Review: KidQuake - The Not-Its!

On the fourth album KidQuake, Seattle's Not-Its have ​settled nicely into their kid-pop-punk groove.  Of course, "settling nicely" implies that perhaps this is a more relaxed and down-tempo album than its predecessors and that would be a total lie because this is one of the worst just-before-bedtime albums ever.

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It starts out with the title track, which praises kids' energy (and hopes to channel it into changing the world), then moves on to the even higher-energy "Let's Skateboard" (if you, like me, listen to the song and wonder what a "stalefish" is, here's your answer).​  And then there's "Busy," which alternately celebrates the busy lifestyle (lots of "go's" and horns) while sonically suggesting that we're just all a little too busy.  Band guitarist Danny Adamson sometimes jokes about new Not-Its songs "melting faces off," but this is definitely music to bounce to, with Sarah Shannon's vocal range another key component of the song's allure.

​The band's lyrics and subjects have always been targeted right at young elementary schools, and over time I think they've improved their ability to write from the kids' perspective without talking down to them.  Songs like "Participation Trophy" ("Second Grade basketball: 9th place! / Participation Trophy") and "Tarantula Funeral" ("Bob, we didn't know you very well / We never could tell just what you were thinking") serve as good counterpoints to the more eager/irony-free songs like "Walk or Ride."

The 28-minute album is most appropriate for kids ages 4 through 9.  ​You can stream the whole album here.  As always, the band's album packaging (once again courtesy of Don Clark) is visually distinctive, a nice complement to their tutu-ed and black-tied performance outfits.

From their debut album, the Not-Its have not made any great stylistic leaps, but rather have refined it.  There's something to said for the methodic steps the band's taken, because KidQuake​ is their best album yet, a blast of fresh air, and a ton of fun.  Highly recommended.  (Except for right before bedtime.)

[Note: I was provided a copy of the album for possible review.]

Review: Vamos, Let's Go! - Moona Luna

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Musically digging into the crates of records from her past, Moona Luna bandleader Sandra Velasquez finds the sound of 50 years ago on the second Moona Luna album, Let's Go!.

It's not so surprising that "Do You Remember? (¿Te Acuerdas?)" has a girl-group sound given that song title, but Velasquez also turns lots of other basic preschooler and early-elementary school topics -- writing letters, telling time, the seasons -- into tightly-written songs that mimic the distinctive keyboards, rhythms, and vocal harmonies of post-Bill Haley rock-n-roll.  (If you're like me, you'll probably spend not a small amount of time playing "spot the musical reference.")

Of course, this is Moona Luna, so this is all done with a Latin spin.  The songs are strictly bilingual, giving English and Spanish lyrics equal weight, and I think Velasquez is getting better at integrating the two in her songs.  ​Songs like "What Time Is It? (¿Que Hora Es?)" and "One of Those Days (Uno De Esos Dias)" have a distinct Latin sound thanks to the use of the accordion, and of course you can't reference rock and roll from the late 1950s without sounding a bit like Ritchie Valens.

​The 26-minute album is most appropriate for kids ages 3 through 6.  You can stream the whole album here.

​Despite the surge in interest in bilingual music for wee ones, Moona Luna is one of the few bands making music your family might conceivably listen to for pure enjoyment's sake.  And, if mixed in amongst your Recess Monkeys and Laurie Berkners these songs pop up and happen to give your family an appreciation for a different musical sound and language, so much the better.  Definitely recommended.

[Note: I was given a copy of the album for possible review.]

Weekly Summary (3/11/13 - 3/18/13)

Video: " Similes and Metaphors" - The Bazillions

This video for "Similes and Metaphors," off the Twin Cities' Bazillions' latest album Heads or Tales is as pretty as a picture, no, that's not right, it's the cat's pajamas. no, that's not right... Whatever it is, it's another cool video from the band and eg design, not to mention one that owes a small debt to The Incredibles​.

The Bazillions - "Similes and Metaphors" [Vimeo]

Video: "The Princess Who Saved Herself" - Jonathan Coulton

I briefly thought about not posting this, because by doing so I prove that I'm not infallible.  Because if I were​ infallible, I wouldn't be posting this video nearly 18 months after it originally went on YouTube.

​But then I thought, there must be others like me who haven't seen this either.  So I'm sharing.  It's for Jonathan Coulton's stone-cold (and incredibly popular) track "The Princess Who Saved Herself" from the fine Many Hands: Family Music for Haiti compilation​.

It's a fan video.  Not just any fan.  But a whole bunch of school students.  I don't typically like fan videos, but there's something about the match of the elementary school art juxtaposed against Coulton's whip-smart lyrics that warms my heart greatly.​

Jonathan Coulton - "The Princess Who Saved Herself" (fan video) [YouTube]​

Video: "Subway Train" - The Pop Ups

Oh, those halcyon days of 2010, when somebody could casually mention, "I like that Pop Ups CD," I'd track down the album and BOOM!  Mind. Blown.

Even after their second album, Radio Jungle, was nominated for a Grammy this year, Brooklyn's Pop Ups are finally getting around to publicly showing a video from that 2010 debut, Outside Voices.  It's for the song "Subway Train," and it's just had its premiere at the New York International Children's Film Festival.  Animator Garrett Davis (who also did "Box of Crayons") gives each of the animals riding the train their own personalities.  This could have easily played Sesame Street​ 20 years ago.

The Pop Ups - "Subway Train" [YouTube]​