Video: "The Seven Days of the Week (I Never Go To Work)" - They Might Be Giants

You want to know why I keep posting these videos from They Might Be Giants' Podcast for Kids? It's because they're all awesome. And if you're afraid that somehow they're just posting the only good videos from Here Come the 123s... they're not. They Might Be Giants - "The Seven Days of the Week (I Never Go To Work)"

Listen To This: "If I Knew You Were Comin' I'd've Baked a Cake" - Eileen Barton

I'm an occasional XM Kids listener. I know I'm not the only one, so I know I'm not the only one who knows that this song has been getting increasing play on the playlist. It's not kids music, and, heck, since it was recorded in about 1950, it's older not only than the kids listening, but probably everybody listening. If this song doesn't put a smile on your face, then your candidate probably placed behind a write-in candidate in New Hampshire on Tuesday. Eileen Barton - "If I Knew You Were Comin' I'd've Baked a Cake" The video is actually still pictures, so I'd just play the thing and work on something else. Only the first 2:45 of the clip is the Eileen Barton song, but the rest is a couple of Weavers songs, including "Goodnight Irene," so you can get a little Pete Seeger in there, too.

Win A Free CD From Another Website. That's Sort of Mine!

So I've got a copy of Nettwerk's fine For The Kids Three! CD (review) to give away, courtesy of Nettwerk. There's just one catch -- I'm not giving it away here. Instead, go here and enter. In order to comment you'll need to sign up with Offsprung, but I promise promise promise, we're a very non-evil organization, even more (or less) so than Google. And we're tons of fun, too.

New Frances England CD -- Family Tree -- Out This Spring

That's right, Frances England has announced an album title -- Family Tree -- and a release date -- spring 2008 -- for her 2nd CD. OK, "spring 2008" isn't really a release date (release season, perhaps?), but I know Frances has been working on the album for a while now, and to see her publicly commit to a title and release timeframe makes me happy. I think artists in this genre tend to be more willing to have deadlines slip if only because many of them, unsurprisingly, have young kids. I'll be interested to hear what subjects England, whose own family tree is larger than when she released Fascinating Creatures, tackles now...

Review: Let's Go Everywhere - Medeski Martin & Wood

LetsGoEverywhere.jpgDespite the fact that jazz is one of the great American art forms, its current popularity among the population is not exactly mass-market. As a result, I'm hesitant to call Let's Go Everywhere, the first kids music CD from the popular modern jazz trio Medeski Martin & Wood, a good kids' jazz CD. Because if I did so, I'm afraid that a lot of people that would otherwise enjoy the CD would just tune me out. Take the insanely catchy title track, which, unlike MMW's previous discography, features vocals (by Tim Ingham) and lyrics that beg for singalongs. The track, which echoes Johnny Cash's "I've Been Everywhere," features throwaway lines like "Tijuana, Grand Bahama, don't forget to call your mama." It's propulsive, hand-clappy, and a poppy hit -- it certainly won't sound like jazz to most people. Or one of the better songs begging for kid-interaction I've heard, "Where's the Music?," a funky jam that breaks down every now and then only to be started up by gleeful kids begging, nay, shouting, "Where's the music?!?" That's not all. "Pat a Cake," a punky rap featuring a number of kids -- a quick track which, judging by the number of e-mails about it I received after my recent NPR chat, will be heard in a lot of households this spring. John Lurie's spoken-word piece "The Squalb" features gentle musical accompaniment and manages to be mysterious and reassuring all at once -- if you need 3 minutes and 17 seconds of silence via rapt attention in the car, play this track. I don't mean to give the tracks which do sound more jazzy short shrift, because those are excellent, too. "The Cat Creeps" has a funky, slinky bass line and tinkly piano that absolutely sounds like a cat creeping. "Let's Go" sounds like it could've been recorded 45 years ago in some West Coast studio (except for the kids occasionally shouting "Let's go!" in the background). And for those of you looking for a little deconstruction of classic tunes, "Old Paint" (on which the trio channels the Vince Guaraldi Trio) and a nearly unrecognizable (but fun in its own way) "All Around the Kitchen" will fit the bill. Out tomorrow, the 40-minute album will appeal mostly to kids ages 4 through 9, but if you're not listening to this and having fun, I don't know what to say. You can listen to four tracks at the album's Myspace page and a couple here. In the liner notes, both the band and Tim Ingham sound almost surprised at how well the album turned out. The band says "the best part was collaborating, improvising and making new friends. Who this was going to be one of our favorite records." Mine too. That sense of fun and wonder comes through loud and clear on every track. So rather than calling Let's Go Everywhere a good kids' jazz CD, let's call it what it really is -- a great CD. Period. Saying this when the year is barely a week old sounds like damning with faint praise, but it's true -- Let's Go Everywhere is the first great kids' CD of 2008. Highly recommended.

Review in Brief: Celtic Dreamland - Various Artists (Putumayo)

CelticDreamland.jpgWhen you release as many albums on a regular basis as Putumayo Kids does, it makes it hard for the reviewer to come up with new things to say about the CDs. Celtic Dreamland, released in November 2007, continues Putumayo's run of artfully-produced disks. It's the third in its "Dreamland" series, and even the 4-year-old in your family could figure out that it's an album designed for sleepy-time. You may want to explain to your kids how Celtic music -- typically music with Irish or Scottish lineage -- is distinguished from other musical styles, but Putumayo's typically descriptive liner notes may help in that regard. The music is definitely relaxing, although it may be a bit too sunny in parts for it to be a perfect lullaby album. (I actuallly prefer Ellipsis Arts' collections when it comes to pure lullaby CDs.) There are a number of traditional (Celtic) lullabies here, but as is the case with many Putumayo disks, the foreign language (in this case, Gaelic) in which a number of the songs are sung helps mask those cases where the song isn't really a lullaby. If I had to pick a favorite (or most lullaby-ish) song in the collection, it'd be Susan McKeown's rendition of the traditional Irish lullaby "A Phluirin Mhilis," McKeown's voice and acoustic guitar a lovely combination. (The last 3 tracks, led off by McKeown, are probably the best here.) As a putative lullaby album, I'd put the age range here at ages 0 through 5, though as with most Putumayo Kids disks, there really isn't an age range. You can hear samples of the 32-minute disk at the album's webpage. Putumayo's still working its way toward an excellent album of pure lullabies, but Celtic Dreamland is a good collection that serves its purpose as a mellow-time introduction to the genre of Celtic music. Recommended.