New Wiggle Already Experienced Interview Pro

As regular readers are well aware, we don't typically do much Wiggles coverage 'round here. No particular reason other than my kids have never expressed any Wiggles interest. But they're coming to Phoenix next week, March 8 to be exact. That date, a Thursday, already tells you two important things about the Wiggles: 1) they're obviously geared toward preschoolers, and 2) they are the rare, if only, pure kids' music act that can actually sell tickets for a weekday show. In any case, Sam Moran, who's the new Yellow Wiggle (replacing Greg Page after his retirement for medical reasons) gave a brief interview with our major local newspaper and proved himself already a good interview. He deftly avoided answering a groaner of a question (you'll know it when you read it) while, in response to another question, getting off one of the zippier one-liners I've seen:
Q: How many times have you sung "Fruit Salad"? How do you keep it fresh? A: "Fruit Salad"'s always better when it's fresh.
Well played, Sam, well played.

Review: Dance for the Sun (Yoga Songs for Kids) - Kira Willey

DanceForTheSun.jpgYou think kids' music has taken off (again) in the past few years? Think about yoga. Seems like whatever available retail space isn't being taken up by a pharmacy is being occupied by a yoga studio. The idea of "yoga songs for kids," therefore, could very easily be one exploited for a quick buck, resulting in a horrible-sounding, goopy mess. Imagine my surprise, then, when I found Kira Willey's Dance for the Sun (Yoga Songs for Kids), released in late 2006 to be, well, not horrible-sounding at all. In fact, it's kinda fun. Even if you (or your kids) don't do yoga. (I should note for the record here that I'm in the "we have yoga DVDs at home that we still use on a mostly regular basis" camp, which means I like practicing it but have no deep and abiding need to take classes.) Musically, the CD definitely exceeded my expectations. Willey did some performing in nightclubs (no, not of her yoga music) in New York City before becoming a certified yoga instructor and writing songs to use in her classes there. So rather than feeling like the songs were rushed together, they feel organic, like these were actually the best of the bunch. In particular, "Surfer Mama" is a great little doo-wop influenced surfing pop tune that would sound great on any album. You would never know it was a yoga-related song if there weren't yoga moves illustrated in the colorful liner notes. Willey's brother Tom Shields, who sings bass on "Surfer Mama" also sings on "Caterpillar Caterpillar," turning the song's title into a neat little counterpoint to the lyrics. The instrumentation is fairly simple on the mostly folk-rock tracks throughout, which draws attention to Willey's clear voice, though some tracks bring in a few more instruments (Willey plays the fiddle and is accompanied on clarinet and saxophone on the poppy "Midnight Moonlight," for example). If you're looking for reference points, think of a slightly folkier, more abstract Frances England. Very few songs actually have a direct yoga reference in the lyrics -- the title track, for example, goes through the "Sun Salutation" series of poses. Willey could have called this album Movement Songs for Kids or just some other random title. I'm a visual learner, so the 40-minute-or-so "live" yoga class that follows the half-hour of studio tracks didn't really do much for me other than to think that a yoga class with Willey would be lots of fun -- she interacts quite well with the kids. The CD is most appropriate for kids ages 3 through 7. You can hear samples of most of the tracks here. Whether or not Dance for the Sun is a good album for helping your kids learn yoga depends on what kind of learner your kids (and you) are. But this album stands up on its own merits -- pleasant, occasionally poppy songs that encourage movement, even if it's just swaying along. Recommended.

