There are a number of releases in the works for the rest of 2007, but none I am anticipating more than the second album of South Carolina-based trio Lunch Money. It's approaching three years since the release of their debut CD, the small gem Silly Reflection (review), and that's just way too long, y'know? Their lo-fi songs, slightly remiscent of Yo La Tengo or Spoon at its most minimalist, have stayed fresh after repeated listening...
So thanks to Gwyneth, who caught the band's set at Chicago's Summer on Southport Festival a couple weeks ago, and preserved this new track for the world (or at least the world with access to YouTube) to see. "Cookie As Big As My Head" is another instantly catchy melody (though the bass seems particularly high in this mix) married to sharp lyrics ("By the way, my cookie policy is / I'm a chocolate chip girl / We can [something] Pecans and walnuts / [something else] Is winter coming? / Are you trying to tell me that I look like a squirrel? / I want a cookie as big as my head...") OK, I'm sure the lyrics will be sharper on disk. [Note: Thanks to Lunch Money songwriter extraordinaire Molly Ledford for setting things straight in the comments.]
New Music from the Jellydots: "San Diego"
The Jellydots traveled to Charlotte, North Carolina about a month ago to perform at the Tricycle Music Fest. In addition to performing a special version of their hit "Bicycle" (take a wild guess at how they modified it and watch here to see if you guessed correctly), they debuted a song from their upcoming album.
Musically, it's got a sunny, late-California afternoon sort-of vibe. It's sort of hard to make out the lyrics in the muddy audio mix, but the chorus is pretty clear:
"Why don't we go to San Diego? / We can sign up this year / Why don't we go to San Diego? / I'm gonna pack up my gear."
The song seems pretty relatable to kids, but considering the line midway through - "It gets so hot in Texas" - it seems like this is a case of real (adult) life inspiring the song, as Jellydots main man Doug Snyder recently moved from Austin to here in Phoenix. Now, ordinarily I might cry foul ("Hey, where's the song about Phoenix?"), but I gotta tell you, "Phoenix" is not nearly as easy to stick in a chorus as "San Diego."
"Why don't we fix transportation in Phoenix?"
"Why do I get neck cricks looking at houses in Phoenix?"
So Doug gets a pass.
Anyway, enjoy.
Here They Come To Save the Day
My wife, daughter, and I went to see Ratatouille this weekend and one of the previews was for a live-action version of the fondly-remembered cartoon Underdog. Based on the preview, the new movie looks -- what's the critical phrase here? -- really crappy. The one and only upside is that a movie about a dog did not use the song "Who Let the Dogs Out?" in the preview. (Really, how did that not happen? The Baha Men must be looking for a new agent right about now.)
Still, the movie's producers are missing a great opportunity here -- the lead single off Austin City Limits Festival band Spoon's awesome awesome awesome album Ga Ga Ga Ga Ga is entitled "The Underdog." And it rocks. The political subtext will go over the heads of the kids, but it's completely OK for 'em.
In case you haven't heard it, you can hear Spoon play with a horn section of about six dozen on Letterman's show here.
Or watch the original video (with apparently a Daniel Handler -- Lemony Snicket -- cameo at about 2:31) below:
Are Rufus Leaking and Meg White an Item?
I haven't spent nearly enough time talking about the inspired weirdness of Pancake Mountain, but for now, these YouTube videos will have to do.
And, frankly, with hipsters (The White Stripes, Wayne Coyne, Lily Allen, Lewis Black) at Bonnaroo, low-fi production values, and Rufus Leaking, the greatest goat this side of The Sound of Music, these clips pretty much tell you all you need to know.
Rufus and Meg don't exchange many words, but I think it's love...
Highlight on this one -- Wayne Coyne and friends singing "Daydream Believer"
Highlight here -- "John the Revelator" duet with the White Stripes and Rufus
(Thanks to Stereogum for the heads up.)
For what it's worth, the video below, the Mountain's first (going back a number of years), is -- all due respect to They Might Be Giants -- the best vowel song ever.
The Evens - "Vowel Movement"
I tell you, this idea of culturally cool stars on TV shows ostensibly for kids is such an invention of this generation of parents.
(Of course, at least we don't post Confederate flags in our music videos.)
A Tale of Two Songs (and Videos)
There are at least a couple videos for songs off the latest Putumayo collection for kids, Animal Playground (review).
The first is for Asheba's "No More Monkeys," a song which I freely admit that I don't like (and that, frankly, is putting it mildly. Which I do a lot.) The video is not without its charms, however, and I think it's fun for kids.
Now, the true discovery on the disk is the Be Good Tanyas' "The Littlest Birds," which was the leadoff track on their debut Blue Horse. This video, while kid-appropriate, isn't the most exciting in the world. But the song -- that song is great.
So here's the deal -- tell them you'll let 'em watch "No More Monkeys" if they watch "The Littlest Birds."
Because parenting is all about compromise.
(Thanks to Z Recommends for the heads-up on the Be Good Tanyas video.)
KidVid: "The Elephant Song" - Eric Herman
I've mentioned before how much I like "The Elephant Song" by Eric Herman. Very simple, a catchy melody, and an idea almost infinitely adaptable to whatever you want to sing about. ("Trucks, I love trucks, I love the way they zoom high through the clouds..." "The Diamondbacks, I love the Diamondbacks, I love the way they have a really high team batting average...")
Anyway, it's been around for awhile, but the song's video (animated by Eric's wife Roseann) hit the big time this week -- YouTube's front page.
It's the best hand-animated video since A-ha's "Take On Me," though its chunky computer animation is more "Money For Nothing," I suppose.
