Review: Born in the Deep Woods - Red Yarn

Born in the Deep Woods cover

Some artists take tentative steps into kids music, but Andy Furgeson seemed to know exactly what he was doing from the get-go.  Playing as Red Yarn, the Austin-bred, Portland-based musician and puppeteer brought the fervor of a revival to his first kids' album, 2013's The Deep Woods, and then doubled-down on that feeling with his 2015 follow-up, the appropriately titled Deep Woods Revival.  Both albums brought energy and emotion to old folk songs to make those old songs sound urgent and vital.

After a 2016 detour into some stripped-down arrangements on Wake Up and Sing, Furgeson is back with the final entry in his "Deep Woods Trilogy," Born in the Deep Woods.  If the first two Deep Woods albums sound like they were recorded in a church somewhere, this new album has a much more Southern-fried rock sound.  Not quite in a bar, perhaps, but not exactly church pew, either.  For everyone who ever thought what Red Yarn needed was more cowbell, Born in the Deep Woods is the album for you.

The title track, a Furgeson original, has a driving sound that might fit in more with the earlier albums, but "Old Mother Goose" definitely has that Southern "classic rock" sound even as it weaves together some traditional nursery rhymes like "Hey Diddle Diddle" and "All Around the Mulberry Bush."  There are more completely original songs on this new album -- four or five depending on how you're counting -- than on previous works, but I think it's a testament to Furgeson's songwriting skills and his production work alongside co-producer Adam Selzer that it can hard be hard to tell his takes on songs sung for generations apart from the ones written for and inspired by Furgeson's two kids.

Furgeson knows how to have fun with a song -- check out the video for "Mockingbird," in which Furgeson plots the detailed musical background of the song with a detail rivaling the search for the Zodiac Killer -- but he seems particularly focus on the meaning of parenthood.  Songs like "Little Baby Born Today," "Old Black Dog," and "Deep Woods Revisited" address life -- both birth and death -- in the tone of voice of a parent.  The epic "Born Again" does, too, filled with slide guitar instrumental breaks and lines like "When we reach our destination / Across the river, across the nation / We find we're right back where we came from."  Could the Allman Brothers record that song and have it sound a little bit like the Red Yarn track?  Most definitely.

Born in the Deep Woods is not a kids music album, but only to those who haven't spent a lot of time thinking about kids music.  There's an alphabet song on here that even though I'd listened to the album a half-dozen times I didn't realize it until I looked at the lyrics.  (Which you should totally do if you decide to get a copy of the lovely physical copy.)  It is an intricate album, and while it's appealing musically and not cryptic in any way, for some listeners, the simpler Wake Up and Sing may be the better entry point to the Red Yarn discography.  You could put this album on for the 10-minute drive home from school, but it fits more a 45-minute Lego construction session.

I, for one, am looking forward to where Furgeson moves on from Born in the Deep Woods.  The Deep Woods have been a rich source of inspiration for the Red Yarn albums, but I also think that his songwriting on this album in particular indicates he can look beyond the folk music tradition that's informed so much of his work.  Not that he'd ever abandon that music -- and I don't want him to -- but I'm more interested at this point in seeing where he goes next than in further expansion of the Deep Woods mythology.  I hope he comes back to the Deep Woods in time, but I'd like to see what he discovers when he ventures out further to explore.  Highly recommended.

Note: I was given a copy of the album for possible review.

Newborn: The Binkees

The Binkees! album cover

I'm not suggesting that everybody starting out in kids music send me an e-mail that describes the music they're making as "The Boogers with a west coast bent," but when I get such an e-mail, that's a good way to get me to listen.

Even better, I think that's a pretty darn good description for the music of The Binkees.  With a blast of punk air that to me that does have a lot of echoes of West Coast bands like Green Day, their self-titled debut album mixes covers of traditional kid favorites ("This Old Man," The More We Get Together") with some originals ("Night Light," "The Green Stuff").  Unlike some albums which take traditional kids' songs and run them through a genre blender, resulting in something that sounds like a challenge completed, this sounds like an actual album, with plenty of diversity in the tracks' musical approaches.  (Their take on "Michael Finnegan," which cycles through several different musical styles, is about the only one I've ever heard that's held my interest through that repetitive song.)  Ten solid songs in twenty minutes, that's how it's done.

The band is based in the San Francisco Bay Area, and guitarist and lead singer Toño Ramirez notes that much of the album was recorded at Hyde Street Studios, which has recorded a ton of California rock and punk bands, including the Grateful Dead, the Dead Kennedys, Green Day, Cake, and more.  Don't know if The Binkees will have as long a career as those bands, but based on their debut, I hope there's at least a little more music to come.  The Boogers should be glad to welcome The Binkees to their corner of the kindie playground.

You can stream the entire album here or on Spotify via the widget below.

Radio Playlist: New Music March 2017

I'm still trying to catch up with the relatively few playlists recently, so this month's playlist is chock-full of music, 41 minutes' worth to be exact.  (The last list, from January, is right here.)  Long enough to get you to and from school/doctor's appointment/errand of choice.

