Review: Deep Woods Revival - Red Yarn

Deep Woods Revival album cover

Deep Woods Revival album cover

Long before “kids music” was a category in the record store stacks or iTunes playlists, folk music was the heart of recorded music for kids.  And while folk music remains an integral part of kids music, in the modern kids music world, other genres -- rock, to be sure, but also hip-hop, reggae, and others -- have expanded their influence.

Now, I would argue that that increase in non-folk music in kindie has specifically been one of the major contributors toward the vitality of the genre, but others would also argue that something has been lost when the music that was part of the American culture for generations slips away.

Portland’s Andy Furgeson, a puppeteer and musician who records for families as Red Yarn, doesn't strike me as the kind of guy who would rail against shifts in musical tastes.  Rather, he's viewing it as a challenge to be met head-on.  After all, if you title your latest album Deep Woods Revival, by definition you've decided to bring all the energy you can muster to new takes on old classics.

In the case of the traditional song “Buckeye Jim,” for example, it’s a fairly straightforward cover of the version Burl Ives recorded more than a half-century ago with some new lyrics added on.  For another track, “Animal Fair,” Furgeson merges two songs from Carl Sandburg’s famous American Songbag, pulling “The John B. Sails” into the mix.  Those are just two examples -- the entire album draws on a variety of folk music sources -- Alan Lomax, Ruth Crawford Seeger, Henry Spalding’s Encyclopedia of Black Folklore and Humor.

While the first half of the album is described as being for all kids, the liner notes suggests that the second half is for "brave kids and grown-ups."  That half includes songs touching on more serious topics, like death and the not-always benevolent nature of the animal world.  The album’s title track, the only song with entirely new music and lyrics, leads off that half and features a chorus of Portland-area musicians standing in for a forest’s worth of critters great and small having a revival.

I think the album is most appropriate for kids ages 3 through 10.  (I think the second half might be of more interest to kindergartners and older, but it's not inappropriate for even the younger set.)  You can stream the 36-minute album here.  I'd also note that the physical copy of the album features some lovely artwork (dioramas! maps! illustrations!) made by many people, but most notably Ryan Bruce (art direction and illustrations) and Heather Lin (album design).

Red Yarn’s fervor for American folk music is evident on Deep Woods Revival.  While folk music has never gone away in the children’s music genre, he forcefully makes the case for its continued relevance in the era of the mp3.  Highly recommended.

ote: I was given a copy of the album for possible review.

Radio Playlist: New Music August 2015

We are in the height of summer and as always this time of year, there's lots of new music to give a spin, virtually or otherwise.  If you want to catch my list from July you can see that playlist here.

As always, it's limited in that if an artist hasn't chosen to post a song on Spotify, I can't put it on the list, nor can I feature songs from as-yet-unreleased albums.  But I'm always keeping stuff in reserve for the next Spotify playlist.

Check out the list here.

**** New Music August 2015 (August 2015 Kindie Playlist) ****

"Leap Frog" - Jazzy Ash

"Use a Contraction" - The Bazillions

"Please Don't Eat My Guitar" - The Salamanders

"Revolution #8" - Brian Vogan and his Good Buddies

"Sawdust and Spangles" - Ralph's World

"Animal Song" - Kevin Gerzevitz

"Let It Go" - Miss Melodee

"A Mysterious Chamber" - Joe Taylor

Video: "C Is for Cat" - The Pop Ups

The wonderful duo The Pop Ups are continuing their video series, and their latest, Episode 4, features a BRAND NEW SONG.  The song is called "C Is for Cat," and while I can't say that it reaches the level of bonkers that their video for "Robot Dance" did, it's still pretty darn good as it outlines feline preferences (cars and carp, among other things).  And that robot dance video didn't instruct you or your kids on how to draw a cat.  This one?  Nailed it.

The Pop Ups - "C Is for Cat" [YouTube]

Movie Review: Shaun the Sheep Movie

Shaun the Sheep Movie poster

Shaun the Sheep Movie poster

I posted some comments about a recent animated movie on Facebook -- I wouldn't normally call out a movie in a review of a different movie, but the story doesn't work if I don't say that it was Minions.  I suggested that that movie failed to fully make me care about the characters and seemed to tire of the plot about two-thirds of the way through, and someone said, what do you expect from a movie in which the primary characters don't speak any sort of recognizable language?

To which I replied that I fully expected Aardman Animation to create characters I care about and a compelling in the upcoming Shaun the Sheep Movie.

My love for Aardman dates back to well before I kids, more than 20 years ago when in 1993 I first saw The Wrong Trousers, the second movie to feature Wallace and Gromit, a British bachelor with a predilection for absurd inventions (Wallace), and his down to earth dog (Gromit).  Aardman specializes in stop-motion animation with clay.  Director Nick Park and his Aardman animators did such an amazing job giving emotional expression to Gromit, who doesn't speak, doesn't even make a single sound, in that movie, that I was hooked, and have seen much of their output since.  (Think of them, to some extent, as a British Pixar, though one that's been around for more than 40 years, and long before Park and Wallace and Gromit.)

