Debbie Harry and a Bunch of Punk Rock Posers

I don't spend a lot of time posting stuff that fails to entertain, but this... this approaches a realm of badness that it's hard to resist. We can argue whether or not kids assuming classic punk poses and statements of people 15 to 30 years older would ever be funny, but when a 7-year-old smears peanut butter on his stomach and says "I wanna be your dog," I think we can all agree that it's moved beyond funny into, well, sad. (You, my little one, are no Iggy.) I'm gonna go listen to my Dan Zanes duet with Deborah Harry on "Waltzing Matilda" and try to forget this now... (Via Stereogum.)

Review: If I Could Be... - Meredith Brooks

IfICouldBe.jpgMay as well get it out of the way -- yes, it's that Meredith Brooks. But a decade after that big hit (and what seems like a lifetime ago) Meredith Brooks has released a kids album, If I Could Be... that is 100% kid-safe. The album has been out there since last year but got its formal release late last month. It's a sugary pop blend that might surprise those listeners who, like me, might have expected a slightly more rock approach based on our memory of that one song. (And who might not have followed Brooks as she continued to write and record over the past decade.) Because Brooks is a parent of a preschool-aged son, it's not surprising that the tracks are primarily geared lyrically at that age group. Brooks succeeds best when she simplifies the lyrics -- "Dance, Shake, Wiggle!" spends a good 50% of the song repeating those words in the album's most infectious chorus. It will be difficult for kids to resist that one. "What's Your Name?" has a fun chorus, too, with lyrics designed for kids to shout their name. If there's something that keeps Brooks from kicking Laurie Berkner off her perch at the top of the preschool musician pile, it's the lyrics. Brooks has a tendency to be too wordy for preschoolers, I think, sometimes forcing a line for the sake of a rhyme. Sometimes I felt she was writing for 3-year-olds using lyrics a 6-year-old would understand. "In My Chair" is an exception -- the more I listen to it, I think it's a very well-crafted song, though the line "I love my chair / And it loves me" cracks me up every time I hear it. (Y'know, it's not so unreasonable to think a preschooler might think of a chair in that way.) Regardless of my quibbles with lyrics, the music here is well-produced -- it's high-quality pop music, a step above the person-with-a-guitar-or-bad-keyboard production of a lot of music for this age. I think the music here will be of most interest to kids ages 2 through 5. You can hear samples from the 38-minute album at its CDBaby page. For those of you looking for a rock-guitar-focused album, you will probably be disappointed by the CD. But this is a decent album of pop tunes with a number of fun cuts. Perhaps as Brooks' son grows up and Brooks experiences some not-so-easy times with her child, maybe we'll get another album with a harder edge. Recommended.

Video: "Night Mantra" - Renee and Jeremy

This is about as lo-fi a video as you can get, but it fits the song. "Night Mantra" is one of the stellar cuts on Renee and Jeremy's debut It's A Big World. You get the feeling listening to the album version that it was probably recorded just like it was shown here. Well, maybe there was a little less lounging. This makes me a geek, but I love that green color on the wall behind them. In other R&J news, they note on their website that they "are starting to write for the follow-up to It's A Big World which will come out sometime in 2008."

Interview: Audra Tsanos (AudraRox)

AudraAndCarter.jpg Audra Tsanos, the driving force behind the New York band AudraRox, seems to know every kids' musician in New York. In AudraRox, she's assembled her own set of talented musicians whose debut CD, 2006's I Can Do It By Myself, ran the gamut from country to slick power-pop and very kid-targeted lyrics. Audra kindly answered a few questions about her musical upbringing and AudraRox's formation, among other things. Read on for the story behind Audra's first band name, her experience in a Music for Aardvarks cover band, and, yes, the title to their upcoming CD. Thanks to Audra for the interview (and the accompanying photo). ************ 1. What are your musical memories growing up? I was raised by fundamentalist Christians in Kansas City, Kansas - so my first musical and theatrical experiences were in the church. I sang my first solo when I was 2, did my first musical at church when I was 7 and joined the adult choir at 11. On my own I listened to bad Top 40. I won the talent show in high school my freshman year. I put together a band with the bass player from the jazz band and a sax player, played piano and sang Whitney Houston's' "Savin' All My Love for You." YUCK! My best friend in high school, Linda Amayo, played Ella Fitzgerald for me. The only cassette tapes I owned when I went to college were The Police, The Doors, and Sade. Hats off to Joetta, my first roommate from California - she played me The Violent Femmes, The Smiths, Billie Holiday, and Bessie Smith. Then I dated and married a guy who had an album collection of about 1,000 and finally, I grew up musically! I'm a late bloomer.

