While the concept of Richard Perlmutter's Beethoven's Wig is kinda genius -- take famous classical melodies and attach often-funny lyrics to them -- I'd kinda found the past couple entries a little lacking, at least compared to the first couple albums. It was the Die Hard of kids music -- starting out strong, but no longer essential.
Well, John McClane won't head back to theatres for a fifth time until February 2013, but Perlmutter is bringing back his own creation for a fifth time in the recently-released Sing Along Piano Classics. If this new album is any indication, you may want to keep that weekend free for moviegoing because Bruce Willis Richard Perlmutter brings back his "A" game.
As the title suggests, Perlmutter uses famous piano melodies as the basis for his "Weird Al"-like parodies, and many of them hit the mark. "A Piano Is Stuck in the Door" reworks Scott Joplin's "The Entertainer" to amusing effect, while "Poor Uncle Joe" appropriately talks about death in Frederic Chopin's Funeral March. A death of a car, but still. Most of the melodies are very familiar, and Perlmutter tweaks that familiarity on that in some cases -- lots of nonsense syllables in his version of W.A. Mozart's Sonata in C Major, or a clucking chicken in "My Little Chicken." And his take on Mozart's "Alla Turca" (unfamiliar name, but a familiar melody), which he calls "Mozart Makes Kids Smart," is slyly sarcastic ("Instantly / kids can be / the Little Einsteins we expect now / Did you know / with more Mozart / there'd be no child left behind?").
Given the occasionally tricky wordplay, the album is most appropriate for kids ages 6 and up. The 45-minute album features both versions with and without the lyrics; you can hear samples here. Ironically, given his gentle mocking of the "Mozart Effect," Sing Along Piano Classics is actually a pretty good introduction to some famous classical melodies, pairing some well-loved (and in some cases, centuries-old) melodies with smart and silly lyrics. It's a lot of fun. Yippee-ki-yay, Mozart-lover. Definitely recommended.
OK, really, it's two free songs and one free...ish song.
Halloween songs for 2011 trickled out slowly for awhile -- there was Roy Handy back in July, then there was Skelly and the Punkins late last month.
But now, like a group of zombies running down the street to catch the bus, three Halloween tunes were released within 24 hours of each other.
Let's start with the "free...ish" song. It's called "Perfect Pumpkins," and it's from California psychedlic kid-popster Todd McHatton. It's a very sunshine-y tune that the Linus (or Matthew Sweet) fan in your family will appreciate. It'll cost ya 50 cents, but it's free for a limited time with a download of McHatton's new album Galactic Champions of Joy. Spin it below...
Moving on to upstate New York, Ratboy Jr. offer up a free track called "Where Do Monsters Go?" It features the duo's signature lo-fi sound and a rap from Frankenstein. You heard me -- Frankenstein raps. (And if the player below doesn't show up for some weird reason, just go here.)
Finally, if that song frightened your little one -- unlikely, I know -- New Jersey's Mr. Ray offers up a more confidence-building pop song, "Do You Believe in Monsters?," which might help encourage the more timid of trick-or-treaters to overcome basic monster fears. You can download the track for free here, or learn more about a video contest he's running here.
While DC-area heroes Rocknoceros have the chops to write nothing but hook-filled pop-rock tunes, they've always been interested in taking detours musically -- think back to the meta-song "Trying to Write a Song" from their debut.
On Colonel Purple Turtle, their fourth album, the detours become the journey -- few songs here could be recognized as pure pop-rock candy. Which isn't to say there aren't several catchy hooks -- the hilariously cliche-tastic "Early Worm" is a bit of southern alt-country, while the repeating, driving melody of the title track will stick in your head (repeatedly). It's just that the band would rather explore a wide range of genres (sea shanty, babershop quartet, disco, and jazz, to name a few more) or channel, say, Wilco at its mellowest ("Sprouted") or mid-period Beatles ("Echolocation"). The songs tell the stories of the animals of Soggy Bog, where Colonel Purple Turtle lives. Yes, it's a concept album, but for the most part the concept is loose -- the record's mostly a collection of occasionally fanciful character sketches about animals with personalities. (I've not seen the accompanying book, which may or may not provide your kids with additional context behind the songs.) If this all sounds a bit... weird and disjointed, well, it is. I've listened to it several times, and every time I do I'm struck by how odd the overall impression is. It's a fun -- and continually surprising -- album.
