Dan Zanes has, without a doubt, the best kids' music e-mail newsletter going.
Or, at least, it's the fanciest-schmanciest.
Occasionally it even includes bits of news worth passing along. His e-mail earlier this week includes this note from Zanes (or his e.e. cummings-obsessed PR-person/webmaster):
"the new dz and friends family cd is finished! it's called catch that train! it will be released in mid may. in addition to that old gang of mine which includes: father goose, barbara, cynthia, colin, yoshi, wunmi, and the rubi theater company, there are guest appearances by: the blind boys of alabama, nick cave, the children of agape, the kronos quartet, and natalie merchant."
So there you go. Nick Cave doesn't really strike me as a children's music artist, but neither did Philip Glass, and that turned out wonderfully on House Party, so what do I know?
Review: Bottle of Sunshine - Milkshake
Children's artists can walk a fine line between sweet and sappy. Childhood is full of wonder, and trying to convey that can lead musicians into mushy-headedness.
For the most part, Milkshake avoids the Head of Mushy on their second album, Bottle of Sunshine. Milkshake, a duo from Baltimore, has two strong assets -- the sweet vocals of Lisa Mathews and the melodic and occasionally crunchy guitars of Mikel Gehl. Backed by a full band, Bottle contains a broad variety of children's pop, uptempo and down-, that does a good job of showcasing those assets.
The best songs on the album are the ones that stay away from mushiness. "Woo-woo" is a fun pop song leavened with humor about playing underwater ("If you find lost treasure on the ocean floor / please bring it back up to me.") "Boom Boom" is a country-tinged tune about dancing. And while "Book of Dreams" is a sweet pop song, elegantly produced, "Sleepytown" is a simple album-closer. (Is there some sort of union rule requiring closing a kids' music album with a slow, sleep-related song? Just wondering out loud here.)
As someone whose tolerance for mushy is perhaps lower than many, some tunes don't work as well for me. While I liked "Book of Dreams," "One Wish" reached too hard for the sense of wonder for my tastes and was fairly bland. And while I'm not against namechecking one's own band in song, which Milkshake does twice here, it has to be really catchy (paging Morningwood to the review, paging Morningwood to the review), which isn't quite the case here. (Still, I could see those two songs being fun for preschoolers in concert.)
The album is best for kids age 3 through 7. It's available at the usual online suspects. While I recommend the album, if you like me have a low tolerance for mushy, you may want to listen to some samples online before committing to the CD.
News: Jamarama Live! Sets Western Tour, Ignores Fifth-Largest City in America
One of my favorite scene in the classic mockumentary This Is Spinal Tap is when the tour manager of the band Spinal Tap tells them that their Boston gig has been cancelled, but tries to soften the blow, telling them, "Don't worry, it's not a big college town."
I bring this up because in looking at Jamarama's western and southwestern swing in March and April 2006, there's one city that, uh, seems to have been overlooked.
Saturday, March 4 Santa Barbara, CA Arlington Theater
Sunday, March 5 Long Beach, CA Terrace Theatre
Saturday, March 11 Marin, CA Marin Center
Sunday, March 12 San Diego, CA Spreckels Theatre
Saturday, March 25 Las Vegas, NV Aladdin Resort & Casino
Sunday, March 26 Fresno, CA William Saroyan Theatre
Saturday, April 1 Salt Lake City, UT Ford Theatre
Sunday, Apri 2 Denver, CO Paramount Theatre
Saturday, April 8 Dallas, TX Nokia Theatre
Sunday, April 9 Houston, TX Verizon Wireless Theater
No offense to the fine folks of Fresno, but where in the name of Raffi is Phoenix on this list? We're not all senior citizens, golfers, and cacti, you know. Kids. Lots of kids. Swarming with kids. And a population bigger than any of those cities listed above (OK, the LA area deserves its shows, no quibbling there).
Sigh. I'm especially disappointed because Dan Zanes is taking over from Laurie Berkner as the headliner on this swing (with the Ohmies filling in on some dates). Would really liked to have seen him...
News: 2005 Grammy Winners Picked, Nobody Notices
Well, in news that I must admit didn't surprise me terribly, Grammy voters picked two relatively well-known names within two relatively unknown categories this week for the 2005 Grammys.
For Best Musical Album For Children, the Grammy went to Songs From The Neighborhood - The Music Of Mister Rogers - Various Artists (Dennis Scott, producer) [Memory Lane Syndications, Inc.]. For Best Spoken Word Album For Children, the Grammy went to Marlo Thomas & Friends: Thanks & Giving All Year Long - Various Artists (Christopher Cerf & Marlo Thomas, producers) [Warner Strategic Marketing].
News: Laurie Berkner's New DVD and Coffee
I got an e-mail from Laurie Berkner the other day. Well, technically speaking, it probably came from her webmaster and not from Laurie herself, but still. It said that the new Laurie Berkner DVD, We Are the Laurie Berkner Band, would be released on February 14 and come packaged with a 5-song bonus CD (4 songs previously released). And that would have pretty much been the extent of this post, except that I found the following article from Billboard, via the Arizona Repubic.
In the article, we find out that...
1) Starbucks is co-releasing the DVD through its Hear Music division.
2) It'll be available at Starbucks stores.
3) Berkner's albums have sold a total of 359,000 copies.
4) The DVD will feature a song called "Mocha Mocha Grande Latte."
(OK, I was kidding on that last point.)
Review: All Through the Night - Mae Robertson and Don Jackson
h... the traditional lullabies. "Twinkle, Twinkle, Little Star." "All Through the Night." Elvis.
Elvis? As in Presley?
I admit, I would not have expected Elvis Presley to be tops on my list of good lullaby artists. But Mae Robertson's and Don Jackson's album All Through The Night: Lullabies and Love Songs includes not just one but two songs made famous by Mr. Swivel-Hips himself. And those songs -- "Can't Help Falling in Love" and "Love Me Tender" (co-written by Elvis) -- fit in wonderfully with this beautifully chosen and sung collection. Though not written specifically for a parent-child relationship, their placement in this collection shifts your perspective on the lyrics -- they really can be lullabies.
One of the advantages of the 15-song collection is that with the exception of the songs I've already mentioned above and "The Water is Wide," I was completely unfamiliar with the songs. Since the same dozen or so lullabies end up making it onto any lullaby CD, this variety is a good thing. Besides Elvis, Robertson also covers Van Morrison and poet Robert Burns on this CD. (Of course, on later CDs she covers Joni Mitchell and the Talking Heads, so this isn't just a one-CD fad.)
The songs are treated in a gentle folk style, guitar and occasionally piano and other folk instruments (Celtic harp, dobro). Over an entire album, the songs begin to blend together, but with a lullaby CD, that's as much to its credit as its detriment. And Robertson, with a beautiful voice, knows how not to oversell her songs.
I stumbled across this CD when I was desperate for a change from traditional lullaby CDs (even good ones) with our first child. This may have been the one I used to accompany late-night feedings more than any other. It's available at Amazon.com and Robertson's own website. Like any lullaby CD, it's most appropriate for kids aged 0-2, but your kindergartners may still want to listen at night. Highly recommended.
