I'd like to think I have a good record of introducing new artists worth following to the world, but I can't be first all the time. As you'd expect, Bill Childs gets his fair share of disks, and last week in his typical understated way, he made an aside in an unrelated e-mail, saying, "I like that Pop Ups CD." I hadn't heard it, and so worked to change that ASAP and...
This is nothing less than the kids music debut of the year, an inventive mix of beats and melodies that will tickle the eardrums of young and old alike.
It's called Outside Voices, and it's from the Brooklyn duo The Pop Ups. The Pop Ups consist of kids music teacher Jacob Stein and Jason Rabinowitz, frontman for the indie-pop band The Bloodsugars and co-writer/producer of three Little Maestros disks on Kid Rhino, so they've come into this project with both a kids music background and no small amount of experience recording music for adult ears.
The opening track, "Outside Inside," is as striking an opening track as I've heard on a kids album in some time. A guitar strum, a piano, and then a soaring vocal accented by an insistent drum track, all in the purpose of describing the difference between outside voices and inside voices. The next track "Subway Train" is an '80s-tinged electronica-assisted tale of alliterative animals on the New York subway system. The reggae-style "Balloon" leads to "Apes in Capes," which must be a Postal Service hidden track about using basic geometric patterns to draw objects. The midtempo rocket "F & G" is the greatest song about a letter pair since They Might Be Giants' "QU."
And so on. The second five tracks are slightly less awesome than the first five, though I have no small fondness for the horn-assisted garage-rocker "Pasta" (I think you can guess what that one's about). And "Up and Down" is pretty much a Sesame Street video begging to be made.
The 37-minute album is pitched toward kids aged 3 through 7, though I can definitely see this being one of those albums that parents occasionally sneak into the car's CD player after dropping the kids off somewhere. For the moment, you can just purchase the album via download. It's now available in both mp3 and tangible CD format. Feel free to stream the whole album below. (Um, that's an order, actually.)
Can you tell I'm over the moon about this album? Good. Because it's seriously great; it's this year's out-of-nowhere surprise equivalent to John and Mark's Children's Record. Totally for kids, with no compromises for the adults listening in, this album is winning in every way. I may not be the very first to tell you about Outside Voices, but I can guarantee you that I will not be the last. Highly recommended.
Note: The band provided a copy of the album for possible review.
It's been too long since we've heard from Los Angeles' Gwendolyn and the Good Time Gang. They released the fine Get Up and Dance in 2007 (review), but aside from a track on a 2008 Disney compilation, silence.
So, good news -- they've just released Clap Your Hands, their fourth album, and, yeah, they still rock. Well, not specifically for you -- Gwendolyn's music is still pretty much targeted at preschoolers, though perhaps a kindergartner or two might want to listen in and dance along. Sunny pop (with a few other genre explorationss thrown in) plus preschooler-oriented lyrics, that's always been the GTG formula, and they don't stray from it here. "Clap Your Hands" is essentially a movement song wrapped inside horns and harmonies -- it'd collapse under the weight of its simple lyrics ("You know me / I like to clap my hands / Clap, clap my hands") if it weren't an insanely catchy and well-produced tune. "Alright, Okay, Just Fine" swings while explaining feelings and emotions at a preschool level. "Smile, Smile" sounds like a lost track from a Muscle Shoals kids record. The gentle rocker "Evens and Odds" is the best song about the subject (sorry, TMBG), while "Mix It Up" mixes together crayons and diversity along with an insanely catchy chorus. The album's not perfect (I'm lookin' at you, "Speak-A-My-Language"), but there are a lot more hits than misses.
The 27-minute album is most appropriate for kids ages 2 through 6. You can hear clips of the album at its CD Baby page. Clap Your Hands will have you doing that along with your kids in spite of yourself. Tons of fun for the preschoolers you know and love. Definitely recommended.
The problem with "subgenre" albums in kids music is they sometimes become jokes. "Hey, everyone, wouldn't it be funny if we did "Wheels on the Bus" reggae style? Or "Twinkle Twinkle Little Star" in polynesian tiki music?" And, yeah, maybe it's funny at first, but it gets old. And even if it's not meant to be funny, at some point the subgenre needs to move forward, to write songs that honor where they're coming from but at the same time are very much for kids. After all, those toddlers and preschoolers eventually hit grade school, where "Wheels on the Bus" is, well, not appreciated in any style.
