Review: Brave

I am a big fan of Disney Pixar movies, having seen every one of their movies in the theatre, dating back to Toy Story, a number of years before I had kids, and even their shorts made for computer graphics geeks conventions more than 20 years ago.
So reviewing Brave, the latest effort from the company, is akin to me reviewing a kids musician whose albums-for-kids-and-families I'd been listening to alongside Nirvana.  It's a different frame of reference from most media for kids I take in.
The short version of the review: Brave is a good movie, about the in the middle of the pack of Pixar movies, the scariest of all of them, but with less character development than most.
The slightly longer version: The most basic of plot summaries.  Princess Merida is an ace shot with the bow and arrow, and opposed to the plan of her mother the Queen to marry her off to a suitor to help bring peace to the region.  Merida takes things into her own hands to save her from this fate, which produces way more complications than she, her family, or indeed this reviewer, could forsee.
That's right, one of the best parts of the movie is that the second-act plot development is genuinely surprising.  To say more would ruin the surprise, but the external conflict is not one you're probably expecting.  The internal, emotional conflict -- the heart of any Pixar movie -- is easier to spot, and while the movie dramatizes it OK, I never felt sufficiently invested in any character except Merida -- somewhat -- to fully latch on.
Of course, that may in part be a gender thing -- my wife and Miss Mary Mack loved the movie more than I, whereas I thought the short that preceded the movie, "La Luna," about three generations of (male)... janitors (for lack of a better word) said many the same things about parenting and self-determination that Brave did, but did it with more humor and far fewer words.  It was something that particularly struck me the second time I saw the movie.
[Side note: As a music reviewer, movie-reviewing is an odd beast.  Whereas I often listen to an album five or six times in the process of writing a review, notes by my side, movie reviews are done based on one viewing, in the dark, with all electronic devices sequestered by a movie company worried about electronic leaks.  Not quite sure how those movie reviewers manage it, aside from trying to jot down notes on a darkened pad of paper.]
Which isn't to say that Brave isn't funny, either.  The witch whose assistance sets the conflict into motion is an absolute hoot and the antics of Merida's younger siblings will keep the younger siblings in your household amused.  But often in Pixar movies the humor is rooted in emotional truth (think of Nemo's dad's neurotic ramblings) and here it can feel like the diversion from the story at hand.  I would also note that some of the scenes are pretty intense and the 3-year-old who loved Cars may not be ready for this.
I'm not being entirely fair to the movie.  It was fun, I recommend it, and I'm only sounding down because the bar set by Pixar for its other movies is so high.  If this movie came out from any other studio, it would be lauded unreservedly.  I just wish I could have felt even more attachment to the characters.
Note: I was invited to attend a press preview showing by Disney; I also saw the movie a second time, paid for by me.

Listen To This: "Robot Parade (Live)" - They Might Be Giants

Now I get to offer you a stream of a live version of "Robot Parade," yet another of the fun bonus tracks from They Might Be Giants' deluxe rerelease of their classic 2002 kids' album, No!.  Posted with permission of the band, it's fun for all ages...

Elena Moon Park's Rabbit Days & Dumplings... Almost Here

It's been a long time since Dan Zanes compatriot Elena Moon Park announced her plan to Kickstart her debut album of Asian kids' music.  Now, nearly 18 months after Rabbit Days & Dumplings was offered to the world at large for its support, the album is complete and has cover art (from Kristiana Parn) and a release date (September 25). While there's no tracks for your public listening pleasure (yet), Dan Zanes fans will find the often festive sounds somewhat familiar.  (The album also features folks like Wu Man, the Kronos Quartet, and members from Bang on a Can.)  Track listing below.
Tracklisting   

