Ever since the New York Times used the phrase “The show is a cross between ‘Yellow Submarine’ and Dr. Seuss" to describe Gustafer Yellowgold, it's been plastered all over their promo materials. Hey, if I were them, I would too. But I always thought it was just barely appropriate -- yes, it's animated and poppy, but those weren't quite the musical and lyrical influences I was hearing on the debut DVD.
But they've posted another track off their upcoming Have You Never Been Yellow? CD/DVD set, "Beard For All Seasons," on their Myspace page. And "Beard" definitely sounds like the Beatles (a clean melody, horns, handclaps) aided by a touch of Seussian lyrical whimsy. Guaranteed to put a smile on your face.
(Oh, and the DVD, which comes out October 16, has an audio commentary from creator Morgan Taylor. While the idea of an audio commentary on a kids movie isn't weird at all, I'm pretty sure this is a first for the kids' music world. DVD geeks unite!)
A Small Music Review in a Big Music Week
35 posts about music is not such a big deal -- I'm pushing 700 here. But 35 posts in a week? Now that's impressive. That's exactly what the enterprising folks over at Z Recommends have done with their Music Week. There's a healthy list of reviews up, but what's interested me the most is the interviews: Veda Hille from Duplex, Tito Uquillas from the Hipwaders, and Stephin Merritt. And there's more to come -- Jason Trachtenburg, Morgan Taylor (Gustafer Yellowgold), and Uncle Rock. Worth your time.
Oh, and a guest review from yours truly. File under oldie-but-goodie.
New Music from Dan Zanes and Friends. Together and Individually.
Dan Zanes takes a small step toward creating family-music empire, albeit in a very inclusive way.
News from Zanes in his newsletter that the next Father Goose album, It's a Bam Bam Diddly, will be released in October. In addition to help from Dan's band and many others, Sheryl Crow also makes an appearance on the disk. I'm pretty sure Crow never said the phrase "it's a bam bam diddly," which is now my favorite album title of the year.
Zanes also mentions that he's recording the next Dan Zanes and Friends CD, which will be called En Espanol, for release in 2008. He says it's "a very different type of project but even at this early stage it has a very high emotional content." No word on whether Sheryl Crow will appear on that disk as well.
ACL Fest (Austin Kiddie Limits) 2007: Let's Review
Y'know, when you're trying to blog a day sequentially in less time than you really need, you don't really get a chance to add all the random thoughts and memories that you'll end up leaving with. So here are some random memories and thoughts from Austin City Limits Music Festival 2007:
-- I am definitely not the first person to say this, but having a music festival in September in Austin is insane, unless it's part of some massive dehydration campaign on the part of a megalomaniacal evil person bent on taking over Texas. The heat and humidity is ridiculous. Or maybe I've just spent too long in Phoenix, where the heat is beyond ridiculous but the humidity is, well, not.
-- Having said that, this is a primo-organized festival. Shows started (and ended) when they were supposed to, port-a-potties were numerous, and the sound was functional. If people decide to go to a festival based on who's performing, they decide to go back (the next day or the next year) based on all the little (and big) stuff that doesn't have anything to do with the acts. Austin City Limits Festival is worth going back to.
Review: Napper's Delight - Dean Jones

Listen To This: "Sad Robot" - The Jellydots
They Might Be Giants frankly retired the category of "Best Robot Song For Kids (and Adults)" with "Robot Parade," but I'm not going to begrudge attempts by other artists to take a run at TMBG's crown.
This week's contestant is The Jellydots, who've just posted another new track from their upcoming album Changing Skies at their Myspace page. "Sad Robot" is, as the title suggests, not the happiest of tales -- a lonely robot dreams of communicating with the stars. It also features a heavy bass line and lots of guitar work. It is a considerably different track than the previously referenced "San Diego." It's more like the "Adult Version" of "Robot Parade," on TMBG's Dial-A-Song collection, perhaps. And it seems like there should be some wistful Japanese animation to go along with it...