Interview: Jack Forman & Daron Henry (Recess Monkey)

RECESS MONKEY Alarm 72 dpi  photo credit Kevin Fry.jpgIf it's spring, it must be the runup to a new Recess Monkey album. Like clockwork, the Seattle trio turns out a new album each year, and on June 21st their latest album, FLYING!, hits the shelves (or servers, if you're a digital family). I had a chance to chat with bassist Jack Forman and drummer Daron Henry recently about a whole host of Recess Monkey-related stuff, including why a superhero-themed album, bringing in a producer, and Mayor Monkey's continued empire-building. Zooglobble: You have a ton of different things going on -- do you have more ideas than time to implement them? Jack Forman: Definitely. In the past year or so, we've had to prioritize. We'll still do anything, but we're OK turning down the $200 gig. Daron Henry: We've met a lot of others who've inspired us. We've gotten a creative spark that we didn't have a year ago. Jack: In business, they call it scope creep. So what is your mission? Jack: Hm. We haven't written it out, but it's definitely kid-centric. We're family-focused, but the energy comes from the kids in the audience or class. A 6- or 7-year-old hears a knock-knock joke for the first time, that's what we're about. We've written jingles, like for cellphones. but it has nothing to do with the band. Daron: I believe in the kid focus, in being joyous. Life is hard, but there's joy too. We hope kids aren't passive consumers all the time, but can also create. The best part is when a kid tells us they're taking drum lessons or brings a uke to a show. That's awesome to me. Jack: We're gonna work today on a video for "Sidekick" featuring Mayor Monkey in a Barbie Corvette. The DIY thing is key to what we do even with pro tools.

Contest: Win "Oh Lucky Day!" (plus concert tickets and marshmallows)

OhLuckyDay.jpgIt's been awhile since I've run a contest 'round here, but I think you'll agree that this contest is worth the wait. Today's contest is from Lucky Diaz and the Family Jam Band, who release their anticipated debut full-length album Oh Lucky Day! on May 10. And they're offering you, or at least one of you, a chance to win the full-length. But, wait, there's more. They're hitting NYC this weekend to play some shows and gab with some folks at Kindiefest, and they're offering you, or at least one of you (along with a guest), a chance to hear and see them live in concert on Sunday, May 1 at the Knitting Factory in Brooklyn. (Doors at noon, show at 12:30.) But, wait, there's more.

Interview: Elizabeth Mitchell

IMG_3664_2.jpgI suppose the fact that it's taken me more than six months to post an interview with Elizabeth Mitchell is an indication of just how much is going on in the family music world. Luckily, like Mitchell's music, most of the information herein is timeless. I conducted this interview backstage at the 2010 ACL Festival, where Mitchell performed with her band (including her husband, Daniel Littleton, and daughter Storey). Backstage, where we were both waiting for Frances England to perform, and over the happy music-making noises of kids at the drum circle, Mitchell and I chatted about early musical memories (think classic rock, not nursery rhymes), the jadedness of adult rock show audiences, and how she chooses which songs to sing. Also, she gives us a sneak peek into a couple of her forthcoming albums. Zooglobble: What are your earliest musical memories? Elizabeth Mitchell: I guess singing to myself a lot. To myself, by myself, along with the clock radio, or not. Did you make up songs? I think I did, I think I was just always singing. We listened to a lot of music in my home -- there wasn't a lot of playing music. I studied piano, but nobody really played. It was the '70s, so my mom loved Simon and Garfunkel, James Taylor, Carole King. And then there were also great singers like Ella Fitzgerald -- that's my mom's favorite singer, so we listened to her a lot. And my parents both also loved classic Broadway musicals such as My Fair Lady and West Side Story, so we listened to that. And I would sing along with all of it. Even A Chorus Line, which has some very questionable lyrics in those songs, and I would sing along having no idea what I was singing along with. Also, the Allman Brothers' "Ramblin' Man." I loved that song. It was one of my favorite songs as kid. I had no idea what a "ramblin' man" was, though when I think about it, looking back, I can remember the first time I was in a motel room, by a highway, and I heard the sounds of cars and trucks going by at night. So I think there was something about "Ramblin' Man" that was resonating with me even though I had no idea what the song was about. It's a great melodic line, though. It's great. It's a great song. I love the Allman Brothers. We actually did a recording of the Allman Brothers song "Blue Sky" recently. I'm a sucker for '70s classic rock, I love classic rock.

Video: "Balloon" - The Pop Ups (World Premiere)

A year ago, Jacob Stein and Jason Rabinowitz, the duo better known as The Pop Ups, were attending Kindiefest and handing out copies of their debut album for kids Outside Voices. The rest is history. Now as they get ready to play Kindiefest this weekend, they've finished their first video. It's for "Balloon," a story told via reggae and in video form, unsurprisingly, by puppets and cardboard. It's lo-fi in just the right way. We're happy to world-premiere it for you today. The Pop Ups - "Balloon" [YouTube]

Video: "Sidekick" - Recess Monkey

It's less than a couple months until the release of Recess Monkey's latest album FLYING!, which means the band is starting to crank out another series of awesome low-budget videos for songs on the new album. The first one for the album is for the song "Sidekick" and it features Mayor Monkey, who I had just thought of as a band manager and talk show host. Oh, how wrong I was. Bonus points if you can identify the other RM video Professor Schnoz -- if indeed that is his real name -- appeared in. Recess Monkey - "Sidekick" [YouTube]

New and Old Music from Raffi

I am not a "Beluga Grad," but for many reasons, I am an ardent fan of Raffi. I find the putdowns of his music to be sort of like putdowns of the Beatles -- sure, you can say it, but to somehow suggest that Raffi (or the Beatles) wasn't a) very successful, and b) very talented is to be c) very stupid lazy in your criticism. (We try not to use the word "stupid" 'round here.) People sometimes use Raffi and Barney interchangeably, which makes me wonder if they've ever listened to either of them. Now, I totally get some of that criticism, and I am not a huge fan of Raffi's later work (especially as compared to his first three albums, which still get played at our house). But the man had a knack for simple but effective arrangements and, oh, that voice. In more recent years, Raffi has given up recording music for kids, and turned his attention to a variety of projects, including the Center for Child Honoring, a non-profit group Raffi founded "dedicated to advancing Child Honouring as a universal ethic, an organizing principle for societal transformation." I haven't enjoyed the music he's recorded recently very much, but the song he recorded in the wake of Egypt's social uprising, is, I think, a reminder of both his songcraft skills and his emotive voice. Raffi - "Tweet Me Right" (The Cairo Tango) [YouTube]