You might think
Dan Zanes is mostly artistic musically, but his family creates art in other ways. His sister
Julia and her husband, his brother-in-law
Donald Saaf, exhibit their paintings in galleries, and Donald has done the artwork for all five of Dan Zanes' family albums.
So if you're Dan and you're thinking of doing a book, who do you turn to? Donald, of course.
In 2004, Zanes and Saaf released
Hello Hello and followed that up in 2005 with
Jump Up!. Each book comes with a 5-song EP of music Zanes recorded with his band, accompanied by Saaf's paintings. Of the two EPs, I think
Jump Up!'s is the stronger of the two. Perhaps it's the perkier, more uptempo nature of the songs on the collection, but I found the latter CD a better collection of songs. I also think it's more diverse, following up "Hal-An-Tow," an English song on which David Jones makes an appearance with "Mango Walk," a fun Jamaican folk song. In other words, it sounds more like an actual Dan Zanes album than the
Hello Hello EP, which I found less diverse. I did like "Alabama Bound," but also thought the re-recorded version of "Hello" on the EP sounded too muddy.
The books themselves are OK -- Saaf's drawings are fun and filled with fun details, but he's illustrating the title tracks' song lyrics which don't, in and of themselves, have much of a plot. They're nice to look at, but not the most compelling books by themselves. The books also have notes, chords, lyrics, and liner notes for each of the songs on the EP, to help the readers who want to play the songs on their own.
I think the books are most appropriate for kids ages 3 through 7. (The songs on each of the 13-14-minute EPs are appropriate for everybody, natch. They're Dan Zanes!) You can get the books at many booksellers, and you can watch a video for "Hello" (the original version, but featuring Saaf's artwork similar to that in the book)
here. You can also purchase the EPs on iTunes
here as an album called
Social Music, minus "Hello," but plus the Loudon-less video version of "All Around the Kitchen".
The music on
Hello Hello and
Jump Up! is similar in nature to a set of B-sides, some songs just as strong as the regular albums, others OK, but nothing special. If you have friends who
don't know Dan Zanes, this isn't a bad way to introduce them. If your family includes Dan Zanes fans, they'll like these, though they're not as essential as the regular albums. But even less-than-essential Dan Zanes music is still recommended.
With experience singing in Old Town School of Folk Music Wiggleworms classes, Chicago-based Ann Torralba would seem a logical choice for recording a CD targeted at the preschool set. And sure enough her debut kids' CD as "Little Miss Ann," Music For Tots, is geared for exactly those kids. A folk-poppy blend of traditional kids' songs, covers, and originals, the 22-minute disk is notable for its arrangements, which take out-of-the-ordinary approaches to familiar songs. Sometimes these arrangements sound great, such as on "You Are My Sunshine," which is given a different melody and jazzy percussion background, or "Pirate Ship," which employs a tin whistle to fun effect. Other tracks' arrangements aren't as endearing (the rhythm on the Pete Seeger-inspired "Edamame" was just, well, too angular, for example), but Torralba gets points for at least trying something different. (And I particularly enjoyed the Torralba originals.)
The disk is appropriate for kids ages 1 through 5. You can hear samples of all the tracks (and purchase the CD) here. With its reinterpretations of traditional songs, this disk would work really well in preschool programs. And while I don't think the CD will become the favorite of many families, Little Miss Ann's musical and lyrical re-interpretations on Music For Tots are good for the occasional sing-along for young families.
Usually when I review CDs that aren't of the most recent vintage, it's because I want to go back and touch on a reasonably well-known CD and see whether or not it's stood the test of time (recognizing that that test might just be two or three years long). I've been writing reviews in one form or another for five years now, and even though I might not have reviewed everything, I've heard quite a bit, and heard of a lot more. But every now and then I stumble across a CD that makes we wonder how this escaped my radar screen.
Down at the Zoo falls into the latter category.
Even though I'm just now hearing the CD, it didn't completely escape notice -- it won an Oppenheim Toy Portfolio Gold Seal award. But this 
The first region-specific release in its Dreamland series, 
Austin-based artist 
Now, if the first album occasionally suffers from a bit of preciousness, Hickman's 2001 follow-up Toddler suffers in no way whatsoever in that regard. In about 43 minutes, Hickman records 31 tracks of silly songs, playground rhymes, and a few stories that do a much better job of showing how simple it can be to just sing for your kids. In writing notes on the CD, I repeatedly used the word "fun" to describe the tracks. From the instant-classic playground chant "I Like My Boots" (co-written by Hickman and 8-year-old Kristen Nichols) to the zippy "Weenie Man" to the ear-wormy melody of Hebrew folk song "Hiney Rakevet," Hickman seems to be having a blast. It's multi-cultural, multi-lingual, and a blast of energy from start to end. Unlike Newborn, Hickman also uses a few more instruments (on both albums, the playing is great).
Sara's choice of album titles makes it remarkably easy for this reviewer to peg the age range, though I'd go a little on the older side, 0-4 for Newborn, and 1-6 for Toddler. You can hear samples and read lyrics for Newborn 
In 2003, 
