Frequently Asked Questions, or, What Is This Place?

Hey! I decided that after 4 1/2 years I should update this thing. To describe this as "Frequently Asked Questions" would be less than the truth -- few of these questions have been asked, let alone frequently. They are, however, all questions, and 1 out of 3 is pretty good (if, you're, uh, a hitter in baseball). Who are you? I'm Stefan Shepherd, married father of two kids, ages (as of May 2011) 9 and 5. I live in Phoenix, Arizona. I currently have about $4 in overdue library fines. (Yes, I updated my outstanding balance for my library fines.) Who died and made you the Greil Marcus of kids and family music? What qualifications do you have? Kinda confrontational, aren't you? Well, I have a few fancy letters after my name, but none of them have anything to do with music or kids and families, let alone music for kids and families. But I'm 1) a parent, 2) a big music fan, and 3) able to put together a complete sentence, sometimes even stringing a few sentences together into a paragraph. Oh, and I'm willing to listen to all this music, separate the wheat from the chaff, and write about it. You're free to start your own website (or comment here) should you disagree with me. Aaaaand, I've been doing this for close to 7 years now. So stop hassling me. So how much kids' music do you listen to in, say, a year? I'd guess that over the past year I've listened to at least 300 different CDs. I have no way of proving this, but I'd be surprised if there were a dozen people in America that have listened to as many different kids and family CDs as I have in the past year. My [however-many-years]-year-old child listens to all the same music I do, and they love it. Shouldn't you be playing your favorite music for your kids instead of listening to this pap? I think you should be playing music that you really enjoy with your kids. Having said that, what's wrong with also playing music that might be targeted specifically at your child's age, either musically or lyrically? To make a literature analogy -- even if you read John Updike to your kids (which I think you'll agree is probably not the wisest of parental choices), don't you think they might appreciate a nice Mo Willems or "Junie B. Jones" book sometimes, too? And besides, there's lots of fabulous music that's being made in this genre right now -- it'd be a shame if you missed it just because you chose to ignore it. You aging indie hipsters are all alike -- trying to impose your musical tastes on your kids. Why??? You're, uh, like the exact opposite of the questioner above. (You've also never met me, because those who have would never characterize me as an "aging hipster," O Vague Questioner I've Totally Made Up For the Purpose Of This Post.) I've been a parent long enough to know that imposing cultural taste on kids is a fool's errand. All you can do is expose your kids to music you love and music of all different genres reflecting all sorts of experiences. And if, in the end, they decide to listen to [insert the name of the band you spent many a college night at the bars mocking then singing along to, karaoke-style], that's OK, too. Who else thinks you know what you're talking about? NPR's All Things Considered, for whom I review kids music occasionally SXSW EMP Pop Conference Wall Street Journal (twice) Kindiefest (multiple appearances) Sirius-XM's Kids Place Live Arizona Republic, Phoenix New Times (twice), Raising Arizona Kids Other assorted papers and website (see here for a semi-complete listing) My mom Also, I'm the founder of the Fids and Kamily Awards, which I'm pretty proud of. I like the cut of your jib, sir, and would be interested in having you write something for my fabulous website/newspaper/inflight magazine. Are you interested in such an opportunity? Possibly. I've written for Wired , Real Simple, Education.com, and done freelance work for the iTunes store. I wrote for the Phoenix New Times. Brief reviews and blurbs of mine appear at the excellent DC-area venue Jammin' Java. I wrote liner notes for Sarah Lee Guthrie's Smithsonian Folkways album Go Waggaloo. So, yeah, I've written stuff for others in the past and would be interested in doing so again. Maybe. E-mail me (zooglobble AT earthlink DOT net) and we can talk... How about booking shows? Do you do that? Because I really need you to book a show for me. Possibly. I've booked shows on my own (e.g., this one), as well as a secular series for my church. I currently book a series at the Children's Museum of Phoenix. Other venues may come online at some point. So, yeah, I'm always interested in helping to spread great live music to new places. If you're looking for someone to put together a kids music series or festival stage (or you're an artist looking to play a show), e-mail me (zooglobble AT earthlink DOT net) and we can talk. I have the world's most awesome CD for kids and families, and I'm desperate to have you hear it and review it. How can I go about doing so? Find out more about submitting albums for review here. Do you know where I can buy the Hoodwinked soundtrack for something short of a developing nation's GDP? I used to (mymusic.com), but sadly even that supply has dried up. I only wish I knew why the soundtrack went out of print. You are now forced to try eBay or other sites, for which you'll probably have to pay $50 or more... (This actually was one of the few questions on here that I was asked, frequently. The soundtrack is now freely available -- and the movie 5+ years old -- so I never get that question anymore. I keep it here to remind me of those heady days.) The name "Zooglobble." What's up with that? Google "Nobody Understands Me" and "Sandra Boynton." That'll get you most of the way there.

