Itty-Bitty Review: Put Our Heads Together - Hot Peas 'N Butter

Hot Peas 'N Butter - Put Our Heads Together album cover

Hot Peas 'N Butter - Put Our Heads Together album cover

For about a decade now, the New York-based group Hot Peas 'N Butter have turned out a half-dozen albums of original music most distinctively characterized by a blend of sounds that I'd describe as global in nature.

Their latest album, Put Our Heads Together -- their seventh -- continues in that vein, lending a sound to kids music that is still somewhat unique.  While many other artists tackle a range of styles on a single album, and a handful like Dan Zanes or Mista Cookie Jar or Secret Agent 23 Skidoo will sometimes mix disparate styles on a single song, Danny Lapidus and his band really do blend Latin rhythm, bilingual lyrics, and modern global pop sounds together to create a bright sound.

This new album features uplifting, feel-good lyrics to go along with those bright sounds.  Tracks like album opener "Amistad," a duet with Dan Zanes, feature lyrics in Spanish and English that neatly illustrate the theme of friendship (which is what "Amistad" means in Spanish).  "Magic Elevator" weaves in an elevator "door-opening" sound into its story of a globe-trotting elevator.  "Colores" is another winning pop song.  And it's one of the better kids' albums at incorporating a kids' chorus with out getting too Kidz Bop-py.  I didn't think the album worked as well, though, when the lyrics were too on the nose -- "No Bullies" is too didactic for my tastes, and "Fresh Spokes" jams bike safety tips into a perfectly good song about the diversity of experience.

The 41-minute album will be most appropriate for kids ages 5 through 10.  Lapidus and crew write an effective pop song with a distinctive sound that's still somewhat rare in the kindie scene.  Put Our Heads Together isn't perfect, but there are enough tracks with a fresh, positive sound -- the majority of them, really -- to merit a spin.  Recommended.

Note: I received a copy of this album for possible review.

Video: "The Boy Who Cried El Chupacabra" - The Hipwaders

Always nice to have new music from Bay Area-adjacent trio The Hipwaders.  Their latest effort is a 2-track effort -- think of it as a single with a B side, except it's not on vinyl.  The A side is a surf rock effort (if the surf was from the Sea of Cortez) titled "The Boy Who Cried El Chupacabra," a retelling of the "boy who cried wolf" story that is, somehow, perfect for the kids' Halloween season.  The B side is a cover of Pointed Man Band's "All That Krampus Wants" for those families who want to get a jump on the later holiday season.  (You can grab the single on iTunes or CD Baby.)

In any case, the band's roped in Will Guy to do the animations, and every time the "camera" pans out to show Tito and the band dressed up in mariachi outfits singing in high harmony, it makes me smile.

The Hipwaders - "The Boy Who Cried El Chupacabra" [YouTube]

Video: "Bird and Rhino" - The Pop Ups

Let's wrap up this (unofficial) Day of The Pop Ups -- sort of a pop-up Pop Ups site -- here at Zooglobble on a visual note.  We've had a review of Great Pretenders Club, the first kids music album to be released exclusively on Amazon Music.  And we've interviewed Jason Rabinowitz how the album came about and what we can expect in the future.

One of those things we can expect is a video for each of the album's 11 tracks.  The first video, for the track "Bird and Rhino," is already here.  It's purposefully slightly lo-fi animation nicely captures the track's occasional zaniness.  If you're going to stomp that fire out with a funnily voiced Rhino, that's not exactly something that cries out for verisimilitude.

You can watch the video directly on Amazon's website, but seeing as Amazon Music also has its own (embeddable) YouTube channel, let's go with that.

The Pop Ups - "Bird and Rhino" [YouTube]

Itty-Bitty Interview: Jason Rabinowitz (The Pop Ups)

Jason Rabinowitz with puppet

Jason Rabinowitz with puppet

Usually I like my interviews a little bit longer, but the speed of the release of Great Pretenders Club, the excellent album from Brooklyn duo The Pop Ups demanded something shorter.  Also, given its relative secrecy -- announced and released within a week -- I couldn't do something more extensive.  (I tip my hat to the band, though, for keeping such a tremendous work under wraps.)

But Jason Rabinowitz, one half of the duo, did answer a few questions last week about the process of creating the album, his influences, and what we can expect in the weeks and months to come.

Zooglobble: “Great Pretenders Club” is the first kindie “instant album” (meaning, released almost as soon as it’s announced) -- how long have you been working on it?

Jason Rabinowitz: From the moment we started writing until the moment it came back from mastering was about 3 months. It was hard to keep it under our hats that whole time. 

How did the association with Amazon Music come about?

Our manager (at mTheory LLC)  was at Amazon for a meeting (not about us) and threw our hat in the ring. (I'm going to try and mention the word "hat" in every answer here.)

The album has a definite ‘80s vibe, even more so than your other albums -- do you have any favorite albums from that era?

Purple RainThriller, Graceland: the big three. 

Remain In Light. Doolittle. She's So Unusual. Voices. Freedom Of Choice. Tom Tom Club. Even Worse. Spike

Anything by Men Without Hats. 

