Review: Dream Big! - Roger Day

DreamBig.jpgLet's get the negative out of the way right from the get-go: "Turn Off the TV" might just be the worst kids' song you'll hear this year. Not only is it very "you should do this," it's also done in a faux-rap style. The combination may just make your kids want to turn off the CD player and turn on the TV for several hours watching Spike TV or something. OK. I've gotten that out of my system. It's not really the worst kids' song you'll hear this year -- certainly not the worst one I've heard this year. But it sticks out like a big ol' sore thumb on what is otherwise a pretty strong collection of kids' pop from Tennessee-based Roger Day on his third and just-released CD, Dream Big!. Day can craft decent kid-friendly pop tunes, and there are a number worth enjoying here. "I Like Yaks!" is a goofy little ditty which uses the percussive stylings of master percussionist Billy Jonas. Day also does a good job with character studies or studies. One of the best tracks is "Happy Hippos Hopping," a lilting mid-tempo story song about hippos playing (while the parents watch out for crocodiles). "Zachary Hated Bumblebees" is a simple tune of sorts relating the tale of poor Zachary which uses a string quartet to good effect. On one song after another, Day puts together well-sung lyrics and catchy melodies. For those of you looking for grit in your CDs, Day is not your man -- the lyrics are uplifting through and through (save for the snotty -- literally -- bonus track). The title track is almost too vague in its exhortation to "dream big!," but there are certainly way more vapid things to shout along in a catchy chorus. Day generally avoids the saccharine pits that musicians making overtly positive music sometimes fall into. Even though Day is very good at what he does, as with artists and bands like Joe McDermott and Milkshake, what he does won't resonate with every family, while others find him an essential component of their library. The music here will be most appropriate for kids ages 4 through 9. You can hear samples at the album's CD Baby page as well as at Day's music page. So, "Turn Off the TV" aside, Dream Big! is a nice collection of kid-friendly pop tunes with positive messages. Unless that description makes you run away with your fingers in your ears, then you'll want to give the CD a spin. Recommended.

Hannah Montana is Offsprung

I'm late posting this (as the talk is going on right now), but yesterday I posted some suggestions for today's Miley Cyrus/Hannah Montana chat at Amazon over at my Offsprung site. Go and make some more mildly (or harshly) sarcastic suggestions. By the way, Offsprung is rolling out some cool community features, so if you haven't stopped by, you really should. A fun group of writers and readers, growing daily.

Are Rufus Leaking and Meg White an Item?

I haven't spent nearly enough time talking about the inspired weirdness of Pancake Mountain, but for now, these YouTube videos will have to do. And, frankly, with hipsters (The White Stripes, Wayne Coyne, Lily Allen, Lewis Black) at Bonnaroo, low-fi production values, and Rufus Leaking, the greatest goat this side of The Sound of Music, these clips pretty much tell you all you need to know. Rufus and Meg don't exchange many words, but I think it's love... Highlight on this one -- Wayne Coyne and friends singing "Daydream Believer" Highlight here -- "John the Revelator" duet with the White Stripes and Rufus (Thanks to Stereogum for the heads up.) For what it's worth, the video below, the Mountain's first (going back a number of years), is -- all due respect to They Might Be Giants -- the best vowel song ever. The Evens - "Vowel Movement" I tell you, this idea of culturally cool stars on TV shows ostensibly for kids is such an invention of this generation of parents. (Of course, at least we don't post Confederate flags in our music videos.)

Buy Low, Sell High, Listen to Elizabeth Mitchell

By the way, welcome to those of you finding their way here from reading this weekend's brief article in the Wall Street Journal on useful kids' music sites. (It also mentioned The Lovely Mrs. Davis and Small Ages.) If I knew as much about business and entrepreneurship as I do about kids' music, I might be looking for homes in that "Featured Properties" section the Journal always has featuring swanky condos in Miami. (But one of the starter condos -- I don't know that much.) Anyway, look to the sidebar at the right, down a bit, for the archives and age-appropriate listings mentioned in the article. And thanks for stopping by.