Review: Tabletop People Vol. 1 & 2 - Session Americana

TableTopPeopleVol1and2.jpgLost amid all the talk of hootenannies lately is this crucial point: They're not always all that interesting for the audience. Sure, it can be a blast playing music with friends, challenging one another, exploring new music. Sometimes magic happens for musician and listener alike. But sometimes all you're left with is "Jazz Odyssey," of little interest to the people listening. Tabletop People Vol. 1 & 2 (2005) is an album that grew out of a hootenanny and became a CD that many readers and families out there will absolutely love. The core of Session Americana consists of six Boston-area musicians with many other gigs; the band itself is known for their roots-rock jams in increasingly large local venues. They recorded the album in the same way they play their shows -- gathered in a circle, with guests joining in. The band's long experience playing live shines through on the CD -- the music is accomplished but with a looseness that makes the joy (and, occasionally, sadness) stand out. The album starts off with with an invigorating bluegrass take on "Boats Up the River," so propulsive that one of the band members shouts "Don't stop now!" midway through. And they don't, from a rootsy take on Jonathan Richman's "Party in the Woods" (led by former Richman bandmate Asa Brebner) to a gently swinging "Merzidotes" to the best version of "Froggy Went A-Courtin'" on record (emphasizing the "uh-HUH" part gives it a great singalong feel). And that's just the first CD. Yes, in the spirit of Wilco's great Being There album, this 59-minute album is split into two CDs. The second CD is listed as more introspective, a distinction that is somewhat hard to hear (there are introspective tracks on the first CD, too), but the split does make it easier to take just a 30-minute CD break. The second CD includes the languid indie-pop "Floppy Tulips," a rockin' alt-country' "Mr. Rabbit" (which, well, would have fit perfectly on Being There or A.M., musically at least), and the final two songs "Point of No Return" and "Trouble Wheel." These last two are not kids' songs by any stretch of the imagination -- they're the songs you hear at the end of the night when the kids, exhausted from dancing and playing around, are asleep in your lap just before you head home. The album's appropriate for listeners age 2 and up, although there are going to be certain songs that the youngsters won't get -- not inappropriate, just not really geared for 'em. You can hear samples of all the tracks at the album's CD Baby page, but I'd recommend going to both their Myspace page as well as their own album page. Each have the same three (full tracks), but the former also includes "Mr. Rabbit" and the latter also includes "Boats in the River." Fans of Dan Zanes, Dog on Fleas, and Elizabeth Mitchell will especially hold this album dear, but so will a bunch of other listeners. Sometimes hootenannies leave the listener a little flat, but at times they can be graced by magic. Tabletop People Vol. 1 & 2 falls in the latter category. Highly recommended.

Seattle, San Francisco... Anyone Else Want To Host (or Play In) a Kids Music Festival?

Well, spurred in part by my challenge to the West Coast to come up with some hootenannies and kids' music festivals of our own, at least two people have offered to organize something: Eric Herman doesn't even live in Seattle and is offering to organize something for Northwest-area artists. (Live in Vancouver? Portland? If Eric can drive 4 hours, so can you!) If interested, drop Eric a line at ericATbutter-dogDOTcom (you'll obviously have to unSPAMify that e-mail address). Loyal reader Deb in SF has also offered to organize an event in the Bay Area. If you're in the area, contact Deb at debraunATsbcglobalDOTnet (again, unSPAMify that). Are any of you interested in traveling out to Phoenix? You know how to reach me...

I'm the Ted Williams of Live, Kid-Friendly Music

Ted Williams was the last person to hit .400 for a baseball season, and now I'm duplicating the feat (using my own, very narrow, self-selected definition). 5 shows, 2 with our family's attendance... -- Trout Fishing in America: They played here the weekend before last. I know that Trout's music appeals to all ages, but the fact that they played at the auditorium smack-dab in the community of Sun City -- which prohibits kids from living there -- amused me slightly. In any case, it's a long drive out there from our house, and since we were co-hosting a Chinese New Year's party that night, we took a pass. Hopefully next time... -- Baby Loves Disco: All four of us attended the soiree in Scottsdale this weekend and had a fun time (again). I'll have more on this maybe next week. -- The Terrible Twos: Argh. This show was schedule at the very last minute, so late that there was zero confirmation of the show except on the band's myspace page. We had guests visiting that afternoon, and shooing them out the door a little early so we could see a show that no human had actually confirmed seemed, well, my wife drew the line at that. And, yeah, that would have been bush-league. (So needless to say, I was a little disappointed when the venue's owner called up later that night and said that, yes, the show did indeed go on.) Hopefully next time... -- Dan Zanes: Sunday, April 22nd, Tucson. We are there. I can't wait. I'm bringin' the uke. -- Finally, some radio show's hootenanny in Brooklyn on March 24: Either that or the Park Slope Parents CD-release party on March 25th would be a lot of fun. It would also be terribly inconvenient, geographically (not to mention I'm already out of town that weekend). So are you listening, West Coast? San Francisco, Los Angeles, Seattle, Portland -- I'm talking to you -- each of you have enough kids' artists that you could put together a pretty good hootenanny yourself. (Or if you all want to come out to Phoenix, let me know...) Don't let the East Coast Bias win!

Mr. David A Bit 'Jumpy' About His New Album

Yes, it's all about making punny headlines that don't really make sense in the context of the article around here. Anyway, for those of you wondering what's next on the plate of San Jose-based Mr. David, he notes on his show page that his next album, Jump in the Jumpy House, will be released in June 2007. And for those of you wanting to hear songs off the new album, get on over to Technology Credit Union in San Jose next Tuesday, March 6th to see Mr. David in concert. So... I'm wondering... is it "jumpy house" on the West Coast? Because we call 'em "bouncy houses" 'round these parts... Is this like a "cola"/"soda pop" thing here?