Approaching Kids' Music for the Post-Toddler Set

I've realized that my "Approach to Kids' Music" post, originally written (pre-blog) about five years ago when our daughter was just a wee one, doesn't completely reflect my thoughts about kids' music now, particularly as our daughter is now in kindergarten. So for your amusement I'm providing additional thoughts on my original beliefs... I should note that I'm under no illusion that what I'm saying is revolutionary. Most of it is common sense. Nor am I under any illusion that I have any control over my kids' taste in music -- I don't want to have that control, I just want our kids to be able to enjoy a wide range of music if that's what gives them pleasure and comfort. But in case you think I'm reviewing music for myself, and not for my kids, I hope this will give you some indication of what I'm thinking of as I review music for slightly older kids... 1) Good kids' music is enjoyable for adults, too: This will never change. Now, having said that, I'm totally aware that there is some kids' music that is made just for kids, and that's OK. But to paraphrase W.H. Auden, who was writing about children's poetry, there are no good songs which are only for children. 2) Not all good adults' music is enjoyable (or even suitable) for kids: As your kids get older, the number of songs that are inappropriate for them to listen to dwindles. They can listen to longer, more complex songs. And they can handle more difficult topics. It's not that they don't hear about life's difficulties from a very young age ("Rockabye Baby" is about a plummeting crib, after all), but for the most part those songs are simple stories or declarations of unconditional love. As kids get older they strengthen their ability to handle scary stuff or stories about life's trials. I know I have to fight my tendency to protect my kids from every problem -- I need to do the same with the songs they hear... 3) Did I say simple was good?: When I said "simple," I was talking about redoing classic children's songs and suggesting that you didn't need cheesy Casio synthesizers. Having said that, as kids get older, they'll want to soak in all different types of experiences -- have them hear zydeco, jazz, classical, electronic arrangements, banjos, autoharps, whatever. 4) Who are you anyway?: No change here -- if you can't tell at a glance who's playing on the CD, put the CD and walk away quickly. 5) No "Stairway to Heaven": I noted that 2 minutes was a good song length for infants and toddlers. Clearly, as kids get older, they can pay attention for much greater stretches of time. So crank up "Freebird" and let them enjoy!