The 47-minute album is most appropriate for kids ages 4 through 8. (You can hear samples at your favorite internet retailers, or try YouTube for some live versions.) Colonel Purple Turtle is a big ol' grab-bag of styles and as a result might not be everyone's cup of tea, but Rocknoceros fans should enjoy it (they probably have it already) and I'm pretty sure that everyone will find at least a couple songs that appeal to them. Recommended.
A lot of kindie musicians dream of creating their own TV shows.
Most of the rest of them want to become authors.
That works out to varying degrees, of course. Chris Ballew, AKA Caspar Babypants, in addition to being a talented musician (and visual artist), has the good fortune to be married to artist Kate Endle. Togther they have combined to produce two lovely books -- Bunny Rabbit in the Sunlight and My Woodland Wish -- which parents (or kids) wholly unfamiliar with Caspar Babypants or Chris Ballew would be happy to have on the shelf.
In fact, these books owe the majority of their charm not to the words but to Endle's cut-paper artwork, which is simply beautiful. It's a collage but with everything meticulously planned and put just in the right place. (Take a look at that cover -- you'd think that it was entirely hand-drawn until you look closely at those bushes.) Both books are nature-based -- Bunny Rabbit presents a series of animals in different light settngs while My Woodland Wish is an ever-so-slightly more narratively-driven book that follows a girl spying on (and interacting with) various woodland creatures. The books are cute, but not too much so -- they don't over-anthropomorphize the animals (or give them eyes waaaaay out of proportional to the rest of their bodies).
The words/lyrics to the books (created by Ballew alone in the case of Bunny Rabbit; the two of them together for My Woodland Wish) aren't bad, they're just not what keeps me returning to the books. Ballew created Caspar Babypants melodies for the words, and while they don't have the zippy energy that I personally enjoy most about CB songs (nor should they given the subject matter), they definitely create a sense of dream-like wonder like many of his other songs do.
Caspar Babypants - "Bunny Rabbit in the Sunlight" (book preview) [YouTube]
(The video book preview for the other book is at the end of this review.)
The board book Bunny Rabbit in the Sunlight is most appropriate for kids ages 2 through 5; the picture book My Woodland Wish is more appropriate for ages 3 through 7. You can download both books' tracks here.
I should also note that this is not a typical self-published book, which in my experience can look kinda cheap when you hold it in your hand. These are both releases of Sasquatch Books, a regional publisher distributed by Random House; they both look and feel gorgeous and solidly made. You can find the books, therefore, all over the internet (and maybe even your local bookseller); Endle also sells them at her Etsy store.
I've been almost a little scared as to how easily Ballew has made the transition to part-time (bordering on full-time) family musician. There's not a single dud in his Caspar Babypants CD canon, and now he's helped create two wonderful kids' books with Endle. (A third, Augie to Zebra, is due out in May 2012.) Given their success with books, perhaps they should think about TV... Definitely recommended.
Disclosure: I received copies of these two books for possible review.
Laurie Berkner is without a doubt the brightest female star in kids music (and quite possibly the biggest star, period), so I've been surprised that there haven't been more artists who've attempted to follow in her footsteps. There are obviously lots of successful female artists, for the most part, however, artists like Elizabeth Mitchell, Frances England, Molly Ledford, and Ashley Albert have taken different paths than Berkner's taken, that of melding bright pop takes on traditonal kids' music with catchy new melodies.
But if your family enjoys Berkner and would like to know if there's more where that came from, the answer is, yes, indeed, as Charlie Hope and Laura Doherty are two of the best artists making music for the preschoolers in your life.
