my nightstand for a couple of days. At this point, I had been learning the guitar for about a year. I was obsessed with Chuck Berry, Stevie Ray Vaughn, Eric Clapton, and just about every guitar hero ever to roam the earth. Ironically, I was unaware of the greatest guitar slinger all. The man that defined the term.

I had heard the name Jimi Hendrix before, from my second cousin, April, who our family affectionately coined La Cuckoo. La Cuckoo was older than me by about ten or so years. As a young child, I remember her wearing a tie-dye shirt that sported Jimi Hendrix's iconic image. I once asked her who it was and she told me, Jim Hendrix. I said, "Who's that?" To which she replied, “One day he will blow your mind.”

My 8-year-old self had shrugged it off. I already didn't trust La Cuckoo. She once promised to make me a clown for Halloween. The memory of screaming my head off in horror as she spun me around to see myself in the mirror, only to discover that she instead painted me up to be Gene Simmons from KISS was still fresh. But I digress…

A few evenings later, I noticed the tape peeking out from under some comic books on my nightstand, and decided to finally give it a go. I put the tape in and pressed play.  The intro to " The Wind Cries Mary" began…

La Cuckoo was right.

Mind blown.

Never had I heard the guitar in such an incredible way. A chorus of voices. A true voice. Never had I heard the guitar sing, scream, yearn and expose. The hammer ons, the bends, the technique. Nothing like it now, and nothing like it since.

Song after song, more and more. The first piece of art I HEARD. A masterpiece of Mitch Mitchell on drums, Noel Redding on bass (or Jimi depending on historical accounts). A trio, creating a cacophony of organized insanity. Motown, the Blues, Pop, Jazz -- all of it. THIS WAS A BAND! There, in one vacuum of madness.

I sat there for what must have been three days of a long weekend, coming downstairs only for food and water. In my room, analyzing every second of that cassette tape over and over, side after side. Grabbing my guitar, trying to replicating what I heard, failing miserably, loving every moment of it. When I finally came up for air, I went to my local music shop looking for a Fender Stratocaster of my own.

I never stopped listening to that cassette.  I even packed the tape with me to take to music college.

I still am listening.

Never looking back, experienced. 

Newborn: Danny Lion (AKA Dan Flannery)

I usually reserve this "Newborn" series for artists fairly new to the kindie scene, but while the name Danny Lion is new, there's a fair bit of experience behind it. 

Chiefly, it's Dan Flannery, who as half of the Flannery Brothers with his brother Mike, has put out a handful of kids music albums over the past few years.   Unlike a lot of kids musicians, whose music's sweet spot age-wise tends to creep up slightly over time, in this new project Flannery moves the other direction, pitching his music at a slightly younger crowd, pretty much exclusively preschoolers.  Flannery reports that the songs were written while he was teaching preschool and getting a master's in child development.

But we're mostly just interested in the music, and the tracks you can listen to right now are simple (ukulele, bass, cajon, and that's it) and a whole bunch of fun.   That's good enough for me.  If you like the simple arrangements of toddler favorites like Caspar Babypants, or Old Town School of Folk Music Wiggleworms CDs, I think this merits your attention.

Weekly Summary (9/30/13 - 10/6/13)

Itty-Bitty Review: Bear Hunt! - Josh and the Jamtones

Those of you who've seen Josh and the Jamtones in concert know that to call them high-energy is to underestimate the degree of enthusiasm they bring to a live gig.  The band Brings It.

You can hear a lot of that energy on Bear Hunt!, the third album from the Boston-area band.  The exclamation at the end of "Everybody Dance!" isn't window-dressing, it's a near command, and those kids who are still standing after that song probably won't make it through the next song, the just-as-energetic "Pirate's Life."  ("Snow Day" and the  similarly amped.)  The band gets an assist from occasional Dan Zanes collaborator Father Goose, an appropriate guest artist given the band's reggae and roots rock tendencies, on a couple tracks -- who knew "Swing Low" was a song about coming home from school?

