Not really sure what Amazon's been thinkin', but somebody last month must have said, "Hey, you know what would be cool? Free kids' music!" And, then, actually followed through on that idea, because now there are a handful of free EPs for the digital downloading, with easily 15 to 20 good songs worth your time. Justin Roberts leads the pack with his, er, Snack Pack EP, featuring songs from 5 of his albums. You probably have some of these already, but maybe not the earlier songs ("Little Raindrop" or "Billy the Bully"), and if you don't have any of them, then get over there pronto. The real find in the craziness is Roberts' fellow Chicagoans Bloodshot Records' Fun For All Ages sampler, which includes seven tracks from four fine albums, Songs for Wiggleworms, Wiggleworms Love You, Animal Crackers, and The Bottle Let Me Down. Do not hesitate in picking up this album, the Alejandro Escovedo track is especially lovely. But that's not all. VeggieTales aren't for everyone (particularly if you're not religious and you're listening to their Bible-based stuff), but their silly secular stuff can be fun no matter your denomination or lack thereof. Their Five Super Silly Songs EP is exactly that; it includes versions of a couple songs that were big hits on Kids Place Live, "The Hairbrush Song" and "The Pirates Who Don't Do Anything." What's that? You want more? How about some Sesame Street? Their Amazon sampler has a more energetic version of "Ladybugs' Picnic" than you might be familiar with (but it's still good) and also features "What's the Name of that Song?" You can also pick up an EP from the Wiggles as well as a Cedarmont collection and a sampler from a Rockabye Baby-style knockoff called "Cradle Rock." Not my thing, those last two, but your mileage may vary.
35 posts about music is not such a big deal -- I'm pushing 700 here. But 35 posts in a week? Now that's impressive. That's exactly what the enterprising folks over at Z Recommends have done with their Music Week. There's a healthy list of reviews up, but what's interested me the most is the interviews: Veda Hille from Duplex, Tito Uquillas from the Hipwaders, and Stephin Merritt. And there's more to come -- Jason Trachtenburg, Morgan Taylor (Gustafer Yellowgold), and Uncle Rock. Worth your time. Oh, and a guest review from yours truly. File under oldie-but-goodie.
The list continues. I'd been planning to post this entry this morning, so I found the fact that somebody just posted a comment on the last list of "Hey, whatever happened to the rest of the list?" amusing. And to think I originally thought I'd crank these out in about two weeks. In any case, here are the previous entries: Songs 36 through 40 Songs 41 through 45 Songs 46 through 50 And don't forget, there's still time to enter the contest. You can win a free CD! 35. "All Through the Night" - traditional: A traditional Welsh lullaby with less than straightforward lyrical hurdles to jump ("Soft the drowsy hours are creeping / Hill and dale in slumber steeping"), it's the melody that makes this classic. I'm amazed that this isn't covered more -- it's not like the lyrics are that difficult -- easily within the reach of a parent tired of singing more familiar lullabies. (Listen to a sample from Mae Robertson's rendition here.) 34. "Skidamarink" - traditional: Most uptempo lullaby ever. Actually, I'm not sure it's even a lullaby -- I just first heard it on a lullaby album. Compared to the very serious lullabies (see #35, for example), this is a refreshing alternative. (You can hear a sample of the version that introduced me to the song here. Listen to a sample from the Old Town School of Folk Music rendition here. A bit more uptempo.) 33. "Skip To My Lou" - traditional. There's the innocuous version ("Fly's in the buttermilk / Shoo, fly, shoo") and the embittered, scorned-preschooler version ("Lost my partnet / What'll I do?... / I'll find another one / Prettier than you"). (Raffi does the innocuous version, Bullfrog Jumped includes the other version.) 32. "If You're Happy and You Know It" - traditional. One of those songs that if you're the least bit cynical and tired you're just not going to appreciate. But it's a very simple song that kids have fun with -- who doesn't like clapping their hands or stomping their feet when they're 3? (The Old Town School of Folk Music -- who else? -- does a fun version on Songs For Wiggleworms -- sample here.) 31. "BINGO" - traditional. Actually, this is kinda hard for kids to completely master, though they'll have fun clapping. Now that I think about it, by the time the song gets to "clap, clap, CLAP CLAP OH!," I still have problems with it. Unfortunately, I can't think of any must-hear versions of the song -- it's too prescriptive for massive creativity. (Still, you can always go back to Wiggleworms Love You here.)
With experience singing in Old Town School of Folk Music Wiggleworms classes, Chicago-based Ann Torralba would seem a logical choice for recording a CD targeted at the preschool set. And sure enough her debut kids' CD as "Little Miss Ann," Music For Tots, is geared for exactly those kids. A folk-poppy blend of traditional kids' songs, covers, and originals, the 22-minute disk is notable for its arrangements, which take out-of-the-ordinary approaches to familiar songs. Sometimes these arrangements sound great, such as on "You Are My Sunshine," which is given a different melody and jazzy percussion background, or "Pirate Ship," which employs a tin whistle to fun effect. Other tracks' arrangements aren't as endearing (the rhythm on the Pete Seeger-inspired "Edamame" was just, well, too angular, for example), but Torralba gets points for at least trying something different. (And I particularly enjoyed the Torralba originals.) The disk is appropriate for kids ages 1 through 5. You can hear samples of all the tracks (and purchase the CD) here. With its reinterpretations of traditional songs, this disk would work really well in preschool programs. And while I don't think the CD will become the favorite of many families, Little Miss Ann's musical and lyrical re-interpretations on Music For Tots are good for the occasional sing-along for young families.
