They Might Be Giants' latest CD, the very entertaining The Else, isn't always kid-friendly -- it's not quite as goofy overall as their earlier work, almost as if they're cleaving a little bit between their kids' stuff and adult stuff. The album closer, "The Mesopotamians," is a bubbly tale of some ancients hitting the road as a band. Think of it as the Geico cavemen meet Gorillaz. Think of it as an early world history lesson (who was Hammurabi again?)
Or, if you don't want to just think about it, head on over to Stereogum, where they've got the new video here. The animation is pretty sweet. It's mostly OK for older kids -- there is some not-too-bad stylized violence and one PG-rated curse word.
Austin Kid's Day, A Recap
Ah, Austin, a city I've called home (or home-away-from-home, or home-away-from-home-away-from-home) for well over twenty years.
Which means that I'm entitled to feelings of "when-the-hey-did-they-build-this-thing?," even if I was just there a couple months ago. Driving from the airport to the Glenn at the Backyard, site of the first Austin Kid's Day, held this past Labor Day weekend, I was constantly amazed at the width of the freeways and the number of power centers I passed. (Of course, this being Austin, many of those power centers are tastefully tucked in behind some trees so they're not nearly so noticeable from the road.)
I take that brief detour (metaphorically) to suggest that Austin, while it might have been able to put together a music festival 20 years ago, it certainly wasn't at the point where it might have supported a long afternoon of quality kids' music.
How Do We Make Money? Volume.
There was an old Saturday Night Live fake ad about some bank whose sole function was to make change. The spoof had the mixture of trustworthiness and responsiveness that is the hallmark of most ads for financial institutions, right down to the founder who, when asked how he could make money solely making change, responded in an eager tone, "Volume."
The ad came to mind as I pondered Radiohead's decision to release its new album, In Rainbows, as a digital (DRM-free) download on Tuesday, October 10th, just 10 days after announcing it. (There's a deluxe boxset to be released in December, with a physical version of the regular CD scheduled for sometime in 2008.)
There are probably countless bands who are giving away music for free, but none with 1% of the popularity of Radiohead. If you go to the site and ask to buy the download, you can indeed enter "0" as your desired price of the digital download of the album. But Radiohead is probably banking on the goodwill of its fans and the interest of other music fans to generate a fair amount of change.
Other music fans like me. I'm not alone in saying OK Computer is one of the best albums of the past 10 years, but most of the rest of Radiohead's post-OK work has left me cold. So it's safe to say that if In Rainbows was appearing at my local record store in a physical format next week, I would not be picking it up. Nor would I be scouring a bunch of torrent sites looking to download it for free -- it's just not what I do.
But this morning I went to the site and put down 2 British pounds (about $4 US) plus about a $1 service charge to download it next week. Why? Well, in part it's the musical equivalent of playing the Powerball lottery -- I always viewed $1 I paid when the pot got large and the office collected as entertainment, not as investment. This is much the same, no? It's also part of the giddy glee in helping to make major label executives nervous about whether they can continue business as usual.
So here are my questions to you:
1) Was I too cheap? A kids' musician e-mailed me last night saying he'd put down $10 -- a dollar a song. But I think he's a bigger fan than I am. It might be cheap, but $4 is $4 more than Radiohead would have received from me in the absence of this experiment. But if Spoon did something similar with their next album, I guarantee I'd've put down $10. Maybe more.
2) Is this a model that can at all work in the kids' genre? I've always pooh-poohed the idea of digital downloads because I think kids like the physicality of things, and mp3s don't have a lot of physicality, know what I mean? But if somebody like, say, Dan Zanes did something similar, I think he'd probably make a fair amount of change. (Though I'd certainly miss the album packaging, which has always been top-notch with his work.) Of course, he's already reaping all the profit from his CDs, something that Radiohead, while they were on a label, did not, so perhaps his incentives to do so is less...
Readers, musicians, thoughts?
Video: "I Had a Little Dog" - Key Wilde & Mr. Clarke
It's been a while since I've posted something from Key Wilde & Mr. Clarke, but it's been a while since they've posted something, too, so fair's fair, right?
Anyhoo, they've taken their first step into the video world with an animated video for the best Johnny Cash children's song that Johnny Cash, uh, never actually wrote or sung. "I Had a Little Dog" is one of those songs where the chorus continually builds upon the last iteration (e.g., "Twelve Days of Christmas"), backed by a train-like rhythmic backbeat. The video itself is pretty minimalist, but I think the kids will really like it.
According to Wilde, their record is "nearing completion." Add it to the list of eargerly-anticipated 2008 releases...
Review: For The Kids Three! - Various Artists

Please Release Me: October 2007
I haven't done a "Please Release Me" for a looooong time (October 2006, to be precise). For whatever reason, it just proved to be one of the less interesting things I did. That, and the entire industry seems to be moving toward the near-immediate release of CDs. (Radiohead announced this weekend they're releasing their new CD in 10 days.) Pretty soon mixing boards will include a button that will allow artists to ship the track they've just recorded directly to iTunes.
But this October seems particularly packed with promising releases. To wit:
Oct. 2 - Various Artists - For the Kids Three
Oct. 9 - Uncle Rock - Uncle Rock U
Oct. 9 - Various Artists - Every Child Deserves a Lifetime
Oct. 16 - Gustafer Yellowgold - Have You Never Been Yellow?
Oct. 20 - Recess Monkey - Wonderstuff
Oct. 23 - Father Goose - It's a Bam Bam Diddly!
Oct. 23 - Enzo Garcia - Field Trip with Enzo
Last week saw the release of a new Putumayo disk (Brazilian Playground) and albums from Buck Howdy and Meredith Brooks. And I haven't even mentioned all of them.
Now, many of these are already available through the artists and elsewhere, but in case you don't know whether I'll be posting reviews of these CDs (and more) in the next few weeks. Because to buy a dozen CDs would be insanely expensive. (Unless, of course, everybody adopts the Radiohead "pay-want-you-want" model.)