I am not generally a big skit fan, and while Josh Shriber and chief musical collaborator Patrick Hanlin, generate quite a few laughs in their 4 skits that reenact in a skewed way the classic "Bear Hunt" song, devoting about 40% of their album's 44 minute run time to the skits takes away a lot of the energy generated by the songs themselves.  They felt more appropriate for live show banter.  (Judge for yourself, perhaps, by listening to the stream of four of the songs album, best for kids ages 3 through 7, below.)

Josh and the Jamtones are definitely a band to watch as their live shows have attracted a lot of attention.  The music on Bear Hunt!  doesn't try anything new, but is given a bit of flash and shine and if it doesn't make your family laugh, at the very least it's probably gonna make you dance.  Recommended

Note: I received a copy of the album for possible review. 

Review: Lishy Lou and Lucky Too - Lucky Diaz and the Family Jam Band

It is fun to see artists who initially just dip their toes into the family music pond dive in as they get more comfortable in their new waters. 

To extend the metaphor a little bit, when it comes to family music, Lucky Diaz and the Family Jam Band have plunged in with scuba gear and a new houseboat.   Since releasing his debut EP Luckiest Adventure a little more than 3 years ago, Diaz has acquired a full-blown band, married dynamo Alisha Gaddis, and barely stopped to take a breath.

On their fifth and latest album, Lishy Lou and Lucky Too , the couple's energy is used to enliven the record's conceit, loosely structured around the "Lishy and Lucky Radio Show," which may soon be transitioning to a TV show.  The album features a cast of wacky characters (a time traveler, a traveling salesman, a nosy neighbor) united in their taste for bad puns.  The jokes told in the interstitial sketches may amuse your local kindergartner, but will likely generate groans in the adult set.

They sit somewhat uneasily here because they interrupt the true stars, the songs themselves.  Co-written by Diaz, Gaddis, and Michael Farkas, many of them are irrepressible pop hits.  "Thingamajig" is a top contender for the year's best kindie pop song, while "Pockets," about Farkas' character who only communicates via instrument, has a strutting feel.  (The theme song is pretty darn catchy, too.)  It's not solely uptempo -- "Goodnight My Love" is a tender lullaby with nifty guitar work from Diaz. 

The 35-minute album is most appropriate for kids ages 4 through 8.  On one level, the album is an introduction to an actual TV show Diaz and Gaddis hope to make featuring all the characters on the album, and I think that concept will work better there than it does here.  But on another level, with songs about Jackie Robinson and Amelia Earhart, along with the fabulous album closer "When I Grow Up," ("When I grow up / I won't close my ears / to things I may not want to hear"... "When I grow up / I'm gonna dream / farther than my eyes can see") the album is also a celebration of dreamers and doers, of taking chances like Diaz and Gaddis are doing.  On that level, the album succeeds fabulously.  Definitely recommended.

Note: I received a copy of the album for possible review. 

World Premiere Video: "For Halloween This Year" - You and Me and the Rain (Lori Henriques and Todd McHatton)

You and Me and the Rain Cover Art lowres.jpg

It's been a busy past few weeks for Los Angeles' Todd McHatton.  Last week saw the release of his (first) EP and animated show with Mista Cookie Jar as part of Todd and Cookie.

This week, another new band he's a part of, You and Me and the Rain, is unleashed upon the world.  His partner in this effort?  Portland's Lori Henriques.

The first product of their collaboration is a duet about Halloween creativity called "For Halloween This Year," though to call it a "duet" sells it short by half, as both Henriques' older child and McHatton's younger one make vocal contributions.

The idea of combining Henriques' jazz and showtune sensibility and McHatton's psychedelic kindie was not obvious to me when I first heard of it, but their shared taste for nifty wordplay ("is rogue in vogue this year?") and their well-matched vocal tones shows that this could be very fruitful.  What could come from this? It's fun not knowing.

In any case, I'm pleased as punch to present the world premiere of the song's video, directed by Gina and Todd McHatton and offering low-cost, high-imagination costumes for Halloween (or anytime of year).

You and Me and the Rain (Lori Henriques and Todd McHatton) - "For Halloween This Year" [YouTube]