The weeks of Christmas and New Year's are typically slow, news-wise, but a couple weeks ago, Nick Jr. announced that it was picking up Yo Gabba Gabba! for a second season. Production on 20 more shows starts in spring 2008.
I've been kinda torn about the show. On one hand, the collection of musical acts and guest stars has been pretty diverse. On the other hand, I can't help but think that without those guests and Mark Mothersbaugh's doodles, some people would be slamming the show for being super-obvious stuff for toddlers. I mean, really, "Party in my Tummy?" If it was anybody besides members of the Aquabats singing that, it'd probably be run out of cool town on a rail. Even though it's probably pretty age-appropriate.
So are you happy that, say, Low recorded a song and did a music video for them?
[Note: decent song, but that "Family Tree" is awfully undiverse for the 21st century, no? Doesn't look quite like mine...]
Or do you say, man, the Pointer Sisters recorded a song for Sesame Street 30 years ago and it was way cool.
Review in Brief: Victor Vito - Laurie Berkner
Laurie Berkner might just be the biggest superstar in kids' music. Plenty of artists can claim the hipster cred, a number of artists (or at least characters) certainly have the merchandising going on, but Berkner's the closest thing to a superstar (who's a real person) the genre has.
Which explains why I still feel the need to review a CD of hers that is, oh, 9 years old at this point. Victor Vito, Berkner's third album, was released in 1999, just about the time that the genre really started to come back. For some reason, it never became a staple in our household the way her first two CDs did, and I as I complete my Laurie Berkner review work here (for the time being), I went back to see if I could figure out why.
It's certainly not because there aren't good songs here. The title track is a stone-cold, know-it-from-the-first-spin classic. An earwormy tune, silly (but understandable) rhymes, it's one of those songs that you could retire happy knowing you just wrote that one song. But it's joined by a number of other great originals -- the simply lullaby "Moon Moon Moon," the stomp-encouraging "Boots," the quietly hysterical "The Goldfish," with its classic line, "Wait a minute, we're FISH!" Berkner also focuses somewhat on kids' feelings, as on "The Story of My Feelings" (natch) and "I'm Not Perfect." It's not easy to write songs like that which take a necessarily direct approach for preschoolers and have it not sound incredibly dull to adults, but Berkner succeeds. And Berkner's renditions of traditional songs such as "Froggie Went A-Courtin'" and "Zodiac" -- where the fat man is not from Calgary as Raffi suggested long ago, but from Tennessee -- show off her fine voice and simple but organic musical arrangements. (This may be the album that most closely shows off her debt to Raffi's path -- she is indeed a worthy successor to his mantle.)
If there's a downside to the album, is that it's too long. The album is exactly 60 minutes long, and it seems about twice as long as it needs to be. There are two pretty good 30-minute CDs (or one incredible one and one decent one) to be found here, but at an hour, there just aren't quite enough great songs or musical variety to sustain interest over the entire time. I also don't think it's quite as goofy as her first two CDs, which was one thing I always appreciated about them, but that's probably a personal taste thing.
As with Berkner's other albums, this one is targeted at kids ages 2 through 6. Samples of the tracks are all over the web. Tens, if not hundreds, of thousands of families have made Victor Vito a common part of their family's musical rotation. And while our family might not be among those, I'd be a fool not to recognize how many excellent songs can be found here. Definitely recommended.New Music, Album from ScribbleMonster
I've said before (though maybe not to any of you) that if you miss hearing the power-pop that saturated the airwaves in the early '90s, then kids' music might just be your best option. There are few better at that particular subgenre than the Jim Dague and the rest of his compatriots in ScribbleMonster.
They've got a new album, Songs With No Character, coming out this spring, and they've just added a couple songs from the album available for downloading and listening on their Myspace page. Both tracks have been floating around for awhile now. "Spare the Rock Spoil the Child" was, as you might expect, originally crafted for the Spare the Rock radio show and rocks mightily. "The Song of LIFE" has been around in a live version since spring 2007, but now is up in full studio glory. It's actually a (comparatively) mellow track, and really as geared toward the parents as the kids, but it's sweet in its own way. It's reminiscent of one of the great masters of power-pop, Fountains of Wayne, in their more country-ish moments (think "Valley Winter Song," for example).
And, hey, even if you're not sure about those songs, go to the Myspace page and listen to "I Wish I Lived in Michigan," "The Fur Trade," and "Chocolate Milk" along with 'em. It's 10 or so minutes of great music.
Video: "Apartment 4" - They Might Be Giants
What better way to end 2007 with a great video from one of 2008's most anticipated CDs -- They Might Be Giants' Here Come the 123s.
"Apartment 4" hit the band's "Podcast for Kids" at iTunes a couple weeks ago and now it's hit YouTube. As nice as "High Five" was, this track is way awesome. Drums, goofy animated characters, and the drawing out of the word "apartment" into 4 syllables.
