News: Other Releases, Releases-To-Be

I hear you saying, "You and your "news." You're all Justin Roberts Meltdown this, and Laurie Berkner Starbucks that! How 'bout mixing it up for a change?" And you're right, I have neglected other artist news recently. My bad. So here you go, three (mostly) fresh tidbits of info for ya... 1. Brady Rymer's 4th album has been out for a month now. Every Day Is A Birthday was released on February 10, 2006 and in addition to the regular songs, the album also includes what is intriguingly referred to as a "collection of brain-teasing, creative musical activities at the end of the album." Sounds like it'd be not-so-hot shuffled on an iPod, but kinda cool with the kids. (Also, Rymer's website is really cool.) 2. Eric Herman is preparing his 3rd album Snow Day for a late spring/early summer 2006 release. Go to the link above for info on pre-orders. His site also has some computer games, which I hear are all the rage these days. 3. Finally, Monty Harper also has an album coming out this summer -- Paws, Claws, Scales & Tales will have songs revolving "around the themes of pets and reading." Though lyrics are available, I think I'd rather be surprised to see how many songs deal with reading pets. So there you go.

So You Want To Submit An Album For Review?

(Last updated May 23, 2006 -- updates in italics) In between whimsically and/or sarcastically rewriting press releases from children's music artists, I also review albums in a mostly eager manner. You might wonder how, as an international superagent, I find the time to review these CDs -- OK, I'm not really an international superagent, but I am a father of two, and international superagents have nothing on parents -- and the answer is, I'm not sure. I just know that I like listening to good kids' music and telling others about it. I have already received a few albums from artists seeking a review from this site, and I figure it's time for me to actually outline the Official Zooglobble Album Review Policy. (This was pre-NPR -- strike "a few," insert "lots and lots of".) I'm going to call it "OZARP" just so I can do web searches for "OZARP" in a few days and see what turns up. There are just two rules in the OZARP, though I've added some additional guidance. #1 -- All albums submitted for review shall include complete artwork and an ISBN (barcode). Basically, I want to review the CD as the actual end user will receive it, and with proof that somebody out there could conceivably buy it. So please, no CD-Rs, no CDs without the case and any inserts. Two modifications based on a whole bunch of experience now... 1. CD-Rs sold at CDBaby are A-OK. I understand better now some of the economics of producing a CD and understand that some people may not have the upfront cash to do a fancy pressing. Like I said, if it's sold through CDBaby, it's fine by me. 2. Advance promotional copies (CD-R or otherwise) of albums yet-to-be-released are also OK. I like receiving lyrics/liner notes along with the promo CD, too, though that can be electronically. And I still prefer to see the finished product (even if I've already received the promo copy) -- I do find the physical product to be important to how the end user interacts with the music. Beyond that, I would encourage artists who are considering submitting their album(s) for review consider the preferences, attitudes, and biases already reflected in the ever-increasing list of reviews on the site. I've never made any pretense to be a music educator trying to find the "perfect" or most developmentally appropriate CD for a child -- I'm a parent with two young kids (though, as They Might Be Giants would note, every moment they're getting older) and I love music. And while I don't entirely disagree with Barney Gumble's approach to life ("I'm not a picky man, Homer. Braaaaaah."), there are going to be certain CDs I probably won't like. Additional promotional materials are not required with the CD, though I'll look at whatever else you send. It almost goes without saying these days, but a website link is especially helpful. If it's a yet-to-be-released album, a scheduled release date is also helpful. #2 -- Quotations of two sentences or less on artists' websites or other promotional materials or by other websites/magazines do not require permission from the site owner. Quotations longer than two sentences, or any quotations attached to products actually sold to others, require express permission from the site owner. OK, I realize the very last part of #2 is not common, but I know that artists will quote reviews on websites, promotional materials, and even on CD wrappers/covers. I'm just covering myself in the event that somebody wants to quote me on the latter. I'm not expecting a lot of letters from that provision. Other than that, I'll try to notify you shortly before or after I post a review of an album you've submitted. We always appreciate links to the review or the website generally, but no links are required. Please don't ask me when a review of the album you submitted will be up -- I'm a busy, busy man. The order in which I review CDs on the site is a complicated and patented algorithm that involves how much I like the CD, how long it's been since I last reviewed an album of yours, and whether you employed a penny whistle on your CD -- in other words, it all depends. Rest assured that if I really like your CD, I'll want to tell people about it sooner rather than later, "sooner" and "later" being relative terms around here. If you do e-mail me asking about the status of a CD review (e.g., because you want to make sure I actually received the CD(s), and I totally understand that), you'll probably get a pleasant e-mail saying I haven't made up my mind yet, regardless of whether I've got a pretty good idea that I'm reviewing it next week or never. Rest assured, however, that I do, as promised, listen to every CD I get multiple times before I decide whether to review it. I know you've put a lot of effort into producing it, and I respect that. So that's it. Pretty simple, I think. If you are a children's music artist, PR person, or assorted hanger-on, and you're interested, use that link in the upper-right-hand corner to contact me and we'll go on from there (e.g., I'll send you my mailing address).