Songs, Stories and Friends: Let's Go Play!, Hope's third album for families, mixes traditional tunes ("Wheels on the Bus," "Ants Go Marching," "Robin in the Rain") with some of the shiniest pop tunes you'll hear this year. "Best Friends" and "One That I Love" are sparkly and joyful, with Hope's bright, clear voice carrying the tune. Caspar Babypants repays the favor of Hope dueting on his recent album by helping out with "Alouette," while Hope's mom tells the story of "The Bear Family." Perhaps the best track might be the kicky "What I Like To Do," which uses kids' voices to great effect as individual kids sing about what they like to do, punctuated at the end with Hope singing "What I like to do / is sing songs for kids."
There's little to dislike about the album, though it sounds to me like Hope's voice gets auto-tuned a bit, not like Cher in "Believe," but just slightly more than I like to hear (and Hope probably needs). Aside from that personal bugaboo, I like the album a lot. It's 45 minutes long, targeted at kids ages 2 through 5.
On her second album Shining Like a Star, Laura Doherty plumbs a slightly less traditional, slightly less pop-py line than Hope, with such as with the wurlitzer-like keyboard on "Rocket Ship," the country/western-dusted "Quiet as a Mouse," or the circus organ on "Ferris Wheel." Like Hope, Doherty's blessed with a clear voice that elevates the material -- her samba take on the Joe Raposo classic "Sing" is excellent.
Targeted at kids ages 2 through 6, the songs on 33-minute album are very preschool-subject-focused ("Hula Hoop" is about, you guessed it, hula hooping), which may eventually limit the number of times you can handle hearing Shining Like a Star with your kids, but it'll take you longer than with most albums to reach that point. That even happens with Laurie Berkner albums eventually.
Even though they remind me (in a good way) somewhat of Laurie Berkner, Charlie Hope and Laura Doherty are charting their own course in the kids music world. Even if they never reach the heights of popular success Berkner has, on their latest albums, both artists show off their talents in a way suggesting they, too, may be around for years to come. Recommended.
What's that? Another month has gone by? Then it's time again for an updated list of new and upcoming releases. (Last month's list is here.) Additions to the list are noted with a "++"; changes to previously-mentioned items are indicated with italics.
As always, if I've listed you on here and gotten something wrong (or something not ready for primetime), let me know and I'll edit or delete it. And if you're not on here and think you should be, drop me a line, too, and I'll get you added for the next iteration.
Chip Taylor & the Grandkids: Golden Kids Rules (Oct. 18) [next family release from Smithsonian Folkways]
++ Slugs & Bugs: Title TBA (Oct. 25)
Recess Music (Various Artists): U R Some 1 (mid-October)
The Secret Mountain: Songs from the Baobob (October)
The Ohmies: Morning Wish Garden (October) [prodced by Tor Hyams]
Jim Gill: Music Play for Kids of All Stripes (October)
DidiPop: Everyday Adventures (Nov. 1)
The Deedle Deedle Dees: Strange Dees, Indeed (Nov. 1)
Laura Veirs: Tumble Bee: Laura Veirs Sings Folk Songs for Children (Nov. 8)
Coal Train Railroad: Coal Train Railroad Swings! (late November 2011)
Central Services Board of Education: Binary [tentative] (fall)
Suzi Shelton: Title TBA (fall)
++ The Good Ms. Padgett: ... Tells The Little Red Hen and Other Stories (fall)
++ RhymeZwell: Robots on the Dance Floor (fall)
++ Big Don: Big Don's Brand New Beat (fall)
++ Renee & Jeremy: Title TBA (holiday singles, due fall/holidays)
Maestro Classics: The Soldier’s Tale (Dec. 1)
Riff Rockit: Title TBA (CD, DVD, January 2012)
Randy Kaplan: Mr. Diddie Wah Diddie (2012)
++ Mo Phillips: Title TBA (March 12, 2012)
++ Gustafer Yellowgold: Gustafer Yellowgold’s Year in The Day (April 3, 2012)
++ Orange Sherbet: Delicious (May 1, 2012)
Hope Harris: Picasso, That's Who (spring 2012)
The Dirty Sock Funtime Band: Dirty Socks Come Clean (June 2012)Andy Z: The Grand Scream of Things (Halloween 2012) [produced by Tor Hyams]
Other 2011/2012 albums: Ah-Choo, Peter Apel, Funky Mamas, Ratboy, Jr., Sugar Free Allstars ++, Renee & Jeremy ++, Farmer Jason duets album ++, The Bramble Jam ++, Secret Agent 23 Skidoo (Make Believers ++). Also, Rockabye Baby for Van Halen, The Police, Red Hot Chili Peppers.