Detroit's Candy Band, four moms who play punk and rock for kids, have done reasonably well in avoiding the turning punk rock for kids into a joke. (They, along with Jam Toast and, especially, the Boogers, do yeoman's work in that regard.) They've just released their fifth and latest album, High Five. Don't be afraid of the "punk" label -- from the get-go, this is a high-energy, high-fun album that's accessible to any family not afraid to rock a little. (I'm not a huge punk rock fan, and I dig this a bunch.) "Cookie Jar" gives the "who stole the cookie from the cookie jar" song a energetic stomp; that's followed by the irresistible original "I'm a Monkey," guaranteed to have your kids (and maybe even you) bouncing around the room making monkey noises on the chorus.
I know that some of my appreciation of the music is because of the musical shout-outs the band tosses to the adults listening along. "It's Raining Green" is a pitch perfect melding of Green Day's "Brain Stew" and "It's Raining, It's Pouring," while "Ice Cream" throws in the title snippet of Depeche Mode's "Just Can't Get Enough." But sometimes it's those little things (and they're always pretty little) that mean the difference between cursing at and humming along with the disk if your kid gets attached to it. Also, it takes confidence to pull off a version of "Ode to Joy" on a punk album -- it works out pretty well, as it turns out.
Kids ages 2 through 7 will most appreciate the music here -- they're also the most likely to bounce maniacally. You can listen to "Ice Cream" here, as well as buy the disk. High Five is Candy Band's best album and my new favorite punk rock album for kids. Definitely recommended.
I was provided a copy of the disk by the band for possible review.
New York's Robert Burke Warren, AKA Uncle Rock, has always worn his heart upon his embroidered sleeve, and that's certainly apparent on his latest album The Big Picture. The title is deliberate, as many of the songs here deal with environmental concerns (the duet with Elizabeth Mitchell on the waltz "There Is No Away", for example, or "Garbage Barge"), or the "shop local" movement (which "Stop at a Mom n' Pop" thankfully doesn't actually use that phrase).
"Leave the Bees Be," which from the title sounds like it might be in that camp, is sillier than that -- it features a "buzzing" solo, after all. It's reflective of the general approach that Warren with his producer Dean Jones takes -- very loose roots-rock with some nice touches (the cello on "There Is No Away," or the bells and horns on "Leave the Bees Be"). My favorite track from the album, the full-on rocker "Shake It Off!," features an energetic vocal turn Ralph & Ralph's KT Legnini. It's all about recovering from injury or mistakes, even aping Billy Joel's similarly-themed "You're Only Human" by leaving in the final mix laughter that couldn't have been planned.
The album is most appropriate for kids ages 3 through 8; listen to clips here. Even at 38 minutes in length, the album still feels stuffed full (and probably would have been OK without the last 2 tracks). The Big Picture has things to say and opinions to share, and that probably isn't for every family, some of whom like their kids music... fluffier. But it says those things and shares those opinions with verve and good humor, and that's enough for a lot of us. Recommended.
Ralph's World has done a lot of traveling, going from small label (Mini Fresh, an offshoot of Chicago's Minty Fresh) to big label (Disney) back to small label (Bar/None, who failed to come up with a cutesy kid-division name for Ralph).
So perhaps it's not so surprising that his new album All Around Ralph's World takes the word "world" from Ralph Covert's band name seriously, producing a loosely travel-themed album. But "loosely" is the key adverb, because it's not a concept album. It's just an album that has a number of songs that happen to be about travel. I prefer to think of the album as another collection of solid pop-rock songs for the big wheel set (see "Easy Ryders," which also works in a gratuitous Beatles reference) from an artist who's already turned out such songs by the suitcase. There aren't many clunkers (such as "All Around the World," where Covert sings about learning stories from around the world rather than singing those stories), but they're more than outweighed by the nuggets, such as the poppy "All About Bob," the funny "Black Hole Boy" (who loses everything, including, eventually, words to his song), and the sweet "Blue Airplane." And although the album drags a bit around the 2/3rds-point, the last four tracks, starting with "The Funniest Joke in the World" on through the album closer "I'm Not Tired," are excellent.
The album's most appropriate for kids ages 3 through 8. You can listen to the album at Ralph's website (just click on the "Playlist" in the upper right-hand corner).
