Interview: Brian Vander Ark & Donny Brown (The Verve Pipe)

VervePipe2010PressPhoto.jpgThe Verve Pipe made their name the first time riding the wave of alternative rock in the early-to-mid 1990s. Now they are making their name as enthusiastic performers of music for families. At the 2010 Austin City Limits Music Festival I chatted with guitarist Brian Vander Ark and drummer Donny Brown (that's them at top middle and top left), the two guys that have been in the band since the very beginning, talking station wagon music, upcoming plans, and differences between name-brand and generic cereal. What are your earliest musical memories growing up? Brian: Back seat of a station wagon with five kids, two parents, and Neil Diamond's "Song Sung Blue." When that song came on, it was the first time I paid attention to melody and singing along. It was... 1971? It's a great song... It is a great song. And you? Donny: I remember being in the car... I come from a family with seven kids. So we'd be in the station wagon where the last seat faced out toward the window. They wouldn't allow that now. And my ear was right next to the speaker on the right-hand side. And I remember "See You in September" from the Happenings... do you know that tune? I don't, actually. [Sings a bit of the song.]. It's a very much a Four Seasons ripoff. I can hear that. It's exactly like the Four Seasons without Frankie Valli, but from a band called the Happenings. So you had a big career in the '90s and into the 21st century... You wrote a kids song for a compilation - was that the first attempt you made at writing songs for families, or had you written songs even if they were for your own... Brian: No, that was it... What was it about that song that made you think you'd want to do more of this?

Video: "Auctioneer" - Okee Dokee Brothers

This video for "Auctioneer" off the Okee Dokee Brothers' album Take It Outside is every bit as rarin' to go as the song it's for. The animation by Kelli O'Keefe has a vaguely Richard-Scarry-like animals-pitching-in motif, though Scarry didn't tend to go in for twist endings. The Okee Dokee Brothers - "Auctioneer" [YouTube]

Kindie Songwriting Club: An Introduction

KSCbasiclogo_lowres.jpgRecently, Steve Denyes, the hardworking songwriter behind the Southern California duo Hullabaloo, came to me with a suggestion. He said that he'd participated in songwriting clubs where a group of musicians are given a song title or phrase and use that as a jumping-off point for writing a song. And, given my big interest in collaboration, he was wondering whether or not I'd be interested in hosting a songwriting club for family musicians. I think you probably can guess my answer. So I'm excited to announce the creation of the Kindie Songwriting Club and the first set of participants. Denyes went up and down the West Coast, picking some of his favorite songwriters and making some new friends, resulting in these five fine songwriters (going up the coast from south to north): Steve Denyes from Hullabaloo (San Diego) Gregory Hollow Tree from The Hollow Trees (Los Angeles) Charity Kahn from Charity and the JAMband (San Francisco) Matt Clark (Portland) Johnny Bregar (Seattle) The basic concept of the KSC is this: 1) Readers suggest a song title. Or two. Or twenty. Go ahead, stuff the ballot box! 2) I pick 3, then readers vote on their favorite. 3) The favorite having been chosen, the songwriters craft a song using that song title as inspiration. 4) They record that song however they'd like (though this isn't intended to require fancy studio time). 5) The songs get posted for your enjoyment. 6) World peace is achieved. (OK, probably not. But I'm not ruling it out.) So it's time for the first step -- your suggested song titles. Post 'em here in the comments, on Facebook, or even send me an e-mail (ksc AT zooglobble DOT com). Suggestions for this first round are due by Tuesday, May 31. And stay tuned for further details (voting on your favorite title, hearing the final results). Should be a blast.

