Seven Sleepy CDs: A Whole Bunch of Lullaby Reviews

I get lots of CDs, of course, and just like sometimes you'll see a whole of TV shows suddenly appear with the same theme, earlier this year I got a raft of lullaby/sleeptime CDs. I've collected some of the more interesting ones from that rush, plus a few slightly older ones that got overlooked the first time around. That's right, folks, seven CDs. At least one of them's gonna put you (or your kid) to sleep but in, like, a good way. The list starts after the jump.

Review: OMG or LOL? Three Disney Disks

Let me start this review by suggesting that, for all its sins real or imagined, Disney Music purveys more original music for kids and families than any other label. It is possible to avoid a fair amount of that if you don't actually watch cable TV on a regular basis, but they put out a lot of music on a regular basis, and for all age ranges. Not to mention a back catalog the envy of just about anybody. How much you actually enjoy it all depends in part on your age, but I've got three recent Disney releases here, and at least one of them is worth your time. CampRock.jpgI admit it. I'm old. Not, like, Social Security old, but old enough that if I use the phrase "OMG" I mean it ironically. I am old enough, however, to have a kid who, though she isn't quite out of the "kids music" phase yet, will start listening to music I haven't introduced her to. So I understand quite clearly that the soundtrack to Camp Rock, the latest Disney Channel original movie, premiering on a gazillion different channels this week, is Not For Me. It is for kids just a little older than my daughter. They'll spend their own allowances on it, or maybe their parents will get it for them. And what they'll get is an attempt to duplicate the High School Musical magic, except this time in a slightly more rock-oriented retelling of Cinderella. The album features some tracks with Joe Jonas solo (he's got a leading role in the movie) as well as a Jonas Brothers track. There are some songs by 16-year-old Demi Lovato, who has the lead female role and seems to be Disney's leading contender for a Miley Cyrus with a less pop and more rock edge. The songs are fine enough, and most of the songs won't drive you to change the station if you hear them on Radio Disney (OK, maybe "Hasta La Vista," ugh), but you're not going to remember them 15 minutes after they're over. There's nothing as memorable as "Breaking Free" or "Fabulous" or "You Are the Music In Me," all of which are decent pop songs. In the end, it's not really for me, but it never really was.

Review in Brief: Ditties for Kiddies - Deep Fried Pickle Project and Pals (V/A)

DittiesForKiddies.jpgThere's nothing terribly fancy about Ditties for Kiddies, a benefit CD for the Little Kids Rock organization, which brings free musical instruments and music instruction to public schools. The CD comes in a small slipcase with nothing but the cover art on the front and song titles and artists on the back. But, you know, so long as the music's good, I'm OK, and the music's good here. There's a wide variety of songs here, but a lot of them would fall in the "jamband" category. Compilation producers Deep Fried Pickle Project contribute their jug-band original "Picklejuice," while Hot Buttered Rum turn in a sprightly and bluegrass-y "Firefly." Other tracks, such as Greensky Bluegrass' take on "Boom Boom" (which Raffi's done) and ALO's "Mashed Potatoes" mine similar veins. Deadwood Revival's "Daisy" is a sweet Americana tune. It's not entirely on the Americana side of roots music -- one of the most fun tracks is "Who Stole the Hot Sauce" by Chubby Carrier and the Bayou Swamp Band, a rollicking zydeco-influnced tune. And there's the electronica dance tune "Milk Man" by Zilla. But if you're not keen on roots music, you'll probably want to look elsewhere. (And if you're looking for a CD with a sound more directly targeted at kids, look elsewhere, too. It by no means is kid-unfriendly, but aside from a Melanie Dill track and a couple other tracks, it's really kid-friendly, not focused.) The songs may be most interesting to kids ages 3 through 8, but, as noted above, the appeal is probably pretty broad. You can listen to track at the album's CDBaby page. In Ditties for Kiddies, the Deep Fried Pickle Project have put together a sweet little compilation CD that will appeal to a number of listeners, particularly those families who like the jamband/roots music sound. Recommended.