Also a lot of 70's albums. Too long to list but some highlights: Tusk. #1 Album. Fulfillingness First Finale

More more more!!!

What else will you be doing with the album and the music from it?

We're making a video for all 11 songs on the album that will stream as a Pop Ups block on Amazon Prime! Very excited about that! So... Hats off to that idea!

Review: Great Pretenders Club - The Pop Ups

The Pop Ups - Great Pretenders Club album cover

The Pop Ups - Great Pretenders Club album cover

It's a brave new world in kids music.  I thought that the genre would have a few more years where CDs would be the primary mode of transmitting music (and funding musicians' careers), but if I had a dollar for every kids musician I've heard in the past year or so describing the collapse of their CD sales, I'd have enough money to go down to my favorite local record shop (literally) down the street and buy a couple albums.

As a keen observer of the music industry -- and someone for whom the CD is still my most preferred listening medium -- I, too, am nervous by what appears to be a shift to streaming services, which could lead to viewing music as a commodity.  What happens to commodities?  They're viewed as raw materials, often easily substituted for and by other items, with price being the main victim.  In this scenario, if you're a producer of said "raw materials," that doesn't end well if you take your time with your craft.

Luckily -- maybe -- kids entertainment is one of the battlefields upon which the new streaming entertainment wars are being fought.  Netflix, Amazon, and other SVOD (streaming video on demand) players both major and niche are touting their own independent series and collection of entertainment.  Video isn't the only battlefield -- players like Rhapsody are developing their own special kids' area, it can't be long until Spotify joins in, and folks like batteryPOP are developing a video-channel hybrid focusing on kid-friendly music and entertainment.

You might be wondering, what in the world does this have to do with Great Pretenders Club, the fourth album from the Brooklyn duo The Pop Ups?

Everything.

You see, Great Pretenders Club is the very first kids' album from Amazon Music (a second kids' album, from Lisa Loeb, will be released in October) and as such it's a trailblazing release.  It's available exclusively from Amazon Music, downloadable as well as in physical format (print-on-demand CD-R).  More intriguingly, it's being marketed primarily as being exclusively available for streaming on their Amazon Prime service.  In other words, selling the album seems to be a minor point -- what's more important is that you can stream it on Amazon... and not on Spotify, Rhapsody, Bandcamp, and so on.  Amazon has entered the kids audio entertainment fray, and they're using kindie to do it.

So often trailblazing releases are notable more for their context than their content, but in the case of Great Pretenders Club, the album's music is every bit as notable as the way it's been introduced to the world.  This is, simply put, one of the year's best albums.  From the minimalist bleeps and and zaps of album opener "Pretend We Forgot" to the trip-hop sound of title track at the very end (featuring HAERTS), Jacob Stein and Jason Rabinowitz give us eleven tracks of '80s drenched pre-K solid gold celebrating imagination and playfulness.  "We Live in an Orchestra" notices and turns into a song the sounds of everyday objects and adds a nifty guitar line and stringed accompaniment.  "On Air" wonders what it would be like to have one's own radio show (with a foam baseball bat), throwing in Duran Duran and Toto references.  "Googly Eyes" has for me a bit of Joe Jackson feel, while the groove of "Indoor Picnic" features in one part a descending melodic part that must be an homage to Tears for Fears' "Head Over Heels."  (I also can't believe that the part in "Make a Rainbow" that apes the Fifth Dimension's "Let the Sunshine In" wasn't intentional.)  I particularly dug the crunchy guitars of "Treasure Hunter," about playing hide-and-seek with different objects.  While there isn't a song that is as sublime as "Box of Crayons" or "All These Shapes," there isn't anything remotely close to a weak or even so-so track.

The 38-minute album will be most appropriate for kids ages 3 through 7.  You can preview or purchase (and stream if you're an Amazon Prime member) the album here.

A few years from now, the fact that Great Pretenders Club was introduced to the world, Beyonce-style fully-completed, as the first kids music Amazon Music release will have been forgotten.  While Amazon has the market power to significantly change the trajectory of kids music and kindie's relationship to kids music, its ability to do will also determine whether this particular album itself will be forgotten.  Great Pretenders Club is a great album, so don't screw this up, Amazon.  Highly recommended.

Video: "Moles, Hounds, Bears, Bees and Hares" - They Might Be Giants

They Might Be Giants - Why? album cover

They Might Be Giants - Why? album cover

Every couple weeks or so, They Might Be Giants release another video that might be on their upcoming kids' album Why?.  Three weeks ago saw the release of the emoji-filled video for "Definition of Good" (confirmed to be on the album) and last night saw the release of "Moles, Hounds, Bears, Bees and Hares."

The song and video isn't quite the polar opposite of the bouncy "Definition," but its whimsical animation (which I believe is by Alison Cowles and her father, long-time TMBG collaborator David Cowles from Sandpiper Animation) is a perfect visual companion to the subdued stroll through select components of the animal kingdom.

"Some call them bunnies / Who cares?" - ha!

They Might Be Giants - "Moles, Hounds, Bears, Bees and Hares" [YouTube]