Review: LMNO Music (Green) - Enzo Garcia

EnzoGarciaGreen.jpgOver the course of just a few years, San Francisco-based Enzo Garcia has released nine albums of original and occasionally quirky folk reworkings of traditional and original kids' songs. The recently re-released Green is a good example of Garcia's work. One of the primary things I find so appealing about the series is the fact that electronic keyboards, which in many artists' hands is the great bane of children's music, are long absent. Instead, on tracks such as "What Do You Do?," Garcia employs a toy piano. I'm not necessarily a huge toy piano fan, but Garcia's fondness for using instruments you don't typically hear (on albums of any kind) means getting to hear familiar songs in unfamiliar ways. And so on "This Old Man," Garcia is joined by Tom Waits' occasional side man (and budding kids' musician in his own right) Ralph Carney on slide clarinet. Garcia and Carney also team up on a rousing "Drunken Sailor," which spares no lyrics in the tale of the punishments for the inebriated crewmate, Garcia's rolling of the "r's" on "rusty razor" echoing Carney's tenor sax. There's no track on here that's quite as engrossing as "Hold My Hand" on his Pink CD, but the round on the traditional "My Paddle's Keen and Bright" comes close. (I also liked Garcia's "Dee Dee.") Even more than Pink, Green will be most enjoyed if you participate along with the music. The disks were created to accompany Garcia's weekly music classes, and so if you move around (or accompany with shakers and tambourines) the music here, you'll get the most out of the album. The songs here are most appropriate for kids ages 1 through 6. You can hear samples at the album's CD Baby page. Enzo Garcia is right in the middle of the great folk music tradition that encourages music-makers to take traditional tunes and make them their own. On Green, Garcia continues to help families hear old tunes in new ways (and maybe even start to make them their own). It's as good as any Garcia album to introduce you to his music. Recommended. [Note: Bryan at The Pokey Pup notes that they're currently running a special offer where if you buy Green you can get LMNO (Red) for free. Easy-peasy. Click here for more...]

Multimedia Notes, Part Two

Updating last week's update, here were few more sites I wanted to highlight... First, I've been a fan of Josephine Cameron, so I wanted to make sure I pointed out her two new websites -- a cool website all about Songwriting For Kids and a more traditional blog entitled Please Come Flying. The latter isn't really kids-related, though I'm sure a lot of older kids would appreciate her links (she's been on a particularly big jazz-related kick this month). As I've said for a long time, Spare the Rock, Spoil the Child is the Unofficial Radio Station of Zooglobble, and I'd say that even if I didn't have a guest DJ set on March 3rd. But variety is an important part of a healthy radio diet, so if you need more than one show, you'll probably also like The Saturday Morning Cereal Bowl. (But not live March 3rd. Then you want Spare the Rock.) Finally, Yosi's blog's been linked here for awhile now, but if you haven't checked out his recent series of interviews with Neal Pollack, Kevin Kameraad, and others, you really should.

Listen To This: Central Services Board of Education

What is in Seattle's water? Johnny Bregar, Recess Monkey, not to mention Eric Herman and Eric Ode... they're really approaching critical mass, kids-music-scene-wise. And now there's Central Services Board of Education, an offshoot of the indie-pop band Central Services. Go listen (and download, should you desire, and you likely will) their first four songs, which I'm going to describe as "Schoolhouse Rock!-meets-The-Shins." Or maybe "Ben-Folds-meets-Dr-Demento." Or maybe "awesome." With densely-packed wordplay and pop-cultural allusions, it's probably more for (or most appreciated by) kids ages 6 and older. My favorite track is "The Lonely Tomato," which somehow manages to be highly educational, metaphorical, and catchy all at the same time. All four tracks are worth checking out. (And then go over to Central Services' myspace page while you're at it.)

Interview: Ralph Covert (Ralph's World)

