I was sort of sad when the Welcome to Ralph's World CD came out, and Giselle Potter didn't do the cover illustration. Not that the new cover was bad, but I always thought that Potter's drawings had a verve and quality that telegraphed the essential "this is not just thrown together" feel that helped the Ralph World CDs do well.
Well, perhaps the kids music genre finally has another illustrator it can call its own. North Carolina-based illustrator Brandon Reese has not just one but two kids-music-related projects for two very cool bands. The first project is the cover for the Jellydots' new CD, Changing Skies. It's my favorite CD cover of the year.
Beyond that, Reese also designed the new logo for Squirrel Mechanic Records, Lunch Money's homegrown label. Go here for a peek (scroll down about halfway). Very whimsical.
I know, I know, album art is probably on its way as everybody gets all down-loady, but I hope that doesn't happen for a long time...
Many months ago, I had a feature I called "Song of the Day," where I'd ramble on about a song I'd heard recently that I was digging a lot. Now I have no time for such things as that, but I'm going to make an all-video exception today for one of my favorite songs off of They Might Be Giants' excellent Here Come the ABCs CD, "Alphabet of Nations."
What spurred this is the appearance on YouTube of TMBG's performance of the song on last week's The Late Late Show with Craig Ferguson. I've always loved the second verse they add to their live shows, and along with Linnell's physical stylizing, it makes up for the fact that somebody pointed their camcorder at the TV screen and pushed "record."
There are a bunch of other live versions on YouTube, with similarly dubious recording qualities, but rather than link to them all, I'll just send you to the original...
We are definitely Biscuit Brothers fans at our house, so the news in their latest newsletter (go sign up!) that the Brothers are readying not one but two CDs for the upcoming season is good 'round here. Family Favorites sounds like it's probably a Greatest Hits CD of sort from their first two CDs, minus the skits which, though amusing, don't always translate as well without the television pictures. What I'm really looking forward to, though, is Have a Merry Musical Christmas! I get all giddy thinking about what liberties Tiny Scarecrow will take with longtime favorites.
OK, maybe not giddy. But I think it'll be fun.
When the Seattle band Recess Monkey aped (pun somewhat intended) the Beatles' Sgt. Pepper's Lonely Hearts Club Band album cover on their 2nd CD, Aminal House, it wasn't a random reference -- they really did sound a bit like the Beatles on that fine CD. So with their Sgt. Pepper's under their belt (and maybe their fun but a little rough-around-the-edges debut Welcome to Monkey Town standing in for Please Please Me), all that's left is to release a double album, right?
Uh, right.
Set to be officially released this weekend, Wonderstuff is the year's most ambitious kids' music album. A double-CD set (a first for the genre as far as I'm aware) telling the story of Everett the Wonderbee, who along with some friends, travel far and face danger as they seek the mysterious Gray which threatens the meadows where Everett and his friends all live. Oh, and the songs and the stories were created (and performed) by the band with the help of a bunch of elementary-school-aged summer campers. (Really. I sat in on the tail-end of one the days of camp as an invited guest of one of the campers.) So, yeah. Ambitious.
Although the band joked this summer that they were making their "Yellow Album," as I listened I thought more of another late '60s double-CD set from another English band -- the Who's Tommy. Though miles away from Pete Townshend's somewhat dark and disturbing storyline, Wonderstuff is, at its heart, also a rock-pop opera. It intersperses its songs with narration and dialogue from the characters which move the story along. These snippets, usually a minute or so in length, are often quite amusing (for both parents and kids, though not always at the same time). The story itself -- a hero quest worthy of Joseph Campbell -- will be of interest to kids. (I must say, though, I actually missed "Mayor Monkey" from the previous CDs, which is one of the first times I've ever actually missed a skit character.)
Of course, the heart of the album are the 20 songs here. There are a fair number of songs that one would describe as Beatlesque ("My Pet Rock" is one such song, featuring the album's best melody), but other styles get their day -- the later Beach Boys sound of "The Pool," the Byrds-ian jangle-pop of "Down Down Down," even the Who get a cut ("Round and Round"). Which isn't to say newer artists get ignored. Some of the tracks on the 2nd CD have to me a more minimalist Spoon vibe, the dour "The Gray" could be a cut from Stephin Merritt's Gothic Archies side project, and the boys give another shout-out to John Vanderslice in the power-pop of "Backpack." Lyrically, the songs are split between those that hew closely to the narrative (e.g., "Magical Meadows") and those whose relationship to the story is tenuous ("Down Down Down" is really about a roller-coaster ride). In other words, take out the overarching story and you'd have a completely different album.
It would also be probably 30 minutes shorter, and when you're talking about 81 minutes worth of entertainment that's currently on the two disks, that's a big difference. In fact, if there's one drawback to the CD, it's the length. It would sound great on a long car ride (the story is interesting enough to keep the attention of the listener), but it may be too long for many listeners.
