Review: See! - Holly Throsby

See.jpgOne thing that's been striking to me is the relative absence of an independent Australian family music scene, at least viewed from the American vantage point. One might think that the tremendous success of four nice blokes in bright t-shirts might have spurred a lot of imitators and counter-revolutionaries, but that doesn't seem to have been the case. In fact, you can argue that the Wiggles have had a lot more influence on the American kids music scene, either through imitators (the Fresh Beat Band), people headed in the opposite direction (many of the artists on this site), and folks with their feet firmly planted in both camps (Yo Gabba Gabba!). So I'm glad to see that Australian indie-folk musician Holly Throsby has peeked her head into the relatively small Australian scene and offered up See!, which is one of most captivating family music albums I've heard this year. Recorded at an old church south of Sydney, the album kicks off with the sound of a horn heard off the coast as the intro to "Putt Putt," a gentle tune about going out into the ocean with a small motor boat. From there, the album moves to "Fish and Mice," which starts out with what sounds like a Casio drum keyboard and eventually leads to an infectious sing-along chorus with a bunch of kids singing interjections ("Fish!"... "Bike!"). This looseness in musical production is carried on throughout the album. It's all very impressionistic -- moods and feelings and lyrics that aren't totally straightforward narratively, as on the winning Americana-by-way-of-New-South-Wales "Diamonds Are So Shiny" ("I have a deck of cards / And I'm in love with the two of hearts / I dug a hole with the ace of spades / I found a bone and some clay / And an old golf ball / That I hit around with my four of clubs.") She even includes an 11-second "Drum Lesson" that simply introduces a handful of drum sounds. (Also, I'm happy that on "What Turns?," Throsby finally writes a second song for a kookaburra, who, frankly, was probably getting tired of sitting that that old gum tree.) The 28-minute album is most appropriate for kids ages 2 through 8. Right now it's only available as an import or from here -- either way, it'll cost ya about $30 Stateside, so I'd definitely recommend checking out 3 of the tracks here, as well as "The Seasons" here. But See! might very well be worth the $30. It's a combination of Frances England's dreamy songwriting and Elizabeth Mitchell's appropriation of sounds and melodies from everyday life (with a little bit of Stephen Cohen's Here Comes the Band atmospheric tone thrown in). It is described as "experimental," though to American kindie ears it won't sound experimental at all. It is merely delightful in big ways and small. Definitely recommended. Disclosure: I received a copy of this album for possible review.

Fids & Kamily Awards To Be Announced This Weekend!

FK2010logo.jpgIt's not often that I use exclamation points in blog post titles, but I do think this is a big deal. This Saturday, we'll be announcing the winners of the 2010 edition of the Fids and Kamily Awards, the fifth annual (really, I checked) roundup of the year's best family music from all sorts of folks who spend an insane amount of time listening to kids music. We compile the results and you, dear readers, are the winners. You can listen to Spare the Rock, Spoil the Child this Saturday, Nov. 20th from 8 AM to 10 AM East Coast time to hear the albums revealed, or just head over to the Fids and Kamily website where we'll be revealing them relatively simultaneously (we hope). It's been a great year for kids music, family music, kindie music, or whatever you call it. The list of winners is proof...

Monday Morning Smile: "Another Day" - Pomplamoose

It's Monday morning, and I need to smile. This video accomplished that. (I particularly adore Nataly's voice, Jack's mad percussion-ing, and this couplet: "And if you told me we were dreaming / I would pinch you to prove we're awake.") Not really for the kids, but definitely safe. Thanks, Bill Childs! Pomplamoose - "Another Day" [YouTube]