I begin here by noting my tremendous affinity for Chicago's Old Town School of Folk Music, or at the very least, for the Wiggleworms CDs they've released -- longtime readers will know I'm a big fan. That doesn't even get to the School itself, which for fifty years has provided countless hours of musical instruction and performance for Chicago-area residents, old and young alike. Jealous? Me? Living hundreds of miles away? Just a little. (OK, a lot.) So with great enthusiasm that I gave their Old Town School of Folk Music Songbook Volume One, released by Bloodshot Records (another Chicago institution, though not quite as old), a spin and held my breath -- could it somehow meet my expectations? And the answer is, well, yes. Over the course of 23 songs in 77 minutes, the album puts together songs well-known and not, from artists well-known and not. There's so much here to listen to that singling out a few songs seems unfair to the album, but life's not fair, which is itself a lesson that's heard on a few songs here. So then, three songs: "Take This Hammer" -- Jon Langford gives an exuberant reading of this folksong, first collected in 1915, his raspy voice accompanied by his guitar and Rick Sherry's jug and percussion. It's an old song, but it sounds tailor-made for the 21st century. "Drunken Sailor" -- Dan Zanes shows up with his band in full "Sea Music" mode, giving a idiosyncratic mid-tempo version of the song. It's not the full-tempo, punk-pirate version one commonly hears, but the band's musicianship and their voices -- I love that band's set of pipes -- actually help you hear the lyrics and appreciate them. "Salty Dog Blues" -- If "Drunken Sailor" is the song you're not sure you should be playing for your 5-year-old but you do anyway, Rick Sherry's rendition of "Salty Dog Blues" is not safe for the younguns, lest you be asked to explain what it means to be someone's "salty dog." (I, on the other hand, as a fully-capable adult, think the cut is great.) There are some songs that seemed too reverent for my tastes, but that's a personal thing, and all the tracks are well-done. People more familiar with the folk canon may have different views, but I also think the album really begins to pick up speed in the second half where the songs are more familiar -- "St. James Infirmary," "Down in the Valley," an excellent "Wayfaring Stranger" from John Stirratt. Even setting aside "Salty Dog Blues," there's little here lyrically that would engage younger kids, so I think it's probably most appropriate for kids ages 8 and up. (Not saying that there aren't tracks appropriate for younger kids, such as Erin Flynn's reading of "Amazing Grace," just that this probably isn't your first choice.) You can download a couple tracks from the CD at Bloodshot's page for the album. (And here's my own suggestion, free of charge, for the School -- a bound, printed version of the Songbook, with chords and lyrics, would rock.) Old Town School of Folk Music Songbook Volume 1 is a solid collection of folksong recordings that reflect not only the strength of America's musical heritage but also of the School itself. Families with older kids should definitely check it out. The name "Volume 1" implies that more are on the way, and for that, I can't wait. Recommended.
Here's a list of songs for mothers or songs about mothers, in no particular order. I've avoided lullabies (songs by moms, typically), as well as songs about general parentual units, or songs about moms and dads. If a song isn't on the list, it's because of one of the three "O"s: Oversight (I knew about the song and just forgot), Omission (I knew about the song and chose to exclude it), or Obtuseness (I didn't know about the song at all). I expect the third category to be fairly large, so feel free to add your suggestions in the comments section. And most (if not all) of these CDs are reviewed here, so if you're not familiar with a CD, look at the review sidebar to the right. (By the way, Fran had the same idea and got there first, but between the two of us, I think we ought to come up with a decent mix CDs.) ****************** "Mama Don't Allow" -- numerous versions; try Brady Rymer's version off of Every Day Is a Birthday "Mama Hug" -- Brady Rymer, Every Day Is a Birthday "Mama Is Sad" -- Justin Roberts, Yellow Bus (it's a song about divorce, so I'm guessing it's not gonna go on too many mix tapes) "Five Little Ducks" -- try version on the Old Town School of Folk Music's Songs For Wiggleworms "Thank You Mommy" -- The RTTs, Turn It Up Mommy! "The Coffee Song" -- Ralph's World, At the Bottom of the Sea (not really about moms specifically, but it was the first song that came to my wife's mind when I mentioned the topic of the post) "Hush Little Baby" -- try version on the Old Town School of Folk Music's Wiggleworms Love You, though it's just as often that Dad is the person buying baby that billy goat "Mother and I" -- Bill Thomas (and a Circle of Friends), Time Can Be So Magic