Wave Goodbye to Wiggle Greg?

I'm not sure what sort of world this is in which I get news about the Wiggles from Idolator, but they've alerted readers to this article in this morning's Melbourne's The Age newspaper, which reports that lead singer Greg Page (the one in yellow, natch) will be leaving the group due to increasing -- and unexplained -- bouts of fainting and lethargy. I'm sure I could make a bad joke if I wanted to, but I really don't like to joke about unexplained medical problems. So I'll just content myself to be amused with the headline in The Age: Wiggle tipped to ditch yellow skivvy. Headline writing is a lost art, my friends. (And get well soon, Greg.)

Review: Alphabet Songs Vol. 3 (Rabbit Run) - Steve Weeks

AlphabetSongsVol3.jpgColorado-based musician Steve Weeks takes a decidedly different approach on his third kids' album, Rabbit Run, as he retells the classic 1960 novel by John Updike... for kids! Uh, no. Released earlier this month, Alphabet Songs Vol. 3 (Rabbit Run) is actually the final in Weeks' series of CDs drawing inspiration from the alphabet as its lyrical source. With 9 songs, one each for letters R through Z, Weeks adheres to the theme to varying degrees. The opening title track features Weeks' nifty bluegrass playing accompanying a story of how water flows from the smallest of tributaries (the "Rabbit Run") all the way to the ocean. The theme of interconnectedness is one that Weeks comes back to on other songs on the disk, such as Barenaked Ladies-styled-rap on "Someday" or the sweet mid-tempo folker "Yellowjacket," which had darn well better be on the next Putumayo Folk Playground collection, should one be in the works. (I also need to mention "Up!," another favorite of mind, a very positive slice of kids' folk-pop.) Not every song works well. At 6 1/2 minutes long, "Take the Tinkertown Trolley" goes on too long, which wouldn't be bad if the musical accompaniment didn't sound a little cheesy. (Weeks plays every instrument by himself on the disk -- this song shows the potential limitations of such an approach. I tended to prefer his slightly simpler, more bluegrass-y tunes.) And while I give Weeks credit for going whole hog on "Xavier Xerxes Xenophane X," and certainly setting a record for most words starting with the "x" sound on a single song, it doesn't really hold up to repeated listenings. It's as if he decided that was it for the alphabet theme, as "Yellowjacket" and the African-accented "Zed and Zoey" have very few "Y's" and "Z's" in them. The length and story-telling nature of many of the songs (what better way to get words starting with a desired letter than to create names?) makes the 42-minute CD most appropriate for kids ages 6 through 10. You can samples at the album's CD Baby page. With a few less-than-perfect tracks, I don't think this will be quite the classic Rabbit, Run was as a novel. Still, there are enough strong tracks on Alphabet Songs Vol. 3 to make it a CD worth your investigation. And now that Weeks has completed his alpha-odyssey, he's hopefully figured what works best for him and is free to go wherever his muse leads. As the narrator sings at the end of "Zed and Zoey," "this is not the end." I hope not. Recommended.

The New York Times Tells You What To Think...

... with a little help from The Lovely Mrs. Davis. Tammy La Gorce has YAKMA (Yet Another Kids Music Article) in the New York Times about the nurturing of musical taste in the under-5 set. Amy provides thoughtful context for the rash of new music for kids -- you can decide for yourself whether that's "rash" in a good or a bad way. If you're finding your way here thanks to Amy's kind linkage, feel free to look around. Plenty of reviews, another interview with Dan Zanes, info about Kevin Salem's and Kate Hyman's Little Monster Records, and lots of news. Just one link you might not be familiar with -- my recent review of The Family Hootenanny, a collection of kid-friendly songs from Detroit artists. Check it out -- you won't be disappointed.

Next Up: The Vogue Children's Music Review

My first review in a print magazine, and it's for the venerable Conde Nast empire. You can see my brief review of Wee Hairy Beasties' Animal Crackers in the December issue of Wired magazine here. Now where's David Remnick's e-mail address? I've got a story idea for him...

The Science Behind "John Lee Supertaster"

And you thought "John Lee Supertaster" was just a song. No, They Might Be Giants were on to something -- according to this article, 1 in 4 people are supertasters -- with many things either too bitter or too sweet. How can you tell? According to the print version of the paper, drop a couple drops of blue food coloring on the tip of your tongue -- if it stays blue, no dice, but if it retains a significant pink hue, congratulations, They Might Be Giants can now write a song about you. (In case you need to hear the song... try the links here.)