The album will be most appropriate for listeners ages 5 through 10. You can hear samples at the album's CD Baby page. I also think you'll be able to listen at the album's website, but that function doesn't seem to be up and running just yet.
With Wonderstuff, Recess Monkey have recorded another album bursting with energy and good spirits. Even if you're not interested in the rock-pop opera, there are a bunch of fabulous songs at the heart of this album worth your time. Definitely recommended.
Note: The album's release party is this Saturday, Oct. 20, at the Experience Music Project in Seattle Center. If you can make it, go. I think it'll be ten tons of fun.
Neither of Chicago's baseball squads are still playing, but Justin Roberts has baseball on the brain. In his latest e-mail blast, Roberts announced plans to release his next CD, titled Pop Fly, in "early 2008." (There were also a bunch of baseball-themed metaphors that kinda stretched things pretty far, so I'm choosing to omit those here.)
I'd heard about the release plans before, but this was the first I've heard the album title (which, frankly, could be totally not about baseball, but rather about a paternal unit with unusual transportation capabilities). Having a title somehow makes it real, which means I can begin to get excited about it. Seeing as it was one of my Top 3 family albums of 2006, and the #1 release in 2006's "Fids & Kamily" poll, I think it's safe to say I'm looking forward to it.
Even if it's barely on the on-deck circle.
I have come to think of Morgan Taylor, the creator of Gustafer Yellowgold, as the exemplar of the Kids New Wave, the term I have coined just now to encompass the genre and the artists responsible for its resurgence, especially in the past five years. A background in making music for adults, the unplanned shift into making music for kids, the occasional difficulty in figuring out where the distinction lies between the two -- the New York-based Taylor fits all of these categories. By no means is Taylor the only artist these apply to, but he's done a great job creating a musical path all his own, on his own terms.
Taylor's second foray into the world of Gustafer Yellowgold, the DVD/CD set Have You Never Been Yellow?, released this week, is every bit as wonderful as the debut Wide Wild World and shows that Taylor has a fabulous career ahead of him.
What distinguishes Taylor from many other talented kids' musicians is his visual artistic skills, which are obviously on prime display on the DVD. If you're not familiar with the Gustafer "animation," I can try to describe it, but it's easier to just show you. Here's the leadoff clip from the DVD/CD, "Pinecone Lovely"
As you can see, it's animated in only a minimal sense -- the camera pans and scans, zooms in and out, and various components of picture move around, and that's about it. But it's very absorbing to watch. Taylor does the drawings but does get some help with animation aspects. While the animation on Wide Wild World was fine, the pictures and animation here are crisper and sharper -- the difference is small but noticeable.
Of course, the animation could be done by Pixar and if the music (and images) were dull, you wouldn't care. Luckily, that isn't the case. As a group, I think the songs are stronger here than on the debut. "Pinecone Lovely," with its ode to nature ("Pinecone Lovely / To thee I sing") and sing-along chorus, I think finally fulfills the promise of the karaoke audio option that is once again present on the disk. "Beard For All Seasons" has a touch of Beatles to it while "The Bluebird Tree" gives Ralph Covert's "Hideaway" a run for its money for the title of "Best Song About Needing Time By Yourself." There are some tracks I think are only OK musically, but there's definitely no filler. Pop and power-pop, well-played, with some brass instruments providing some sonic boost, particularly on the closer, "Dream In Green."
And the images are strong, too. The aforementioned "Bluebird Tree" has some of the most stunning visuals (the title is literal) on the disk, while "The Mustard Slugs" pairs amusing images with the silly math story. And, yes, "Punching Cheese" is the sequel to Wide Wild World's "I Jump On Cake" and every bit as funny. In fact, the whole disk feels ever so slightly lighter than the original, if only because the videos here seem a little more like vignettes rather than part of a story (Wide Wild World has a slightly stronger narrative drive). That's neither good nor bad, just that if you're looking for something with a concrete beginning/middle/end, you'll be disappointed here.
I should also note that the DVD comes with, yes, an audio commentary. Morgan Taylor does the honors, of course, and it's definitely worth a listen for an adult Gustafer fan (or older child with the patience to listen to someone talking over the music for 30 minutes). Finding out which Steve Martin movie helped inspire "Aye, Aphid" or which '70s band "Dream In Green" apes was a cool bonus. Repeating spins probably aren't necessary, but it's worth at least one run-through.
Kids ages 2 through 7 are most likely to enjoy the animation (and songs) here. In addition to "Pinecone Lovely," you can also watch the clip for "Birds" here. (Gustafer's two YouTube pages are here and here.) Or listen to "Beard for All Seasons" and "The Mustard Slugs" at his Myspace page. For being from the sun, Gustafer's adapted quickly to our modern technological modes of communication, no?
Gustafer Yellowgold's Have You Never Been Yellow? is a fabulous DVD/CD set. Taylor has a gift for memorable images both visual and musical and I'm looking forward to many more images from him in the years to come. This set is highly recommended.