My Favorite Kids and Family Albums of 2006

I think it's time I revealed my own ballot for the Fids and Kamily awards. I should begin by noting that one of the main goals I had in coming up with the idea of F&K was to democratize the album reviewing process for this niche. I tend to find individual Top 10 lists of music, movies, etc, somewhat pointless in helping me find new music because taste is idiosyncratic, of course, and what one person finds stirring I might find overwrought. It might be entertaining reading, but usually not too enlightening. But collect a whole bunch of opinions, and all of a sudden, I think it becomes something useful -- hey, not only did Stefan like that Family Hootenanny CD, other people did, too. Maybe I should check it out. (And, yes, you should.) So I offer this list by no means intending it to be the last word, but only to be able to express my appreciation for some albums that provided me and my family with enjoyment over the past year. And there's no way I can limit this list to just 10 albums. I probably heard more than 100 kids and family albums released in the past year, so 20 seems like a reasonable number. I'm still gonna feel bad about excluding #21, whichever that one is (and there are, like, 4 of 'em), but I gotta put a limit somewhere... Oh, and I'm not great at deciding between things, which will become apparent as you read on. Good thing I'm not this way with cereal otherwise it would take me forever at the grocery store. Oh, and I'm not a big fan of putting greatest hits CDs on these lists; hence, no Welcome to Ralph's World. Oh, just get on with it anyway. 1) Meltdown! - Justin Roberts 1) You Are My Little Bird - Elizabeth Mitchell 1) Catch That Train! - Dan Zanes All 3 albums perfect in their own way. Meltdown! is one of those great pop albums with, like, 8 singles, You Are My Little Bird further refines Mitchell's kid-folk sensibilities with wondrous covers, and Catch That Train! is Zanes' best work, which is saying something. 4) The Family Hootenanny - Various Artists: There is no reason that this album, made up of so many diverse musical styles, should work anywhere near as well as it does. Best compilation of the year. 5) The Great Adventures of Mr. David - Mr. David 5) Fascinating Creatures - Frances England 5) When I Get Little - Dog on Fleas The Mr. David and Frances England albums were unlike anything else I'd heard this year, and stood out as much for their unique style (Mr. David's soundscapes and England's lo-fi rock stories) as for their enjoyment. Dog on Fleas, on the other hand, took a whole bunch of styles and mixed them together to create something new. 8) Hoodwinked Original Soundtrack - Todd Edwards (Various Artists): Why Ryko let this amazing soundtrack go out of print still mystifies me. Our daughter loves to sing along on "Great Big World," so that didn't hurt its chances. 9) Hey You Kids! - The Jellydots 9) Stomp Yer Feet! - Johnny Bregar Two albums doing entirely different things -- The Jellydots crafting power-pop gems with kid-friendly topics, Johnny Bregar reinterpreting preschool classics (mostly) with a bit of funk and style -- but both providing lots of enjoyment to listeners of all ages. 11) Every Day Is A Birthday - Brady Rymer 11) Animal Crackers - Wee Hairy Beasties 11) Electric Storyland - The Sippy Cups Y'know, the difference between these albums and the two at #9 is pretty darn small. All three albums appeared in the top ten at some point, and their presence just outside the top 10 could be as much a result of changes in barometric pressure as anything else. But Rymer's roots-rockin' slices of family life, the Beasties' energetic and fun Americana songs, and the Sippy Cups' set of originals inspired by '60s and '70s rock were outstanding in their own right. 14) We Shall Overcome: The Seeger Sessions - Bruce Springsteen 14) Singalongs and Lullabies from Curious George - Jack Johnson and Friends Neither one of these albums can be found in the children's music charts at Billboard. No matter -- Springsteen's vibrant hootenanny (I always said it was Bruce Springsteen's children's album) and Johnson's laid-back and alternately playful and wistful songs had virtually no distinctions between songs appropriate for adults or those 30 years younger. 16) Rock Your Socks Off - Charity and the JAMband 16) LMNO Music: Pink - Enzo Garcia These two albums by San Francisco musicians couldn't sound much different. But more than any other album on this list, the JAMband's funky grooves and Garcia's homemade music-making encourage listener participation, either by dancing or singing. Though they're entertaining if you just listen to them, they're that much better if you join in. 18) Different - Elizabeth Street 18) Macaroni Boy Eats At Chez Shooby Doo - Ginger Hendrix From opposite ends of the country, a band and a solo artist sing songs about the day-to-day life of kids and families. One's a little bit country (Ginger Hendrix), one's a little bit rock'n'roll (Elizabeth Street). Elizabeth Street is like the eldest sibling, giving sage advice; Hendrix is the family clown, who tells it like it is. 20) Here Comes the Band - Stephen Cohen: Somebody had to be #20, and it might as well be this one, the most conceptual album on the list -- they wait for the band, the band arrives, the band leaves. My wife couldn't stand it, but I think it's pretty darn good -- not only is it the most conceptual, it has the most consistent atmosphere. Wow, you're still reading? Thanks... Like I said, there are many others I wish could squeeze on here, but rather than go on for fear of leaving someone out, I'll just stop. (Plus, I think the pit orchestra is starting to play music to rush me off the stage.)

Review: Five Cent Piece - Randy Kaplan

FiveCentPiece.jpgAnother week, another bluegrass-inflected album for kids from New York City. Unlike Astrograss' more esoteric approach, Randy Kaplan folds in more traditional approaches to bluegrass on his first kids' CD, Five Cent Piece, released in November. Which isn't to say there isn't some oddness of other kinds on the album. Kaplan has released five CDs for adults, but has also taught and played for kids often. His debut CD is a mix of well-chosen (and often reworked) covers and skewed originals. Artists covered include Jonathan Richman (the winsome "I'm A Little Dinosaur"), Arlo Guthrie ("Motorcycle Song"), and Elizabeth Cotton (the timeless "Freight Train") among others. One of the best tracks on the disk is "Grape Juice Hesitation Blues," his reworking of the traditional "Hesitation Blues," which features some great Don't Let the Pigeon Drive the Bus-style interplay between Kaplan and a ragged chorus of kids. The originals are a little odder, featuring songs about sharks in the bathtub (the spacy "Shampoo Me"), pesky mosquitos (the bluesy "Mosquito Song"), and, well, "Roaches," which features little squeally roachlike-sounds in the background. For the most part, Kaplan plays it straight and lets the music do the talking -- indeed, one of the best things about the album is the terrific musicianship, especially when they're playing traditional songs such as "Freight Train" or "Over the Rainbow." But Kaplan likes to tell stories, and so a number of songs include spoken word portions including... wait for it... "You Can't Always Get What You Want." Yes, my friends, the Stones cut has been put on a kids and family album, a decision so shocking that my wife, whose interest in music doesn't quite match mine, sputtered, "But, but, that's a classic!" For those who are worried, don't be, Kaplan has crafted a 10-minute story using only the occasional chorus for punctuation. As adventurous as the album is, it's not perfect. "Mostly Yellow (Big Bird's Song)" is a lovely but sad song about Big Bird's inner life that as amusing as it is for the parents, really doesn't fit on an album that regular (young) viewers of Sesame Street would listen to. And at a length of just under an hour, it's just too long -- the tracks aren't bad, but it's overwhelming when heard in one piece. "Mostly Yellow" aside, this is a good album for kids ages 3 through 8. You can hear samples at the album's CD Baby page. With his mixture of somewhat different arrangements traditional bluegrass and folk instrumentation, affinity for storytelling, and wide choice of covers, Randy Kaplan comes off as sort of a combination of Enzo Garcia, Bill Harley, and Elizabeth Mitchell. On Five Cent Piece, Kaplan has fashioned one of the more unusual kids and family albums of the year, good for chilly winter afternoons or late summer days. Recommended.

