OK, really, it's two free songs and one free...ish song.
Halloween songs for 2011 trickled out slowly for awhile -- there was Roy Handy back in July, then there was Skelly and the Punkins late last month.
But now, like a group of zombies running down the street to catch the bus, three Halloween tunes were released within 24 hours of each other.
Let's start with the "free...ish" song. It's called "Perfect Pumpkins," and it's from California psychedlic kid-popster Todd McHatton. It's a very sunshine-y tune that the Linus (or Matthew Sweet) fan in your family will appreciate. It'll cost ya 50 cents, but it's free for a limited time with a download of McHatton's new album Galactic Champions of Joy. Spin it below...
Moving on to upstate New York, Ratboy Jr. offer up a free track called "Where Do Monsters Go?" It features the duo's signature lo-fi sound and a rap from Frankenstein. You heard me -- Frankenstein raps. (And if the player below doesn't show up for some weird reason, just go here.)
Finally, if that song frightened your little one -- unlikely, I know -- New Jersey's Mr. Ray offers up a more confidence-building pop song, "Do You Believe in Monsters?," which might help encourage the more timid of trick-or-treaters to overcome basic monster fears. You can download the track for free here, or learn more about a video contest he's running here.
Finally, if that song frightened your little one -- unlikely, I know -- New Jersey's Mr. Ray offers up a more confidence-building pop song, "Do You Believe in Monsters?," which might help encourage the more timid of trick-or-treaters to overcome basic monster fears. You can download the track for free here, or learn more about a video contest he's running here.
While DC-area heroes 
A lot of kindie musicians dream of creating their own TV shows.
Most of the rest of them want to become authors.
That works out to varying degrees, of course. Chris Ballew, AKA 
In fact, these books owe the majority of their charm not to the words but to Endle's cut-paper artwork, which is simply beautiful. It's a collage but with everything meticulously planned and put just in the right place. (Take a look at that cover -- you'd think that it was entirely hand-drawn until you look closely at those bushes.) Both books are nature-based -- Bunny Rabbit presents a series of animals in different light settngs while My Woodland Wish is an ever-so-slightly more narratively-driven book that follows a girl spying on (and interacting with) various woodland creatures. The books are cute, but not too much so -- they don't over-anthropomorphize the animals (or give them eyes waaaaay out of proportional to the rest of their bodies).
The words/lyrics to the books (created by Ballew alone in the case of Bunny Rabbit; the two of them together for My Woodland Wish) aren't bad, they're just not what keeps me returning to the books. Ballew created Caspar Babypants melodies for the words, and while they don't have the zippy energy that I personally enjoy most about CB songs (nor should they given the subject matter), they definitely create a sense of dream-like wonder like many of his other songs do.
Caspar Babypants - "Bunny Rabbit in the Sunlight" (book preview) [
Laurie Berkner is without a doubt the brightest female star in kids music (and quite possibly the biggest star, period), so I've been surprised that there haven't been more artists who've attempted to follow in her footsteps. There are obviously lots of successful female artists, for the most part, however, artists like Elizabeth Mitchell, Frances England, Molly Ledford, and Ashley Albert have taken different paths than Berkner's taken, that of melding bright pop takes on traditonal kids' music with catchy new melodies.
But if your family enjoys Berkner and would like to know if there's more where that came from, the answer is, yes, indeed, as 
On her second album Shining Like a Star, Laura Doherty plumbs a slightly less traditional, slightly less pop-py line than Hope, with such as with the wurlitzer-like keyboard on "Rocket Ship," the country/western-dusted "Quiet as a Mouse," or the circus organ on "Ferris Wheel." Like Hope, Doherty's blessed with a clear voice that elevates the material -- her samba take on the Joe Raposo classic "Sing" is excellent.
Targeted at kids ages 2 through 6, the songs on 33-minute album are very preschool-subject-focused ("Hula Hoop" is about, you guessed it, hula hooping), which may eventually limit the number of times you can handle hearing Shining Like a Star with your kids, but it'll take you longer than with most albums to reach that point. That even happens with Laurie Berkner albums eventually.
Even though they remind me (in a good way) somewhat of Laurie Berkner, Charlie Hope and Laura Doherty are charting their own course in the kids music world. Even if they never reach the heights of popular success Berkner has, on their latest albums, both artists show off their talents in a way suggesting they, too, may be around for years to come. Recommended.
Tomorrow, 