And every audience is different and every audience, the vibe is different and influences what the show becomes and it's a marvelous dialogue because there is that push and pull. There are artists that stick to a set list, but to me that's missing half the fun. To me the fun of it is that if you're in tune with the audience, they help lead the artist.
Over the course of six Ralph's World albums, Ralph Covert has written more really good songs for kids and their families than probably any other artist. So it's not that much of a surprise that Disney recently signed Covert up to release those albums and his next album. It's also not much of a surprise that he's touring House of Blues venues and other classic rock venues this spring. Covert took some time out of his schedule a couple weeks ago to chat with me about his tour, performing, writing songs, and watching his daughter grow older. All that while worrying about a lost tour banner. (You'll have to read on...) Zooglobble: Thank you for taking the time with me for a few minutes about this tour. So you just played the House of Blues and the Fillmore in San Francisco -- what was that like? Ralph Covert: Oh my gosh, it was a blast. Both shows went great. The Fillmore, I mean, how cool does it get? It was really neat because one of the reasons we've tried so hard to do stuff like this tour where we've tried to keep the rock 'n' roll vibe in the Ralph's World show and bring it to these rock 'n' roll venues is so that parents and kids can have that shared experience. It's cool for the parents because it still has that authentic rock 'n' feel and it's cool for the kids because they get to go somewhere they never would get to go. And at the Fillmore the parents were excited to be there and the kids were excited about having their first concert at the Fillmore, and the band's excited... One of the stage managers said he felt it was the best show they had there all year. Musically, it was great, but even more important than that, every audience member walked out with a smile and every staff member was grinning from ear to ear for the entire show. Are you doing anything different on this tour? I know you've played some larger venues in the past (such as Ravinia and the Jamarama tour) but are you doing anything different since you're playing larger houses and more traditional rock venues? Well, Jamarama tour was one of these packaged tours with a bunch of different acts with their little slot. Most of the other acts were pretty much more in the traditional kids' pop thing where they're playing the tracks. They're entertaining the kids but they're not doing it by playing real instruments and playing rock. There are some that are doing that and I think that's great -- that's part of the whole new wave we're part of. But the Jamarama tour is very much about that other packaged thing. What we're doing, really at the heart of it, it's a rock concert experience for kids. To that end, it's exciting to take that kind of rock 'n' roll energy to a big venue, to a rock venue like the House of Blues, like the Fillmore, because we obviously know from many years of social and cultural experience that rock shows are pretty fun. [Laughs] Is that a sociological statement there? It is a sociological statement -- rock shows are fun.

Little Monsters, Big Expectations

So with the collapse of V2 Records, one might be wondering what the future of Little Monster Records is. I have word that Little Monster Records will be announcing a new home soon, which I'm very excited about, because even though I found their Beatles release underwhelming, I'm increasingly excited about the rest of their release schedule. To wit: yesterday's WNYC Soundcheck, which included Little Monster's Kevin Salem. About 10 minutes in they play a portion of the title track to their upcoming Let's Go Everywhere CD, and it's nothing less than what would you get if you combined Johnny Cash (specifically "I've Been Everywhere") and jazz funk. In a good way. In an awesome way. Folks, John Lurie is performing on the album -- this is going to be interesting at the very least and could be great. To wit, part deux: Well, sadly, I don't have a part deux, because Ralph and Ralph have deleted a blog post where they talked about their goals for the new album. But now it's gone (or they've deleted their old myspace page with the post) and I can't really say anything other than "I read it, and it made me excited to hear even more tracks than what's on their myspace page. Knew I should've posted it at the time...

Multimedia Notes From All Over

I know that bar on the right side of the main homepage is a bit on the long side, but it's time for some updates... Planet KidVid is a new enterprise from longtime Friend of Zooglobble Monty Harper and kids' musician Mr. Billy. If they keep up with the posts, this could be a website that causes lots of families to go over their allocated "screen time." The Harper family is evidently trying to take over the web as Monty's wife Lisa and her daughter Evalyn have established the Kids Music Planet podcast. What is slightly different about this podcast from many other kids' music radio shows is that they play multiple selections from a few albums. So if for some reason my review of an album isn't clear enough you can decide for yourself. ;-) Belinda and Hova finally seem to have settled on a new internet location for their Greasy Kid Stuff playlists. If you go to their website, you can also find out all about their Mar. 18th "Grease Ball" with Captain Bogg & Salty, The Jellydots, and The Sprockettes. You can also hear They Might Be Giants' penned-just-for-Belinda-and-Hova "Greasy Kid Stuff." I've also added Fred Koch's new children's music-related blog to the sidebar. Fred is another longtime listener and reviewer of kids music and I'm glad to see him start up a blog. Regular readers will certainly be aware of Amy's appearance on WNYC's Soundcheck on Tuesday. Amy made a lot of excellent points (and ones I mostly agree with) and is to be commended for always sounding coherent, a not at all easy thing to do live on the air. Listen to the 20-minute segment here. Finally, children's media publicist (and, well, fan) Beth Blenz-Clucas talked about a couple of her clients and other kids' musicians and topics on Vicky and Jen's Grammy-related podcast. The podcast also includes discussions with Richard Perlmutter (he's working on Beethoven's Wig 4, apparently), Dan Zanes, and Ezra Idlet from Trout Fishing in America. (Beth was also kind enough to mention this website as a good resource...)