Be it SXSW or Kindiefest, there are different reasons to see an artists' showcase at a music conference. You can see your favorite bands, or perhaps bands you're familiar with but are curious to see and hear them live. And sometimes you stumble upon a new favorite. The Kindiefest 2011 artists' showcase on Saturday night was for me a combination of all three, which suggests how well the lineup was put together. Now, I should note that though the lineup featured several artists I'd consider my favorites, I'd never actually seen any of them perform live. (That would have to wait for Sunday's public performance, for whom I'd seen half the lineup live.) But as someone who puts together shows here in the Phoenix area, that live aspect is important to me.
This summary is long, but I encourage you to skim the entire thing, you never know when you'll find your new favorite artist.
The lineup kicked off with Billy Kelly and the Blah Blah Blahs, faced with the unenviable task of starting the show while everybody filed back from dinner or a run to their hotel rooms. That and selecting from a bunch of great songs. They went meta ("This Is The First Song" -- they should close with that one day), sweet ("Family Garden"), doubly sweet ("Pen Pal," duetting with Lunch Money's Molly Ledford), and classic ("The Legend of Johnny Box"). The last song featured none other than Johnny Box himself, played by... well, let's just say by someone very familiar to Zooglobble readers. Good stuff.
From there it was on to The Pop Ups, whose set was basically a very abbreviated version of their PASTA! musical. Were there puppets? Yes! Were there apes in capes? Yes! Was there lots of hand-clapping? Yes! Was there lots of pasta? Well, you'll just have to see the musical for yourself to see the answer. But it's hard not to see how the musical would be very popular with the 5-year-old set.
The Pop Ups - "Pasta" [YouTube]
But we were just getting started, with six more artists to go...
The lineup kicked off with Billy Kelly and the Blah Blah Blahs, faced with the unenviable task of starting the show while everybody filed back from dinner or a run to their hotel rooms. That and selecting from a bunch of great songs. They went meta ("This Is The First Song" -- they should close with that one day), sweet ("Family Garden"), doubly sweet ("Pen Pal," duetting with Lunch Money's Molly Ledford), and classic ("The Legend of Johnny Box"). The last song featured none other than Johnny Box himself, played by... well, let's just say by someone very familiar to Zooglobble readers. Good stuff.
From there it was on to The Pop Ups, whose set was basically a very abbreviated version of their PASTA! musical. Were there puppets? Yes! Were there apes in capes? Yes! Was there lots of hand-clapping? Yes! Was there lots of pasta? Well, you'll just have to see the musical for yourself to see the answer. But it's hard not to see how the musical would be very popular with the 5-year-old set.
The Pop Ups - "Pasta" [YouTube]
But we were just getting started, with six more artists to go...
The problem with "subgenre" albums in kids music is they sometimes become jokes. "Hey, everyone, wouldn't it be funny if we did "Wheels on the Bus" reggae style? Or "Twinkle Twinkle Little Star" in polynesian tiki music?" And, yeah, maybe it's funny at first, but it gets old. And even if it's not meant to be funny, at some point the subgenre needs to move forward, to write songs that honor where they're coming from but at the same time are very much for kids. After all, those toddlers and preschoolers eventually hit grade school, where "Wheels on the Bus" is, well, not appreciated in any style.
Detroit's
One of the downsides to the recent increase in attention paid to kids' music -- what, there are downsides? -- is a proliferation of music that uses kids' songs as jokes, applying traditional songs to non-traditional song forms. The albums aren't so much for the kids as they are for the adults.
