The list continues. I'd been planning to post this entry this morning, so I found the fact that somebody just posted a comment on the last list of "Hey, whatever happened to the rest of the list?" amusing.
And to think I originally thought I'd crank these out in about two weeks.
In any case, here are the previous entries:
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35. "All Through the Night" - traditional: A traditional Welsh lullaby with less than straightforward lyrical hurdles to jump ("Soft the drowsy hours are creeping / Hill and dale in slumber steeping"), it's the melody that makes this classic. I'm amazed that this isn't covered more -- it's not like the lyrics are that difficult -- easily within the reach of a parent tired of singing more familiar lullabies. (Listen to a sample from Mae Robertson's rendition here.)
34. "Skidamarink" - traditional: Most uptempo lullaby ever. Actually, I'm not sure it's even a lullaby -- I just first heard it on a lullaby album. Compared to the very serious lullabies (see #35, for example), this is a refreshing alternative. (You can hear a sample of the version that introduced me to the song here. Listen to a sample from the Old Town School of Folk Music rendition here. A bit more uptempo.)
33. "Skip To My Lou" - traditional. There's the innocuous version ("Fly's in the buttermilk / Shoo, fly, shoo") and the embittered, scorned-preschooler version ("Lost my partnet / What'll I do?... / I'll find another one / Prettier than you"). (Raffi does the innocuous version, Bullfrog Jumped includes the other version.)
32. "If You're Happy and You Know It" - traditional. One of those songs that if you're the least bit cynical and tired you're just not going to appreciate. But it's a very simple song that kids have fun with -- who doesn't like clapping their hands or stomping their feet when they're 3? (The Old Town School of Folk Music -- who else? -- does a fun version on Songs For Wiggleworms -- sample here.)
31. "BINGO" - traditional. Actually, this is kinda hard for kids to completely master, though they'll have fun clapping. Now that I think about it, by the time the song gets to "clap, clap, CLAP CLAP OH!," I still have problems with it. Unfortunately, I can't think of any must-hear versions of the song -- it's too prescriptive for massive creativity. (Still, you can always go back to Wiggleworms Love You here.)