I found Covert's last album, The Rhyming Circus, a little underwhelming compared to his previous body of work -- not bad by any means, but not memorable either. All Around Ralph's World is a return to form for one of the best songwriters in the kids music genre. As you're picking out music for your family's summer road trip (or even planning it), All Around Ralph's World would be a fine addition to the playlist. Definitely recommended.
I was provided a copy of the disk for possible review.
There is lots of interest in musicians who create new worlds and new songs for the youth of today (and tomorrow). But there is something to be said for making old songs sound new with verve and joy, and so I'm glad Heidi Swedberg and the Sukey Jump Band is there to take this path slightly-less traveled (at least traveled well) with their debut disk Play!. The Los Angeles-based Swedberg and her band run through a mostly familiar set of tunes -- at least to anyone who knows their Raffi from their Yanni -- but between Swedberg's ukulele and and her band's wide set of instruments (e.g., saw, glockenspiel, slide whistle) they provide new arrangements. (It's supposed to facilitate teaching ukulele, but the end result is something much more fulfilling.) The presence of a few kids (and kids at heart) singing along to songs like "Muffin Man or "Skip 2 My Shoo" make the album accessible for all, but the slightly ethereal takes on "Buckeye Jim" and the "Japanese Umbrella Song" put this in a league above your typical "20 Classic Children's Songs" collection.
For the most part, this album is targeted at kids ages 2 through 7. To Swedberg's credit, though, she actively encourages families to sing along and helpfully provides ukulele chords (as an amateur ukulele player, this was super cool) and lyrics to help that cause along. (Listen to song clips here.)
If Play! doesn't quite scale the heights of the original-old-songs-in-new-bottles-master Raffi, it comes a lot closer than most. More, please. Recommended.
I'd like to think I have a good record of introducing new artists worth following to the world, but I can't be first all the time. As you'd expect, Bill Childs gets his fair share of disks, and last week in his typical understated way, he made an aside in an unrelated e-mail, saying, "I like that Pop Ups CD." I hadn't heard it, and so worked to change that ASAP and...
This is nothing less than the kids music debut of the year, an inventive mix of beats and melodies that will tickle the eardrums of young and old alike.
It's called Outside Voices, and it's from the Brooklyn duo The Pop Ups. The Pop Ups consist of kids music teacher Jacob Stein and Jason Rabinowitz, frontman for the indie-pop band The Bloodsugars and co-writer/producer of three Little Maestros disks on Kid Rhino, so they've come into this project with both a kids music background and no small amount of experience recording music for adult ears.
The opening track, "Outside Inside," is as striking an opening track as I've heard on a kids album in some time. A guitar strum, a piano, and then a soaring vocal accented by an insistent drum track, all in the purpose of describing the difference between outside voices and inside voices. The next track "Subway Train" is an '80s-tinged electronica-assisted tale of alliterative animals on the New York subway system. The reggae-style "Balloon" leads to "Apes in Capes," which must be a Postal Service hidden track about using basic geometric patterns to draw objects. The midtempo rocket "F & G" is the greatest song about a letter pair since They Might Be Giants' "QU."
And so on. The second five tracks are slightly less awesome than the first five, though I have no small fondness for the horn-assisted garage-rocker "Pasta" (I think you can guess what that one's about). And "Up and Down" is pretty much a Sesame Street video begging to be made.
The 37-minute album is pitched toward kids aged 3 through 7, though I can definitely see this being one of those albums that parents occasionally sneak into the car's CD player after dropping the kids off somewhere. 
It's been too long since we've heard from Los Angeles' 
The problem with "subgenre" albums in kids music is they sometimes become jokes. "Hey, everyone, wouldn't it be funny if we did "Wheels on the Bus" reggae style? Or "Twinkle Twinkle Little Star" in polynesian tiki music?" And, yeah, maybe it's funny at first, but it gets old. And even if it's not meant to be funny, at some point the subgenre needs to move forward, to write songs that honor where they're coming from but at the same time are very much for kids. After all, those toddlers and preschoolers eventually hit grade school, where "Wheels on the Bus" is, well, not appreciated in any style.
Detroit's 
New York's Robert Burke Warren, AKA 
There is lots of interest in musicians who create new worlds and new songs for the youth of today (and tomorrow). But there is something to be said for making old songs sound new with verve and joy, and so I'm glad 