While the concept of Richard Perlmutter's Beethoven's Wig is kinda genius -- take famous classical melodies and attach often-funny lyrics to them -- I'd kinda found the past couple entries a little lacking, at least compared to the first couple albums. It was the Die Hard of kids music -- starting out strong, but no longer essential.
Well, John McClane won't head back to theatres for a fifth time until February 2013, but Perlmutter is bringing back his own creation for a fifth time in the recently-released Sing Along Piano Classics. If this new album is any indication, you may want to keep that weekend free for moviegoing because 
Finally, if that song frightened your little one -- unlikely, I know -- New Jersey's 
While DC-area heroes 
A lot of kindie musicians dream of creating their own TV shows.
Most of the rest of them want to become authors.
That works out to varying degrees, of course. Chris Ballew, AKA 
In fact, these books owe the majority of their charm not to the words but to Endle's cut-paper artwork, which is simply beautiful. It's a collage but with everything meticulously planned and put just in the right place. (Take a look at that cover -- you'd think that it was entirely hand-drawn until you look closely at those bushes.) Both books are nature-based -- Bunny Rabbit presents a series of animals in different light settngs while My Woodland Wish is an ever-so-slightly more narratively-driven book that follows a girl spying on (and interacting with) various woodland creatures. The books are cute, but not too much so -- they don't over-anthropomorphize the animals (or give them eyes waaaaay out of proportional to the rest of their bodies).
The words/lyrics to the books (created by Ballew alone in the case of Bunny Rabbit; the two of them together for My Woodland Wish) aren't bad, they're just not what keeps me returning to the books. Ballew created Caspar Babypants melodies for the words, and while they don't have the zippy energy that I personally enjoy most about CB songs (nor should they given the subject matter), they definitely create a sense of dream-like wonder like many of his other songs do.
Caspar Babypants - "Bunny Rabbit in the Sunlight" (book preview) [
Laurie Berkner is without a doubt the brightest female star in kids music (and quite possibly the biggest star, period), so I've been surprised that there haven't been more artists who've attempted to follow in her footsteps. There are obviously lots of successful female artists, for the most part, however, artists like Elizabeth Mitchell, Frances England, Molly Ledford, and Ashley Albert have taken different paths than Berkner's taken, that of melding bright pop takes on traditonal kids' music with catchy new melodies.
But if your family enjoys Berkner and would like to know if there's more where that came from, the answer is, yes, indeed, as 
On her second album Shining Like a Star, Laura Doherty plumbs a slightly less traditional, slightly less pop-py line than Hope, with such as with the wurlitzer-like keyboard on "Rocket Ship," the country/western-dusted "Quiet as a Mouse," or the circus organ on "Ferris Wheel." Like Hope, Doherty's blessed with a clear voice that elevates the material -- her samba take on the Joe Raposo classic "Sing" is excellent.
Targeted at kids ages 2 through 6, the songs on 33-minute album are very preschool-subject-focused ("Hula Hoop" is about, you guessed it, hula hooping), which may eventually limit the number of times you can handle hearing Shining Like a Star with your kids, but it'll take you longer than with most albums to reach that point. That even happens with Laurie Berkner albums eventually.
Even though they remind me (in a good way) somewhat of Laurie Berkner, Charlie Hope and Laura Doherty are charting their own course in the kids music world. Even if they never reach the heights of popular success Berkner has, on their latest albums, both artists show off their talents in a way suggesting they, too, may be around for years to come. Recommended.