Baby Loves Disco = Kindergartner Loves Hula Hoop

Dennis Miller had a riff many years ago about dancers who take up too much room on the dance floor by acting out song lyrics to, for example, "Ain't No Mountain High Enough." The riff ended with the great (though profane) punchline, "Hey, lady, ain't no [------] dance floor wide enough!" I think our daughter may grow up to be that dancer. We went to the latest Baby Loves Disco party in Scottsdale this weekend, my daughter and I. Despite the catchy name, we left our younger one -- the one who is actually in diapers -- at home. When we got there, we saw they weren't kidding about bringing the nightclub experience to a whole new crowd -- yes, folks, there was a line at the door and a bouncer. Never too early to teach exclusion! Thankfully it was only because the ticket counter was just inside the door and they could only let a couple families in at a time to pay or get their names checked off the pre-paid list. Once inside, we were greeted with quite possibly the most fabulous sight possible for my daughter -- huge bowls of pretzels and chips ready for the snacking. She was so overwhelmed that she completely missed the large pile of juice boxes, which probably would have pushed her over the edge had she seen them just then. As we moved to the dancefloor, it was interesting to note the, well, relative lack of dancing going on. I mean, there were a number of people, old and young, on the floor, but my expectations of high levels of groove-thang-shaking were not met. I guess I just figured the kids would be dancing all over the place, but they weren't, really. They were, however, amusing themselves with egg shakers, scarves, a few feather boas, and, joy of joys, hula hoops. My daughter spent most of her time on the dancefloor hula-hooping, usually on the hips, sometimes on the neck. She is very good at this. But no matter how good you are, hula-hooping requires a... wide berth on the part of others. And let me tell you, the dancefloor wasn't some Billy Bob's mega-floor. It's amazing that some kid didn't get donked in the head with a spinning hoop. (Or, at least, didn't whine about it if he did.) But she had a blast -- heck, she won a prize for best dancer ages 3 and up for her seriously devoted hula-hooping. In the end, I think BLD's advertising ("Saturday afternoon is the new Saturday night") implies that parents can retain a level of sophistication that they probably can't. (I'd guess that 90% of the adult attendees' attire would be unacceptable at the club later that night.) Having said that, the whole experience was sorta like one of the best playdates ever. Chillout areas with books and toys, cookies and snacks wherever you turn, and a funky house. The music? The icing, not the cake.

Review in Brief: We Wanna Rock! - Thaddeus Rex

WeWannaRock.JPGA former participant on the PBS show The Kids Zone, Illinois-based Thaddeus Rex now performs over 200 concerts each year, many of them for schools. On his second album for kids, We Wanna Rock!, released earlier this month, Thaddeus Rex tackles subjects of concern to elementary school students -- fear of moving, spending time with family, or getting dog poop stuck on the shoe (admittedly, probably not the most common concern of most people). The best songs speak straight to kids -- the palpable fear of moving to a new place in the pop-rock "I Don't Want to Go," or trying not to think about not going to sleep in "The Moon Is Rising." Unfortunately, there are relatively few compelling musical backgrounds to the lyrics. Occasionally some interesting musical motifs occur -- the sinewy melody and bass line on the folk-rocker "Slimy Green & Kind of Funny" (with words from fifth-grader Lauren Walton) -- but they're the exception, not the rule. Thaddeus has a slightly odd singing voice that makes me think he's trapped between a rocker's voice and a Broadway voice, and whatever the case, I don't think the songs showcase his voice well. The album's most appropriate for kids ages 5 through 8, and you can hear samples at Thaddeus Rex's website (click on "T-Rex's Jukebox"). There are lots of lesson plans available for T-Rex songs, and so your kids may find themselves enjoying the songs, should he perform in an assembly. But you, the parent, will probably take a pass on repeated spins.