Review: Alphabet Songs Vol. II (Ivan Idea) - Steve Weeks

This review really revs up when the reader reconsiders her readily held notions regarding the realism referred to in this record... OK, I admit it, it's hard to write (or "rite," to continue the motif) reviews by focusing on a single letter. And so it begs the question, why would an artist set up such an obstacle? For that very reason, I had some trepidation upon my initial spin of Steve Weeks' 2004 album Alphabet Songs Vol. II (Ivan Idea). Each of the nine songs focuses on a single letter, I through Q, and I feared lyrics stretched beyond anything remotely resembling (stop it!) enjoyment. Luckily, the CD passes the enjoyment test with flying colors. The lyrics themselves focus on a single letter, but generally not in a way to call attention to them. (Only if you're listening closely will you notice all the words starting with the appropriate letter.) On the CD's best songs, the letters seem almost secondary. "Kiki Kangaroo" is a bouncy song about a kangaroo with a mind of its own, "Look, Look!" a midtempo rocker about noticing what's all around, and, my favorite, "Monkeys" is an amusing, laid-back track about, well, monkeys. (The song, which includes a completely gratuitous "Sound of Music" reference, has a very Jack Johnson-like vibe, which is a little ironic given Johnson's work on the Curious George soundtrack.) Some songs tend to show the effort of focusing on a single letter a little more (see letters "N" and "Q"), but there isn't a weak track on the album. The album is nicely produced -- fun acoustic guitar work, with some funky percussion tracks and even an occasional banjo. The songs are mostly gently uptempo folk-inflected rock. To put the album in adult terms, I'd describe it as Barenaked Ladies meets Phish. (Weeks' voice even reminds me of one of the Ladies' singers.) I'd recommend the album for children aged 5 through 9. It's a fun album (or, to end the motif, "really rockin'") and would probably work in a school setting (though it'd work outside of such a setting, too). You can get the album through the usual online retailing suspects and through Weeks' website.

News: Yet Another Children's Compilation Record

Definitely not "For the Kids Three!" Paper Bag Records announced its new compilation of music for kids, "See You on the Moon," with a list that (for the most part) only an indie hipster could love. Let's face it, when a member from Low (Alan Sparhawk) is the fourth-most recognizable name on the list (after -- and there goes my indie cred -- Sufjan Stevens, Broken Social Scene, and Mark Kozelek), this isn't exactly KidzBop 9 we're talking about. It will be interesting to see whether any of these tracks actually speak to kids. The CD is released March 21, 2006. Here's the tracklist, for those of you obsessed with that sort of stuff. 01. Alan Sparhawk - Be Nice to People With Lice 02. Great Lake Swimmers - See You On The Moon! 03. Sufjan Stevens - The Friendly Beasts 04. Montag - Kiddo 1 05. Apostle of Hustle feat. The Husky's - 24 Robbers 06. Junior Boys - Max 07. Broken Social Scene - Puff The Magic Dragon 08. FemBots - Under The Bed 09. Montag - Kiddo 3 10. Glissandro 70 - Voices are Your Best Friend 11. Mark Kozelek - Leo and Luna 12. Detective Kalita - Baby Brother 13. Montag - Kiddo 2 14. Hot Chip - I Can't Wake Up 15. Kid Koala feat. Lederhosen Lucil - Fruit Belt 16. Montag - Bonne Nuit Etienne 17. Rosie Thomas - Faith's Silver Elephant Thanks to Stereogum for the heads-up.

News: Laurie Berkner Band on Today Show this Friday

Laurie Berkner's e-mail list informs us that "Laurie Berkner, Susie Lampert and Adam Bernstein will be closing the show [March 10's Today Show] by playing a selection from the band’s new DVD." This indeed is great news! I've been waiting to hear Adam Bernstein for the longest time! (What? He's not even the regular band member? Brian Mueller is? And it's Laurie Berkner I should be excited about. Oh. Yeah. You're right.)

Review: Rocket Ship Beach - Dan Zanes and Friends

Rocket Ship Beach was the first Dan Zanes album I ever heard. This was maybe 4 years ago or so. I liked it, but it didn't quite grab me at the time the way his 3 subsequent albums did. In going back to the album for the purposes of this review, I tried to figure out why. Let's start out with the stuff I liked then, and still do. You wouldn't think that "Bushel and a Peck" from the Broadway musical "Guys and Dolls" would be a great fit for a chorus of elementary school children (whom I generally dislike hearing on record), but they sound great in the song. It's 180 degrees different from the Olive Oyl-stylings of Faith Prince in the Broadway revival from a few years ago, but lots of fun. My other favorite track on the record is Suzanne Vega's take on the "Erie Canal," which is... well, I don't want to say "eerie" (that would be too easy), but Vega's voice and Zanes' lap steel guitar blend together in a wonderful duet. The rest of the album is... maybe it's just too folk- and bluegrass-based for an entire album for my tastes. Yes, Father Goose and the Sandy Girls make their appearances, as does Barbara Brousal, but the overall feel of the album is definitely more "folk festival" than the other Zanes and Friends CDs. Maybe part of that is that there's only one Zanes original ("Hello," on which Brousal duets). In any case, the album is less diverse musically (if no less technically and musically accomplished). Don't get me wrong, I like the CD and I'm glad to have it in my collection, but I guess unless you're a big folk music fan, I would recommend one of Zanes' other CDs (probably "House Party") as an introduction to his stuff. The CD is best for kids ages 3 through 7 or 8, though like all of Zanes' work, it's definitely appropriate for people of all ages. Zanes' music is available in most stores with a children's music section. Recommended.