Itty-Bitty Review: Hot Dog! - Caspar Babypants

Hot Dog! album coverThere is no stopping Caspar Babypants.  He released my favorite kids album of 2011, Sing Along! (review), in August 2011, and his next album is due out in September 2012.

An album out once a year would reflect a pretty creative clip as it is, but that's too slow for Mr. Babypants -- AKA Chris Ballew -- as next week his new album Hot Dog! is released.  How's a new album every 6 months or so work for you?

It works for Ballew.  There's no sign that he's cranking out subpar music, trading on his good name for a quick buck or two -- just the opposite, in fact.  He's tapped into some super-creative vein, a modern-day folksinger amplified with a home studio with a whole host of instruments and mixing programs.  With Laurie Berkner taking multiple years between album releases, Ballew has taken over the mantle of Preschool-Songwriter-In-Chief.

Ballew's equally adept at reconfiguring traditional folksongs ("This Old Whale," a take on "This Old Man") and writing new ones ("All That I Have Got").  He'll mix in the occasional story song ("Eleanor the Elegant Elephant") and pure kid-friendly pop (the funky "Stompy the Bear" and the light-as-a-feather "I Don't Mind").  And while Ballew is responsible for most of the music here and offers a clean, minimal sound, he puts the occasional guest artist (Visqueen's Rachel Flotard, for example, on "More Moles") to good use.

The 49-minute album will be most appreciated by kids ages 1-6, but as with most Caspar Babypants albums, you'll probably listen unabashedly even if they're not around.  With Hot Dog!, Chris Ballew continues his streak of fabulous songwriting for kids.  I, for one, am glad I'll only need to wait another five months or so to hear more Caspar Babypants music.  Highly recommended.

Video: "Lemonade" - Recess Monkey

In Tents album coverRecess Monkey's new circus-themed album In Tents is out on June 19, and they're really gearing up the promotional process.  Last week brought the video for "The Dancin' Bear," and this week's it's a video for the zippity-doodah sound of "Lemonade" (not to mention a preview copy of the album in my mailbox). Besides featuring some highfalutin' words like "dehydration" and "upsell," it also features lemon puppets with googly eyes.  I'm pretty sure you can never go wrong with lemon puppets with googly eyes.

Recess Monkey - "Lemonade" [YouTube]

Review Two-Fer: Putumayo's Instrumental Dreamland / Brazilian Playground

Instrumental Dreamland album coverYear in, year out, the Putumayo Kids offshoot of the main Putumayo label consistently releases a handful of well-curated albums of music from around the world and closer to home (if home happens to be North America).

From a reviewer's perspective, they almost do this too well -- if the quality varied more, it would be easier for us to note the outstanding ones, and ignore the misfires.  As it stands, they're inevitably all good, but it's hard for one to stand out and demand special attention.

I was reminded of this as I listened to the two most recent releases from the label.  There is nothing bad with Instrumental Dreamland, the latest in Putumayo Kids' "Dreamland" series.  You could give it to a parent at their wits' end in trying to comfort a wailing infant, and they would probably be grateful.  It's soothing, devoid of over-emoting vocalists, and peaceful -- a solid album of lullabies.  It is also somewhat superfluous amidst the sea of other lullabye albums available.  Because almost every song features a guitar (or at least some other guitar-like plucked instrument), there's a sameness to the songs that is frankly unusual for a Putumayo disk, which generally features more instrumental and stylistic diversity, even in its Dreamland series.  I even felt it was too Western-ized -- do we really need yet another cover of "What a Wonderful World?"  Kids of all ages (and their parents) will appreciate Instrumental Dreamland either at night or anytime a half-hour of quiet time is needed, but there's far less "need" for this album than most of Putumayo's disks.