Review Four-Fer: Jazz Albums For Kids and Families

A while back, I wondered, "why are there not more great jazz albums for kids?" I could have substituted the word "good" for "great" and it still would have been a legitimate question. Still, the kids music jazz subgenre has picked up some steam since I wrote those words and with the recent appearance of a definitely great jazz album for kids, I thought it worthwhile to highlight some other new disks worth further exploration if you're looking to broaden the jazz section on your family's CD shelf (or whatever the iPod equivalent of that is). JazzSwingForKids.jpgThirty Tigers' Jazz and Swing For Kids applies a big band (or at least one that approaches double digits) to 10 familiar kids' tunes. A glance at some of the titles, however, shows that they're mixing things up a little bit -- "Diddle Diddle Swing," for example, or the "Old MacDonald Jazz Remix" (a boogie-woogie which throws in a snippet of "Choo Choo Ch'Boogie" for good measure). Strong vocals ("Here Comes the Rain Itsy" gets turned into a Little Richard rave-up) and a sense of playfulness are the strong points on this 33-minute CD. JazzBaby.jpgThe Doug Beavers Rovira Jazz Orchestra's Jazz, Baby! is, in many ways, a similar album. All 10 songs here are traditional ("Twinkle Twinkle," "Shortnin' Bread," "Working' On the Railroad"), and the vocals take center stage. If there is any difference it's that the arrangements are stronger, with strong versions of "Twinkle Twinkle" and "Itsy Bitsy Spider" that take full-advantage of a 20+ member big band being two highlights. "She'll Be Comin' Round the Mountain" is done in a fun cha-cha style. It's a polished recording, and while it's not targeted at adult listeners, those listeners who listen with their kids certainly won't begrudge time spent in its company. (Listen to several tracks from the 33-minute album here.) While those two CDs certainly have much to recommend them, by sticking to traditional and familiar early childhood songs, they don't necessarily lend themselves to repeated listening over a long period of time -- they're CDs you might dip into occasionally. Are there CDs worth more than an occasional dip? Well...

Review in Brief: Hawaiian Playground - Various Artists (Putumayo)

HawaiianPlayground.jpgAnother month, another breezy mix CD from Putumayo Kids. This time it's Hawaiian Playground, which will be released tomorrow, January 22nd. As with other Putumayo Kids collections, the strength of this CD lies in its well-considered blend of modern and traditional sounds, silly and serious songs. I'm not sure too many other collections of Hawaiian music would have the nerve to kick things off with a song from a New York City band, but the Moonlighters play expert Hawaiian steel guitar music, and their jazzy cover of Sam Koki's "Right On" is lots of fun. Joe McDermott's well-produced Hawaiian pastiche "Come to Hawaii" is the most accessible song for kids here, all about using one's imagination about visiting the far-off state. The other artists here are from the islands, and the songs show how diverse the state's musical culture has become. With a number of traditional-sounding albums in my own collection, I preferred the more traditional sounds of Raiatea's "Po La'ila'i" or Keali'i Reichel's "Toad Song." But Hawaiian music today also includes styles such as "Jawaiian" (a mixture of traditional Hawaiian music and Jamaican reggae, as heard on Robi Kahakalau's "Pi'i Mai Ka Nalu"). The collection is typically all-ages, but I think kids ages 3 through 7 might enjoy talking about Hawaii via these songs (and liner notes) the most. You can hear samples of the half-hour disk at most internet shops. Hawaiian Playground isn't an introduction to the history of Hawaiian music; it is, for the most part, a sampling of what Hawaiian kids and families might listen to today. For those families looking for a brief audio vacation to the islands, this album will be the ticket. Recommended.

Review in Brief: Celtic Dreamland - Various Artists (Putumayo)

CelticDreamland.jpgWhen you release as many albums on a regular basis as Putumayo Kids does, it makes it hard for the reviewer to come up with new things to say about the CDs. Celtic Dreamland, released in November 2007, continues Putumayo's run of artfully-produced disks. It's the third in its "Dreamland" series, and even the 4-year-old in your family could figure out that it's an album designed for sleepy-time. You may want to explain to your kids how Celtic music -- typically music with Irish or Scottish lineage -- is distinguished from other musical styles, but Putumayo's typically descriptive liner notes may help in that regard. The music is definitely relaxing, although it may be a bit too sunny in parts for it to be a perfect lullaby album. (I actuallly prefer Ellipsis Arts' collections when it comes to pure lullaby CDs.) There are a number of traditional (Celtic) lullabies here, but as is the case with many Putumayo disks, the foreign language (in this case, Gaelic) in which a number of the songs are sung helps mask those cases where the song isn't really a lullaby. If I had to pick a favorite (or most lullaby-ish) song in the collection, it'd be Susan McKeown's rendition of the traditional Irish lullaby "A Phluirin Mhilis," McKeown's voice and acoustic guitar a lovely combination. (The last 3 tracks, led off by McKeown, are probably the best here.) As a putative lullaby album, I'd put the age range here at ages 0 through 5, though as with most Putumayo Kids disks, there really isn't an age range. You can hear samples of the 32-minute disk at the album's webpage. Putumayo's still working its way toward an excellent album of pure lullabies, but Celtic Dreamland is a good collection that serves its purpose as a mellow-time introduction to the genre of Celtic music. Recommended.