Review: Under A Shady Tree - Laurie Berkner

UnderAShadyTree.jpgYears from now, when there are sections in amusement parks called LaurieWorld, in which you can ride the "Buzz Buzz" bumblebee ride (you must not be any taller than 48" to ride) and eat a "We Are The Dino-Chicken Nuggets Family-Pack," younger families might wonder when exactly it was that Laurie Berkner became a kids' music superstar. The answer, of course, is her appearances on Jack's Big Music Show, the Noggin televison show centered around some music-loving puppets, which first aired in September 2005. The more logical (or obsessed) of the families might then try to figure out what CD might have led the producers to think that Berkner would be such a good fit for the show. Those families' searches would lead them to Berkner's 2002 album Under A Shady Tree. One of the ways in which kids' music is different from most other genres is that its primary audience -- the kids -- don't really care about artistic progression or the order of album releases. Your kids probably can't tell you what order Berkner's CDs were released. But you can tell that Berkner's stretching out musically a bit here. She adds horns to the mix on "This Hat." "Mahalo" has Hawaiian influences, natch, while "Boody Boody Ya Ya Ya" has a pensive, non-major-chord sound. In short, the songs and arrangements here might be the most intriguing Berkner has written. They are not, however, instantaneously catchy, or at least compared to the high bar Berkner had previously set. There is no lightning-bolt of a classic like "We Are the Dinosaurs" or "Victor Vito" here. "Rhubarb Pie (Hot Commodity)" has some sweet harmony, but it's no "Doodlebugs." "I'm Gonna Catch You," "Who's That?," and "Running Down the Hill" are fine enough, but the title track is one of those too-simple songs that parents will tire of quickly. The album's 52-minute runtime doesn't help matters -- there are too many songs here that are interesting but not necessarily must-hears. The album is most appropriate for kids ages 2 through 7 and you can find it pretty much anywhere CDs are sold. If I sound negative here, it's because I think Berkner set such a high standard for the genre with her earlier CDs, particularly her first two CDs. There are still a number of good songs here, and if your family liked Laurie Berkner's earlier work, you'll probably enjoy this. Under A Shady Tree is not where I'd start out exploring Berkner's music, however. It's recommended, but not essential. (But your kids will probably love the "Running Down the Hill" play area of LaurieWorld.)

Review: The Cougar of Haycock Woods - The Harley String Band

CougarOfHaycockWoods.jpgI'm already tired of PTA fundraisers, and our daughter has just cleared kindergarten. I'd be less tired, perhaps, if our PTA helped put together something like The Cougar of Haycock Woods, the 2007 debut CD from the DC-area trio The Harley String Band. Cougar Woods is a nature-based learning curriculum for Haycock Elementary in McLean, Virginia. The album was conceived as a fundraiser for the PTA, but it also took its inspiration from the curriculum itself, as the songs all have a strong nature and ecological focus. A number of the songs, like the leadoff track "Running in the Poison Ivy," take a mostly jocular approach ("Point your finger and wag your tongue / Bossin' me around till the bell is rung / Well don’t go getting all high and mighty /Look, you’s standing in poison ivy"). Others take a more serious approach, as in the title track, which sings about a centuries of human-cougar interaction -- from the cougar's perspective. Not all the songs are quite so ecologically direct. "Cloud Shape Animals" packs its message punch not from emphasizing the fragility of animals on the planet but instead from emphasizing the difficulty of imagination as one ages. And the best track on the CD, "Drifting Away," a gorgeous tune with gentle string accompaniment, has no obvious natural connection except for the title metaphor. Over the 50-minute runtime, there are a few songs that aren't as compelling as the rest (I could do without the silliness of "Ode to Milkweed," for example), but for a narrowly-focused thematic album, it maintains its general interest remarkably well. Musically, this is straight-up folk and Americana, with a little bit of pop thrown in. The instrumentals are well-done, with what must be a good dozen folk instruments (cittern, banjo, pennywhistle, and jaw harp among them) employed. Vocally, I prefered the sweeter voice of Jim Johnson and Jim Clark to the somewhat nasally voice of Steve Coffee (who wrote and sings the majority of the tracks here), but as I always say, that's a personal thing. Kids from Haycock Elementary make a few appearances, too. The whole sound has a ragged feeling, though in a good way. Kids ages 4 through 9 will most appreciate the album. You can hear a few tracks and read lyrics to the album here or at the band's CD Baby page. In the annals of kids' CDs born out of school fundraisers, Frances England's Fascinating Creatures might be the gold standard. But The Cougar of Haycock Woods is a solid collection of nature-based songs, a highly recommended choice for a nature-based curriculum in schools or Earth Day. But it's got enough charm that it's worth a spin at other times and in other places. And maybe it'll even inspire a few more PTAs to give up their chocolate bar sales for something more fulfilling. Recommended.