Itty-Bitty Review: Dandelion - Steve Weeks

Dandelion.jpgFreed from his devotion to the alphabet (see: A-H, I-Q, and R-Z), Colorado's Steve Weeks is back with Dandelion, an album lacking an obvious organizational hook. But what hasn't changed with this new album is Weeks' affinity for tall tales rooted in decency. Songs like the rock-folk "Bartelby Finkleton Will Not Take a Bath," the gentle "My Dog Ate My House," and "The Blizzard of '78" are a blend of Shel Silverstein and Keller Williams. (There is a reason Weeks also a song titled "I Might Be Lying" on this album.) While these songs will sound familiar to fans of Weeks' earlier work, he branches out a bit -- "Birdsong" is a list of well over a hundred different birds over a driving beat, while "Why" features kids asking a bunch of legitimate questions over Weeks' nifty acoustic guitar playing. And the title track is Weeks' finest song yet, a subtly metaphorical look at the usefulness of a dandelion, reminiscent of and as good as Justin Roberts' best work. The album is most appropriate for kids ages 5 through 9. You can hear samples from the album here. Dandelion is a good album for a sunny day, and for a history-making snowy day, too. There are tall tales here, but some truths, too. Recommended.

Itty-Bitty Review: Agreeably Loud!! - Baron von Rumblebuss

AgreeablyLoud.jpgIt's taken a little while, but the second kids album from North Carolina's Tray Batson, AKA Baron von Rumblebuss, Agreeably Loud, was released this spring and... wait? IS THAT A LOLCAT ON THE ALBUM COVER? OK, I suppose I could probably simply write that, yes, this is the album that has the wildly popular "Did You See (Where the Cat Threw Up, Cuz the Cat Threw Up Again)?," the best song about cat vomit ever recorded. (Yes, wildly popular -- not many kids' songs get fan videos.) It's three minutes of jangle-pop perfection with a hint (OK, a lot) of juvenile attitude. But you probably want a little more in a review, so I'll comply... While it's the best song on the album, if you like that formula, there are some other tracks that might be up your 6-year-old's alley, particularly the power-poppy "(It Wuzza) Boo Boo." I can do without the skits, but that's just me, your kids may appreciate the dorky humor. As for the album as a whole, there probably isn't a more power-poppy kids album out right now -- fans of Matthew Sweet or Big Star who want to share those types of sounds with their kids will find songs like "Skywriter" or "Ooh La La (Play Me That Song)" very much up their alley. The album's going to resonate most with kids ages 4 through 8. You can hear a number of songs from the new album at BVR's Reverbnation page. On Agreeably Loud!!, Baron von Rumblebuss is not just agreeable and loud (if you want him to be), but also catchy and funny. That's plenty for a single album. Recommended.

Itty-Bitty Review: The Little House Songs - Caroline Herring

TheLittleHouseSongs.jpgIt's not often ignorance can make for a better review, but it just might in this case. Selected ignorance, in any case. I was actually familiar with Caroline Herring's recording of The Little House Songs, an album (or musical, really) based on the 1942 book The Little House by Virginia Lee Burton. I also followed the Atlanta-based Herring as she financed the album via a successful Kickstarter campaign. But the book itself? Sorry, it's one of those Caldecott Medal winners I missed. (I had to check Wikipedia for the publication date.) So while I can't say whether the album adequately reimagines an obviously well-loved book, I can say whether it evokes a well-loved book, and on that score, it succeeds. In brief -- and I say this solely based on listening to the album (though I've now since seen the summary) -- a house is built in the country, an expanding city encroaches upon it, it falls into disrepair, a new owner falls in love with it and moves it into the country once again. Obviously there are themes of wistfulness and the passage of time, and Herring does a great job of conveying those themes musically, such as on the wistful "The City Grew Up Around Her" and "Shabby." But it's not entirely downbeat -- "Building of the Road" is an uptempo folk-rocker propulsively carried along by rhythm guitar and Herring's voice until it just slows down, while I loved the violin's mimicking of wheels on happy "House on Wheels." It's mostly folk, with some songs tending a little more country, all tastefully arranged. Kids ages 3 through 7 will most appreciate the 25-minute album. You can listen to all of "House on Wheels" here and other clips here and here. The Little House Songs is a simple little album, made with care, much as the book that inspired it was. (It's also made me want to read the book, which is always a good sign of the quality of an interpretation in a different medium.) Herring reportedly is interested in doing more of these albums based on children's books. Based on this first attempt, I am hoping she is true to her word. Recommended. Disclosure: I received a copy of the album in my registration bag at Kindiefest.