"Follow the sound," indeed. You won't be disappointed.
And Happy New Year's, y'all...
Review: Welcome to Nelsonville - The Hollow Trees
The second album from LA's The Hollow Trees is called Welcome to Nelsonville, but I could've sworn it was called Hootenanny. Even if it isn't, it darn well should be, and here's why:
1) There's a song on the album entitled "Hootenanny," so that's, like, a primo reason right there. And if that's not a good enough reason, then
2) It rocks like a hootenanny.
Lead Hollow Trees Gregory Hollow Tree (aka McIlvaine) and Laura Hollow Tree (aka Steenberge) are unashamed fans of old-time folk music and play it with gusto and joy. This is no retro affectation here, this is real, vibrant music for families. The album leads off with a tremendous 1-2 punch, the zippy traditional "Ain't Gonna Rain," with the band trading the verses in rhyme followed by the shuffling "Hootenanny," a McIlvaine original that's an ode to getting together and singing songs -- "We'll sing a slow song that is sweet and sentimental / A boogie-woogie song about a Lincoln Continental / We're gonna have a hootenanny tonight." The two songs set the mood for the rest of the 38-minute set so well, casting a good-natured glow on the rest of the songs.
From there the album moves into old kids' music ("Animal Alphabet Song," written and recorded by Alan Mills for Smithsonian Folkways 35 years ago), silliness ("To Morrow," taking the "silly song" slot that has been worn out by "I'm My Own Grandpa"), and blues (the snappy "Skoodle Um Skoo"). And, frankly, if the chorus of "Hallelujah's" on the traditional "George Washington" ("George Washington's a nice young man / A lie he'd never tell / But when he chopped the cherry tree / His father gave him / Hallelujah...") don't set your toes (or heels) a-tappin' and your voice to sing along, then I don't know what to do with you. Interspersed with nifty little instrumental breaks, it's my favorite song on the album.
If the rest of the album doesn't quite reach the heights of the five or six tracks, that's no knock -- it'd be hard to keep up that much momentum. As with any hootenanny, eventually the energy level is (deliberately) scaled back a bit, which perhaps will make it a little easier for the wee ones to understand the occasional references to the Hollow Tree world -- listen to "The Nelsonville American Historical Band" for McIlvaine's attempt to create his own Sgt. Pepper's-meets-a-much-less-dysfunctional-Yoknapatawpha-County. While the mythmaking doesn't really add much to the CD (I suspect it's probably better live), they certainly don't detract from it, either.
The songs here are going to be of most interest to kids ages 3 through 7, though it's an all-ages album in the best tradition of folk music. Listen to three full tracks here or hear samples at the album's CDBaby page.
Welcome to Nelsonville is a tremendously entertaining hootenanny. It's on my shortlist of best kids' folk albums of 2008 (yes, it's early, and, no, I don't envision many being any better than this), but I think a lot of listeners would find this a, well, hoot and a half. Definitely recommended.Review in Brief: Polka Dot Puzzle - Mr. Richard
I can't say that I've been the biggest Mr. Richard fan in the past. On his first couple CDs, while they were enjoyable enough, I just couldn't quite hear what it was that attracted Florida-based Richard Peeples one of the most devoted fanbases in the genre. It might have been me, but more likely it was that Peeples' live show didn't translate perfectly to disk.
But with his most recent disk, Polka Dot Puzzle, I think Mr. Richard finally has a CD that will play well with those who won't get to hear his live show. Musically, the album covers a broad stylistic range, from the sunny pop-rock of "Treehouse" to the lo-fi "Woo Woo Truck" to the Italian pastiche of the jokey "Cheese." Such stylistic diversity is not rare anymore in the genre (if it ever was), but at least it's well-done. Check out the horns on "Bubble Bath" -- it's little well-thought-out additions such as those that elevate songs from pedestrian to something kinda special. I also need to commend "Butterfly Day," on which Lunch Money's Molly Ledford sweet voice harmonizes nicely with Peeples' gruff one.
Lyrically, Mr. Richard is definitely in tune with his inner 7-year-old, such as on "Treehouse." "Sorry, there's no girls allowed / But it's OK since you brought your dog / It's way cooler than the Honeycomb Hideout." (OK, perhaps that last line really shows he's in tune with his own inner 7-year-old.) I can hear how, even without his backing musicians, the songs here (even the ones I didn't enjoy as much) would really communicate kids ages 3 through 8. Right now you can hear "Treehouse" at his Myspace page or sample all the tracks at the album's CDBaby page.
At barely 24 minutes in length (with 2 1/2 minutes of that a "hello" song and a "goodbye" song), Polka Dot Puzzle is barely more than an EP. But it's a fun EP, and one showcases Mr. Richard's strengths, even to those who probably won't be hearing him live any time soon. Recommended.
