Video: "Love Me For Who I Am" - Brady Rymer and the Little Band That Could

Brady Rymer's forthcoming April 12th album Love Me For Who I Am comes with a trainload of back story. Rymer's new video for the title track just comes with a trainload of kids. It's lots of fun, and enjoyable regardless of whether you know the back story (which you can read about just by going to Rymer's site). The video is below; after the jump, you can stream the entire album. Brady Rymer and the Little Band That Could - "Love Me For Who I Am" [YouTube]

Please Release Me: March 2011 Edition

It's time again to take a look at my list of new and upcoming releases. As always, if I've listed you on here and gotten something wrong (or something not ready for primetime), let me know and I'll edit or delete it. And if you're not on here and think you should be, drop me a line, too, and I'll get you added for the next iteration. David Weinstone: All I Want (Mar. 8) Groove Kid Nation: The Wheels on the Bus (Mar. 8) Maria Sangiolo: Planting Seeds (Mar. 13) Jamie Broza: I Want a Dog (Mar. 15) Doni Zasloff Thomas: Shabbat Shaboom! (Mar. 22) Aaron Nigel Smith: Let's Pretend (Mar. 29) Debbie and Friends: Story Songs and Sing Alongs (DVD) (March) Readeez: Readeez Vol. 3: Knowledge is Good (March?) Moey's Music Party: Playground Rock Star and Happily Ever Moey! (DVD, March?) Billy Kelly: The Family Garden (April 5) Joanie Leeds: What a Zoo! (April 12) Brady Rymer: Love Me For Who I Am (Apr. 12) [features duet with Laurie Berkner] Daddy A Go Go (aka John Boydston): Grandkid Rock (April 19) Eric Herman: The Elephant (DVD, national release April) Randy Kaplan: Mr. Diddie Wah Diddie (April) Tom Chapin: Give PEAS a Chance (May 3) Lucky Diaz: O'Lucky Day! (May 10) Rockabye Baby: Lullaby Renditions of Jimi Hendrix and the Flaming Lips (those are two separate Spring releases) Recess Monkey: Flying (June 21) Andy Z The Grand Scream of Things (Oct. 4) [produced by Tor Hyams] Milkshake: Title TBA plus Holiday Album Title TBA (Fall 2011) Other 2011 albums: Ah-Choo, Peter Apel, Rocknoceros, Funky Mamas, Dan Zanes, Hipwaders, Big Don, Charlie Hope, Mr. Richard, Chuck Cheesman. Also, Rockabye Baby for Van Halen, The Police, Red Hot Chili Peppers and Madonna.

Tiny Scarecrow Takes To Kickstarter

I have long been a fan of Tiny Scarecow, the diminutive scarecrow puppet/fool in the PBS show The Biscuit Brothers. So while I'm sad that his Kickstarter video doesn't feature, well, either of the actual Biscuit Brothers, it does mean that TS gets 3 minutes of his own. He's taken to Kickstarter to raise funds for a new episode of the TV show (distributed for free to any PBS station which wants to air it). It's a great TV series, and if you haven't checked out the clips available on YouTube, you really should. For the love of all that's good, people, Tiny Scarecrow deserves a tracking shot. I'm backin' the project. [Note: TS is also on Twitter, which seems a bit advanced for a puppet, but, hey. Follow him here.]

EMP Pop Conference 2011: A Brief Review

I got back from the 2011 EMP Pop Conference at UCLA late Sunday night, oblivious of who had won the Oscar statuettes being handed out just a few miles from where I spent the weekend. I've had a 15-year gradual slide away from movies, but that lack of interest felt particularly apropos relative to where I am with music, my interest there waxing as much as my interest in movies has waned. I am not the typical presenter at the Pop Conference-- I'm not an academic, I'm not a professional musician, and I don't think about or write or sell music for a living. (Not much of one, anyway.) As Chuck Klosterman said during his presentation (and I'm paraphrasing here), Pop Conference folks do not have anything resembling a normal relationship to music. Despite the fact that I've been writing about family music here for 6 1/2 years, I think my relationship with music is mostly normal. On the upper edge of "normal," perhaps, but normal nonetheless. (My wife might disagree.) All in all, I might have been closer to the UCLA students registered for the conference than the other presenters in terms of knowledge. But given that I have presented at SXSW and I'm going back to Kindiefest, I thought it might be useful to recap what I did this weekend so that my readers (many of whom I tend to think of as also being on that upper edge of "normal," if not beyond it) can see what it's like to be amongst a group of music obsessives for 48+ hours while listening to comparatively little music. I arrived in Los Angeles early Friday afternoon, greeted by rain, a long line at the rental car counter, and traffic that can only be described as snarled. The combination of rain, poor highways, Oscar-swollen traffic, and early Friday rush hour meant that it took about an hour to drive the 13-14 miles from LAX to UCLA, which meant that I missed the first set of panels. The basic structure of the panels remained the same throughout the weekend -- one moderator in charge of keeping time and asking questions in case the audience didn't have them, and three or four presenters who used Powerpoint or video or audio to help make their case. The moderators didn't always enforce time strictly, but there was rarely a time when I felt like the panel didn't have enough time. I wasn't entirely sure what to expect in putting together my own presentation, so I was glad to have the opportunity to hear (and see) others present their papers.

Kindiefest 2011: Come To My Panel!

Kindiefest_logo.jpg OK, it's not really my panel, but still. I already mentioned why I thought this year's Kindiefest would be worth your while if you are anything more than a passive consumer of family music. Well, now the schedule of panels with panelists has been released. And, see? There's my name! Man, that trip across the country isn't easy, but there are so many reasons to go. That's right, I'll be moderating "Playing Nice: Collaboration and Raising All Boats," all about "how the total can be more than the sum of the parts." Damn straight it can be. And it features a great panel of folks -- Dean Jones, Frances England, Bill Childs, and Johnny Bregar. It starts at 12:30 and lasts just an hour, so get there promptly because I'm because I'm already working on my fake bio bits for the panel and I'm going to rule that panel with an iron fist. Just kidding. Mostly. By the way, if you were worried about the price, the Kindiefesters have announced that the registration price will stay at $90 for the full day of panels and evening showcase. Much, much cheaper than SXSW, I can assure you.

Video: "Dance Yrself Clean" - LCD Soundsystem (with Muppets)

OK, it's not quite the brilliance that was "New York, I Love You But You're Bringing Me Down," but this is kinda funny. While that video was an official video for the band, this video for "Dance Yrself Clean" from the soon-to-be-defunct LCD Soundsystem is unofficial, featuring the Muppets (and Cookie Monster) playing a Beatles-like gig above a Brighton storefront. I'd quibble with some of the instrumentation (really, why not have the sole female muppet taking the Nancy Whang keyboardist role), but the slow burn of the track lets the muppets do various things. Note: It doesn't reach Avenue Q levels of puppet inappropriateness, but they do go clubbing, Animal and Cookie Monster clearly have had too much to drink, and Kermit the Frog behaves rudely to Miss Piggy at the very end. So what I'm saying is: Watch it yourself before watching it with the kids. [One other note: I'm heading out to LA for the EMP Pop Conference to give my presentation, "Pay Me My Money Down: Dan Zanes, They Might Be Giants, and the (Un)Surprising Resurgence of Family Music" on Sunday at 4:15. LA folks are welcome to stop by (if there's room).] LCD Soundsystem (with Muppets) - "Dance Yrself Clean" []