Review in Brief: Brazilian Playground - Various Artists (Putumayo)

BrazilianPlayground.jpgThe latest in Putumayo Kids' "Playground" series, Brazilian Playground continues Putumayo's tradition of selecting appealing tracks from cultures near and far and mixing them together for families' enjoyment. A stroll through Putumayo's typically well-done liner notes reveals that many of the songs weren't written with kids in mind -- songs about love or dancing until dawn. Of course, the foreign-language nature of the songs allow parents to use themes as a jumping-off point and the music as a dancing-off point. Claudio Jorge's "Coco Sacudido" ("Shaken Coconut") is about a Brazilian religion with a lot of rituals and ceremonies -- your kids won't care, they'll just be dancing to the big band. For the kids who've been raised on their parents' Bebel Gilberto CDs, Marissa's brief electronica bossa nova "Alo Alo" ("Hello, Hello") will sound familiar. One warning about the disk, though -- the CD's description of the tracks as "lively" is somewhat generous -- the two tracks above are among the more shimmering and vibrant of the tracks here. Which isn't to say that the rest of the CD is bad, just that the overall vibe is a bit more subdued than I'd expected. More 4 PM (if not quite 4 AM) than 9 AM... Musically, the 36-minute CD is appropriate for kids of all ages, though kids ages 3 through 7 will probably respond to the kids' voices in some of the songs. You can hear samples (and download a teaching guide) at Putumayo's page for the CD (released a couple weeks ago), or hear samples elsewhere on the web. If your family has enjoyed Putumayo's previous Playground releases, they will enjoy this one, too. It's another good compilation. Recommended.

Clap Your Hands. Stomp Your Feet.

Long before I spent lots of time with children's music -- or at least spent lots of time writing about children's music -- I wrote a baseball blog. There's not much to say about it -- I enjoyed the writing, but got burned out by the daily nature of it. Covering a team that ended up losing more than 100 games in 2004 didn't help, either. Trying to figure out how to write, "we're really bad" in new ways every day is a creatively draining experience. It's almost as bad as trying to figure out how to write, "we're neither good nor bad" in new ways every day (which was my 2005 experience). That's right, I'm an Arizona Diamondbacks fan. I've got a soft spot in my heart for other baseball squads -- the Twins, the Rangers, even the Giants -- but the Diamondbacks are my favorite professional team in any sport. So I'm excited to be going to Game 2 of tonight's National League Divisional Series against the Cubs. My seats are waaaay the heck up there, and one of the friends I'm going with is a Cubs fan, for goodness' sake, but I'll be there. It's weird, because it's clear the Diamondbacks, though talented, are here in large part due to luck (and an excellent bullpen). As a result, there's an excitement around the team that isn't laden with pressure or nervousness. It's kinda exhilerating. My record in attending playoff games is mixed. Went to a game against the Mets in '99. Lost that one. Been to first-round playoff games for the Suns and Coyotes, and they've lost those, too. But I was in the crowd for Arizona's first professional sporting championship. OK, it was Arena Football and the Arizona Rattlers, but still. Oh, and I was there for Game Seven of the 2001 World Series where the Diamondbacks beat the Yankees. Total pandemonium. So on the whole, I guess I've done OK. Anyway, to those of you whose teams didn't make it (sorry, Seattle), my condolences. To those of you cheering on the 8 playoff teams, best of luck (except once they play the Yankees). And to all of you, which children's song would you choose as your "strolling to the plate" music?