Brazilian Playground album coverBrazilian Playground, on the other hand, is closer to a "typical" Putumayo Kids disk (if such a thing can be said to exist).  It features eleven songs from the Brazil's large and diverse musical heritage.  The album opener, "Alo... Alo," deftly mixes the traditional sound of the bossa nova with electronic beats, while the follow-up, Gui Tavares' "Pancada" has a mellow pop sound.  And Chico Cesar's "Mama Africa" sounds like it draws as much from reggae as anything from Brazil.  (My favorite track: Adriana Macel's bright, sun-dappled "Samba Dos Animais")

This is not an entirely new disk -- Putumayo released this originally in 2007.  For this re-release, Putumayo cut 5 tracks, added 3 new ones (Cesar's track, a jazzy "O Rio Tem Cachoiera" and a slow track at the end called "Anhanga), and re-ordered and remastered the rest. The three tracks are fine, but owners of the 2007 disk shouldn't feel the need to upgrade.  Kids ages 3 through 7 will be the ones most likely to dance along and enjoy Putumayo's typically solid work on the liner notes.  Brazilian Playground is Putumayo doing well at what it does well -- bringing a mostly unfamiliar sound to English-speaking America and presenting it in a sparkling light.  Recommended.

Video: "Frutero" - Apple Brains

Get Fruity album coverThere are those videos in which a gentle melody is accompanied by a similarly gentle animation featuring bunnies, perhaps, or very loving and slow-moving kids.

And then there's this world premiere video from Los Angeles band Apple Brains for "Frutero," off their debut album Get Fruity!  Live action, sometimes at double speed; goofy animation melded in, leading to visuals like an animated rocket ship landing in a Los Angeles park lake; a band member dressed up like a banana -- you get the idea.  All in service of a bilingual dance paean to LA's fruit vendors.

It is hyperactive, but in good ways.  It suggests that their Kindiefest performance this year could be semi-delirious.  (Also: one hopes that they will bring enough good vibes to encourage more food trucks to stop by.)

Apple Brains - "Frutero" [YouTube]

KidVid Tournament 2012 Champion: Princess Katie & Racer Steve

After a close, hard-fought, and fair battle, New York City's Princess Katie & Racer Steve and their video "Sand in My Sandwich" defeated Los Angeles' Lucky Diaz and the Family Jam Band and their video "Blue Bear" in a KidVid Tournament 2012 championship match.  This year we ended up having a real Cinderella champion. (OK, that's the last time I'm going to make that reference.)

So, huzzah to all the participants and all the fans who voted over these past three weeks.  Huzzah to all my fellow kindie website operators who hosted matchups over these past three weeks.  And huzzah to Princess Katie and Racer Steve, Champions of KidVid Tournament 2012!

Princess Katie & Racer Steve - "Sand in My Sandwich" [YouTube]

Itty-Bitty Review: Radio Jungle - The Pop Ups

Radio Jungle album coverHas any kids' act in the modern, kindie era raised such a ruckus with their debut album as the Brooklyn duo The Pop Ups with Outside Voices?  You remember that album, right? So did everyone else.

Expectations are high, therefore, with the release of Radio Jungle, the follow-up up to that 2010 album.  Can they meet them?

Pretty much, yeah.  At their very best, nobody makes better modern pop for preschoolers than the Pop Ups.  Leadoff singles "Connect the Stars" (featuring Shine and the Moonbeams' Shawana Kemp on vocals plus Oran Etkin on tenor sax) and '80s throwback "Box of Crayons" should rule kindie radio airwaves through fall.  And if that's enough, "Pop Up City" (with hints of Prince and Springsteen) and the flamenco'd tune "The Bat" there to extend the band's dominance through 2013.  These songs should be blasting out from every lemonade stand and driveway art show.

The rest of the album, starting with "Math Rock," isn't as pure pop joy as those first four songs, but do have their own charms.  All these songs are probably part of the forthcoming Pop Ups puppet show, but it's more obvious with these latter tracks, such as the counting on "Math Rock," the color matching on "Color Wheel," and the phonetic spelling of words on "Elephant."  These last six songs are more Broadway than Brill Building.  (OK, off-Broadway.)

The 38-minute album is most appropriate for kids ages 3 through 7.  You can hear the album at the band's Bandcamp page (or stream below).  Radio Jungle is a solid follow-up to, and equal of, its storied predecessor.  It's a little more showtune-y than Outside Voices, so your family's personal preferences may vary, but you'll probably still swoon over most of these tracks, too.  Highly recommended.

Disclosure: I was provided with a copy of the album for possible review.