1. Sol Nal (설날 )  
2. Diu Diu Deng (丟丟銅)  
3. Doraji (도라지)  
4. Tum Tum Chuen (氹氹轉)  
5. Sisi Sima  
6. Soran Bushi (ソーラン節)  
7. Poong Nyun Ga (풍년가)  
8. Akatombo (赤とんぼ)  
9. Zui Zui Zukkorobashi (ずいずいずっころばし)  
10. Diu Shou Juan (丢手绢)  
11. San Toki (산토끼)  
12. Picking Flowers (采花)  
13. Summer is Here  
14. Ti Oh Oh (天黑黑)  
15. Anta Gata Doko Sa (あんたがたどこさ)  
16. Tinsagunu Hana (てぃんさぐぬ花)

Video Premiere: "Swimmy Swim" - Little Miss Ann

One little conversation at an Elizabeth Mitchell concert, and before you know it Jeff Giles and Bill Childs are working on a Woody Guthrie tribute album.  It's called Keep Hoping Machine Running (the title is from list of New Year's resolutions from Woody in 1942), and it's being released July 31 on Childs' Spare the Rock Records.  Appropriately enough, given the 100th anniversary of Guthrie's birth, all net proceeds from sales will benefit the Woody Guthrie Foundation.

You can read more from Jeff about the album as well as see the complete tracklist, but I think listening to Chicago's Little Miss Ann perform her contribution ("Swimmy Swim") while a little video scrapbook explains how her track came to be might be even more worthwhile.  As with many of Guthrie's songs, "Swimmy Swim" is pretty simple in its construction, but Little Miss Ann and her band do right by the track.

 Little Miss Ann - "Swimmy Swim" [YouTube]

Review: Cirque du Soleil KOOZA (June 2012, Phoenix)

It has been awhile since I saw my first (and, 'til now, my only) Cirque du Soleil show -- Mystere, the first Cirque show, if I recall correctly, to set down roots in Las Vegas.  I don't remember much about the show (of course, the web is now a big help in that regard), but I do remember being vaguely stunned as I left the theatre.   The $60 or so per ticket we paid more than a decade ago, which seemed expensive -- hey, it is expensive -- felt like a bargain after watching the show.  Some of the acrobatics of the Montreal-based troupe made the crowd gasp in ways you just don't often hear outside a sporting event.

Fast forward more than a decade, and the Canadian-based Cirque has 21 shows currently (or shortly) in performance all around the world.  This month, their show KOOZA set up their tent in the parking lot of the University of Phoenix Stadium in Glendale (suburban Phoenix), and my wife and I went to the show's first Phoenix-area performance.

I have no doubt that there are Cirque du Soleil fanatics who have definitive preferences for particular shows, and who rate the stories in each show as part of their overall enjoyment.

I am not that person.  Although I am generally a person who buys into highfalutin descriptions of cultural themes, the themes for Cirque shows seem a little... too much.  I mean, I buy "an adrenaline rush of acrobatics in a zany kingdom" as a tagline.  But stating that "[b]etween strength and fragility, laughter and smiles, turmoil and harmony, KOOZA explores themes of fear, identity, recognition and power" oversells the narrative a bit.  Sure, I think I could identify the sketch that touched on each of those issues.  But that's not why I (or, I suspect, most of the attendees at any given performance) attend.

It's to see the "Wheel of Death" and other feats of acrobatics which will literally take your breath away, if only temporarily.  If you want to see what the "Wheel of Death" is, you can Google for YouTube links which, theoretically, are prohibited by the terms of agreement of seeing a Cirque show.  But I wouldn't do that, not for any legal reason, but because a good part of the joy and excitement of seeing these shows is the not knowing what might happen next.  I wouldn't say it's like people who go to a NASCAR race in the ever-so-slight hope of seeing a big car crash, though watching one of the teeterboard artists fail to nail her landing was an unintentional reminder that these are people doing physical things that might not succeed.