As always, it's limited in that if an artist hasn't chosen to post a song on Spotify, I can't put it on the list, nor can I feature songs from as-yet-unreleased albums.  But I'm always keeping stuff in reserve for the next Spotify playlist.

Check out the list here (or right here in you're in Spotify).

**** New Music March 2017 (March 2017 Kindie Playlist) ****

"A Fact Is a Gift That You Give Your Brain" - StevenSteven

"Night Owl and Early Bird" - Jim and Jayne

"Buccaneer on Broadway" - The Might Magic Pants

"Raise a Ruckus" - Hullabaloo

"Symphony for Dogs" - The Moonlights

"Tongue Tied" - Randy Kaplan

"Domino Knock" - Dog on Fleas

"Upstream" - Pointed Man Band

"Truly Peculiar" - mömandpöp

"Hill and Gully Rider" - Little Miss Ann and Amy D

"Old McDonald's Vacation" - Jacob Johnson

"I Got You!" - The Little Ditties

"Rhythm and Blues" - Julie Frost Kids

"Anything Song" - Mr. Daniel

"Michael Finnegan" - The Binkees

Video: "Vegetables" - Rabbit!

The Golden Carrot album cover

It's been a case of long-time-no-hear for the band Rabbit!  They released the kid-friendly album Connect the Dots in 2010, another EP called The Hopscotch EP the next year along with a cute video for their song "Magic."  

They took a hiatus for a few years starting in 2012, but now they're back with a brand new EP called The Golden Carrot EP.  The 5-song EP is out on March 21st and for the most part, the music is hook-y, bubbly pop that nobody would think was "kids music" unless somebody put it in that box for them.

One track, though, definitely has a younger audience in mind, and that's "Vegetables."  While regular readers will know that I'm not a big fan of "educational" music, but just as a well-prepared dish of veggies will get kids to eat foods they need, if the song's catchy and has a sing-along chorus, you can sing about just about anything.  That's the case here, and with doctor/rapper ZDoggMD adding vocals and a cute lyric video bursting with color and energy, I think kids will want at least one serving.  Maybe more.

Rabbit! - "Vegetables" [YouTube]

Monday Morning Smile: "When I Grow Up" from Matilda the Musical

I finally had a chance to see Matilda the Musical recently and I'd recommend seeing it if musicals are at all your family's thing.  (The show recently closed on Broadway, but a touring production continues to make its way across the country.)  Based on the Roald Dahl novel, it's obviously kid-friendly enough for the youngsters and.... based on the Roald Dahl novel, it's obviously subversive enough for the no-longer-youngsters who tag along.  The music and lyrics from Australian comedian Tim Minchin (who's also done the music and lyrics for the new musical of Groundhog Day) do a good job of matching Dahl's tone.

One of the musical's high points is "When I Grow Up," which features wistful lyrics that will sound quite different to kids' ears than to adult ears.  Matched with some gorgeous choreography on swings, it's a moving moment in the show.

London Cast of Matilda the Musical - "When I Grow Up" [YouTube]

Review: Between the Waves and the Cardoons - Pointed Man Band

Between the Waves and the Cardoons cover

The first time Dan Elliott's Pointed Man Band made its way on this site, it was in a heads up nearly four years for a Kickstarter project I stumbled upon randomly.  The resulting album, Swordfish Tango, echoed Tom Waits not only in that album title, but in sonic construction.  The result was a weird amalgam of pots and pans and strings and a song that led me to include a tag for "fart songs about invisible ducks" in the post.  (Sadly, it's the only post on this site for that tag.)

The second PMB album Flight of the Blue Whale hung the jazz and Parisian pop tendencies of the debut onto a story of a red fox who works as a clock repairer and his adventures, which eventually involve a flying blue whale.  More focused thematically, perhaps, but no less weird sonically.

Now it's time for the release of Elliott's third album, titled Between the Waves and the Cardoons, and it's a straight-up dance-pop album with songs about how to brush your teeth!

Of course it's not.  It's every bit as oblique as the first two albums.  Conceptually, it's a story cycle with loosely-related songs about nature, moving roughly from Oregon's west coast ("The Waves," "Anchor's Aweigh"), up the Columbia River with the salmon ("Upstream"), and, after other songs about (actual) birds and the bees, eventually winding up with "The Cardoons," a celebration of family and community.  (Cardoons, incidentally, are a lesser-known relative of the artichoke.)  Sonically, this album is far less Waits and far more Decemberists, with Elliott emphasizing the orchestral chamber pop that his fellow Portland musicians sometimes use, though with far less death and betrayal than Colin Meloy et al often sing about.  String quartets, brass, even a harp, and a mellotron and Steinway grand piano thrown in for good measure, there's a lot of orchestration going on.

Between the Waves and the Cardoons is a picture book in multiple meanings of that phrase, but not a simple one with clear pen lines and punchlines.  I like those sorts of picture books, too, but like to have more complex, more challenging picture books thrown into the mix.  (This 30-minute picture book is probably best for kids ages 5-9.)  The album might not be everyone's cup of nettle tea, but if you've read this far thinking, I think my family might be interested in that, then I think your family will definitely be interested in that.  Recommended.

Note: I received a copy of this album for possible review.