Review: Mind of My Own - Frances England

MindOfMyOwn.JPGWhatever daydreams I had of becoming a rock star when I was a young turk have long since faded away. But I have wondered about recording some basic, traditional songs for my kids, if only for them to have a record of the songs we sang when they were kids. And then there's Frances England, who has gone from recording the fine Fascinating Creatures as a DIY project for a preschool fundraiser almost five years ago to recording her third album Mind of My Own with kindie uber-producer Tor Hyams and getting Mates of State to sing with her on her Topspin-approved album. Those are pretty good rockstar daydreams. One of the key charms of England's first two albums was the lo-fi intimacy England achieved that fit her folky sound. But if on those albums she was willing to make the recordings be akin to a secret shared between friends, on the new album she's a proud 4-year-old, sharing the news with all the world. The good news is that she's done that without sacrificing the charm of those first albums. She mixes both straight-ahead Americana pop-rockers, such as the title (and leadoff) track and "Jacques Cousteau" and laid-back folktunes such as "Red Balloon." England's songwriting is much stronger, with more hooks while finding more similes and getting to the heart of the song in as many words as it needs, and no more. The songs tend to be more about feelings and friendships than concrete events of childhood -- no songs about learning to brush one's teeth here. Sonically, England's band and numerous guest performers (such as the Jellydots' Doug Snyder) perform admirably. Hyams gives the recording a warm, clear sound and brings out musical textures (the violin in "Do You Hear the Birds Singing?," the whistling and bike bells on "Bicycle") to keep the songs sounding fresh. And that song with Mates of State ("Place in Your Heart")? Every bit as awesome as you'd expect. The album is most appropriate for kids ages 3 through 7. You can listen to the entire 37-minute album using the widget below. (And, yeah, the artwork is still England's handiwork and is quite lovely to look at.) In my review of Fascinating Creatures, I said that I didn't think the CD or Frances England would stay secret for long, and that has proven to be an accurate prediction. Even better, she's gotten better as she's become well-known. She still has a sound all her own, while making room for an increasing number of friends. With Mind of My Own, Frances England makes clear her family music career is no daydream -- it's here, and that's a good thing. Highly recommended.
Disclosure note: I was given a copy of the album for possible review.

Itty-Bitty Review: Playing Out (Songs for Children and Robots) - The Crayonettes

PlayingOut.pngI think we can agree that England -- the entire United Kingdom, actually -- has not carried its weight in the kids music new wave. Few artists have attracted any attention here in the States, and even those artists would admit that the independent family music scene is as small there as it is large on this side of the Atlantic Ocean. Into the breach comes the Crayonettes' Playing Out (Songs for Children and Robots). The Crayonettes are a new project from singer-songwriter Kathryn Williams, who actually has a little experience in the genre having contributed a track to the Colours Are Brighter 2006 kid-comp, and Anna Spencer, formerly of the punk band Delicate Vomit. Although the album's overall sound won't be too surprising to regular readers of this website, used to hearing all sorts of songs for all sorts of kids, its folk-electronica music and some out-of-left-field lyrics aren't entirely typical of the more polished kindie sound. "Robots in the Rain" leads off the album with drum tracks, bleeps and bloops, and a mellow song about rusty robots. "Disco Teeth" channels "Odelay"-era Beck to offer this pearl of wisdom: "Toothpaste / Toothpaste is great / 'Cause it cleans your teeth / Disco bright." My favorite tracks are "Emergency," which effectively uses the whah-whah-whah of emergency vehicles as a musical motif and "Illegal," which combines a little trip-hop with a snaky violin and various prohibitions ("Don't pour lemonade in the fishbowl / Don't take the fish for a walk"). I also liked "Spooky Way Home," which is just scary enough for a 4-year-old at Halloween. Having said that, some of the songs don't sound polished enough and sometimes the lyrics are a little too precious (I'm thinking here about "Sweet on the Floor," about not eating, well sweets on the floor). The 30-minute album will be most appreciated by kids ages 2 through 6. You can listen to samples at the UK iTunes page for the album, or listen to "Disco Teeth" here, "Robots in the Rain" at the One Little Indian Facebook page, and an outtake for the price of an e-mail. The Crayonettes' mere existence shows there's hope yet for the UK family music scene. While it's not a perfect disk by any means, Playing Out (Songs for Children and Robots) has a number of tracks suitable for dancing, lounging or being creative to. Recommended for families who are fans of Kimya Dawson's Alphabutt and (to a lesser extent) Saint Etienne's Up the Wooden Hills EP, and for any family willing to be more adventurous in their musical selections.