Most of the acrobatics are stunning -- besides the "Wheel of Death," which, trust me, will cause you to gasp several times, audibly, the High Wire, Balancing on Chairs, and the totally-underselling-its-appeal-named Hoops Manipulation acts were my favorites.  To some extent, the show takes classic circus acrobatics and amps up the entertainment value by adding crazy costumes and hair extensions and innovative stage design.  I'm not saying this as a criticism -- I'm saying this to illustrate the fact that Cirque du Soleil has figured out how to improve these forms in each and every way -- both talent-wise and presentation-wise.  It's the difference, frankly, between a $25 ticket and an $80 ticket.

The clowning interludes, while occasionally pretty funny, are less essential to enjoying the show.  There's a pickpocket, an annoying tourist, a king, and a bad dog.  They are funny, occasionally employing a little PG-13 humor, and most of the time, I just wanted them to get off the stage so we could enjoy another acrobatic entertainment.

As for the story, the show "tells the story of The Innocent, a melancholy loner in search of his place in the world."  I am here to tell you that the story is irrelevant to your enjoyment of the show.  I think the Innocent found his place in the world - I just can't tell you where that place is.  And throughout the whole piece there's a six-piece band (and vocalists) playing along.  The music and lyrics are very non-specific in their sound -- it's vaguely Indian "World Music," which no doubt makes it easier to translate the show from country to country.

Should you bring your kids to KOOZA?  Well, we didn't have our kids with us, but there were more than a few slightly older kids there.  While it is no means a slow-moving show, it doesn't move fast enough to consider bringing your preschooler or more antsy young elementary school student.  Kids ages 7 and up will probably ooh and aah over the gymastic/acrobatic portions.  Their mileage for the clowning portions will vary.

As for you, kindly adult reader, KOOZA may be over the top at times, but to a large degree, that's just the point. As long as you're willing to be awed by some incredibly skilled performers, you will, in fact, be awed.  

KOOZA plays in Phoenix through July 15, and continues its tour in Houston, Dallas, and Tampa before heading to the United Kingdom in 2013.  Tickets and more information are available hereNote: My wife and I received complimentary tickets for a performance.  No review was required or expected in return for our attendance.

They Might Be Giants' "Alphabet of Nations"... For You, By You!

I was excited when this was announced a few weeks back, and I'm just as excited today.  Why? Well, it's release day for the deluxe reissue of They Might Be Giants' classic 2002 kids' album No!.  (You can pick up the album via iTunes and in many other places.)

I would suspect that many readers already have the album, but the fancy reissue also comes seven bonus tracks, including a brand new version of "Alphabet of Nations."  "Brand new," you say?  "What's wrong the original version?"  Well, nothing, but as anyone who've seen the band perform the song live (or on Conan O'Brian) can attest, the extended version they perform is just extra... awesome.

Hey, at the request of the band I've removed the download and stream of "Alphabet of Nations," but I'll be uploading another track for your downloading/streaming pleasure shortly.  I assure you, the version of "Alphabet of Nations" is worth your 99 cents at your favorite e-music-supplier.

The band's hosting a challenge on Tumblr and Twitter, crowd-sourcing images from around the world to include in a brand-new video they're creating for this new version of the song.  They're looking for you to post photos on Twitter with the hashtag #TMBGnation or tumblr at http://tmbgnation.tumblr.com/.  By July 10, they're looking from 3 photos posted from people from, or hailing from these specific countries:

Afghanistan, Algeria, Australia, Azerbaijan, Bolivia, Belgium, Brunei, Bulgaria, Cambodia, Canada, Chad, China, Denmark, Dominica, Egypt, Ecuador, Fiji, France, the Gambia, Guatemala, Hungary, Iran, Japan, Kazakhstan, Libya, Mongolia, Norway, Oman, Pakistan, Qatar, Russia, Suriname, Turkey, Uruguay, Vietnam, Yemen, Zimbabwe.

They're looking for portraits of faces (big smiles!), flags, celebrations of culture, and/or action photos.  (And even if you're from a country not on a list, they still want to see those photos. We're all from West Xylophone, right?)  Go, go, crowdsourcing iPhone users!