The third W&G movie (1995's A Close Shave) was about a sheep rustler, and featured in a small role a diminutive and somewhat plucky sheep which Wallace named Shaun.  In 2007, Shaun got his own TV series in which he and his flock had been transferred to a farm in northern England. The basic gist of the series, which features 7-minute episodes, is that Shaun and his flock -- who are particularly smart and with human-like skills -- get into simple adventures (e.g., wanting to have a dance party) but need to fix whatever goes awry without The Farmer (as he is only known) figuring out their unusual sentience.  All the other animals have sentience -- some, like Bitzer, the sheepdog, are the sheep's friends (mostly), while others, like the pigs, are not.  Think of it as Toy Story, but with animals, shorter, more slapstick-y, and with a certain British reserve, with everything always tied up with a nice little bow, order restored.

And essentially silent, as the sheep just bleat, the other animals only make their relevant animal sounds, and the humans only occasionally mutter nonsense babbling.  The TV show is in many ways an essential classic for 3-to-7-year-olds of just about any culture.

So, high bar set, I looked forward to Shaun the Sheep Movie with excitement and some trepidation.  How do you translate the 7-minute medium into something essentially 12 times its length?  Could you hold the interest of kids in what is basically an 85-minute silent movie?  And  would Aardman make me understand and care about the characters?

The basic plot of the movie is a TV episode writ (very) large.  The sheep, through their machinations accidentally send the Farmer to the Big City, Bixter in pursuit, and they quickly realize that while they enjoyed their freedom, they miss the Farmer and the order he provides.  (The three pigs take over the house, and a brief clip shows them dancing to what sure sounded like Primal Scream's "Rocks.")  So off they head to the city, and... well, I'm not going to divulge the rest of the plot other than to say, yes, everything is tied up with a nice little box, order restored.

In a brief prologue, the movie neatly outlines the farm family's long affinity for one another, which explains why the sheep and Bixter would go to such troubles to retrieve the Farmer, who is oblivious to what is going on.  The stakes are higher as well -- while basically the only thing at stake in the series is whether the Farmer will discover the animals' abilities, the movie raises the possibility that the Farmer will never return to the farm, and with the addition of the animal control officer Trumper, the possibility that the animals themselves might be harmed.  (Trumper is too over-the-top for my taste, but subtlety in plot has never been the series' calling card.) Directors Mark Burton and Richard Starzak keep the animals moving along through the city, and while it drags at points, the set pieces (such as a bit in a fancy restaurant) are very well-done.  So on the character-and-plot development count, Shaun the Sheep Movie far exceeds Minions.

But don't think this is some highfalutin silent art movie -- I stopped counting the underwear/butt/poop jokes when the figure hit double-digits.  Yes, there are any number of visual puns (my favorite: the sign in the Big City listing its "sister cities" in foreign countries... all of which translate into "Big City" in other languages) and call-outs to other movies (Cape Fear, anyone?) for the adults and older kids to pick out, but for the most part this is a slapsticky film.  While it won't turn on the Pixar waterworks, the movie may generate more kindergartener belly laughs than most Pixar movies as well.  (As I'd expect, Aardman's crew has the clay animation and set design down pat.)

So in the end, I was pretty pleased with Shaun the Sheep Movie -- longtime fans (like myself and my family) will enjoy it, and there's nothing that would prevent newcomers from getting hooked into the characters.  Definitely recommended.

Note: my family and I attended an early press screening of the movie.

Video: "Walking My Cat Named Dog" - They Might Be Giants

We here at Zooglobble HQ (which, to be clear, is my house) are looking forward to the forthcoming kids music album from They Might Be Giants.  The as-yet-untitled (to the public) album would be the first kids album from the band since 2009's Here Comes Science.

I don't have much inside information, but back in April as part of their Dial-A-Song project they released a song and video for "Thinking Machine," and its trippy, animated video and meta-silly lyrics were widely interpreted as being perfect for the upcoming kids album.

And last week they released another song that most folks are thinking is definitely going on that kids album, too -- "Walking My Cat Named Dog," a remake of a song written and released by Norma Tanega back in 1966.  (The song hit #22 on the Billboard Hot 100 charts.)  With its species-bending premise (the spiritual precursor, I suppose, of Trout Fishing in America's "Chicken Joe," about a cat named, well, you know), it seems like a swell fit for the band.

It's a mellow romp, with some witty animation from Mixtape Club.  Even if it's not on the next album, definitely one for the kiddos.

They Might Be Giants - "Walking My Cat Named Dog" [YouTube]