The Ketchup Report, Vol. 2

I optimistically titled my first attempt at a generic roundup of Volume 1, but, hey, here's Volume 2! All the news too small for its own post, super-sized for you. -- As previously noted, Tor Hyams was developing a new podcast and the first episode of Kindiecast premiered last weekend. Thirty minutes, 8 songs -- stream or download it here. (And today the website notes that Recess Monkey has another batch of songs ready to go, but those guys write songs in their sleep, I think.) Anyways, iTunes podcasting will be happening shortly... -- Speaking of Hyams, Frances England's Mind of My Own (produced by Hyams) is released Nov. 9th and she's got a lot of new stuff associated with the release. This weekend she's got a new show on Sirius-XM's Kids Place Live (check there for details), she's selling artwork, and, while I have a vague memory that Frances told me about these "Creative Family Challenges" contests, the first one is now here and embedded below: -- Speaking of upcoming albums, The Baby Grands release their new album The Baby Grands II on Nov. 16, and today only they're running a deal on Plum District's Atlanta site to get that and their debut album for just $9 plus shipping... I like the creative thinking on getting their music out in front of a wide audience... -- To complete the upcoming album trifecta, The Boogers' second album Let's Go! comes out Nov. 23rd and they're letting you have one of the energetic album's best tracks, "Otto's Orange Day," for the price of an e-mail address. Go here to grab it. -- The Deedle Deedle Dees' Lloyd Miller will be recording his November sing-a-alongs in Brooklyn for a new album to be released soon. For free. Woot! -- Gustafer Yellowgold has a blog. Yes, a blog.

Interview: Keller Williams

72 DPI Keller Williams with Tiny Guitar lowres.jpgVirginia musician Keller Williams has a couple feet's worth of toes in a wide variety of musical ponds -- bluegrass, jamband, jazz, folk, to name a few -- and he's just added family music to that list with the release of Kids. Williams chatted by phone last month about Hee Haw, the unplanned appearance of his daughter on the new album, and the relative merits of being a musician versus doing temporary construction work. Zooglobble: What are your musical memories growing up? Keller Williams: There are many... the first real musical memory was watching Hee Haw. You know, I get asked that by college papers and I tell them that and they've never heard of it. Really? Yeah... Twenty-something, it's frustrating trying to explain to them, it had Buck Owens, Roy Clark... Anyway, by the age of 3, I'd convinced my parents to buy me a guitar. Then it was Kiss -- I used a hockey stick in lieu of an electric guitar. I remember listening to 8-track tapes of John Denver, Neil Diamond, Barry Manilow, Willie Nelson, driving around with my parents. I sang in church choir, the Fredricksburg Children's Theatre, high school choir, but by tenth grade, when I was 15 or 16, I was playing guitar a lot. I got paid for the first time at age 17, playing in the backyard of a restaurant. When did you decide you wanted to make music for a living? When I tried to get jobs when I was 15, 16, 17 years old. The minimum wage was $3.50. I did a little temporary construction work where I mostly would sweep or scrape mortar out of cinder block cracks for 40 hours a week. I realized that I could get a day's pay for 3 hours work, sit while I was doing it, and maybe even get a date out of it. What led you to making this album for families, Kids?

Monday Morning Smile: "C Is For Cookie (Larry Levan's Funky Version Special Disco Mix)

This 1978 remix of the Sesame Street classic "C Is For Classic" was apparently the first remix by New York DJ Larry Levan. From a kids music perspective, it mostly buries the melody and the vocals, so the original is mostly obscured. From a shake your (and your kids') booty perspective, totally awesome. Cookie Monster - "C Is For Cookie (Larry Levan's Funky Version Special Disco Mix)" [YouTube] (via Maura Johnston)

Share: "Aunt Rhody" - The Hollow Trees

nelson_thumb.jpgIt's been awhile since we've heard from Los Angeles' finest cartoon-based purveyors of kid-friendly folk and Americana The Hollow Trees, but word comes from Gregory Hollow Tree (AKA Gregory McIlvaine) that they've got a new album -- Wacky's Tackle -- coming out soon. And a free outtake from the album, "Aunt Rhody" for the free downloading. In the spirit of the season, it's slightly spooky, but tame enough for the most fraidy of cats. Download (or stream) it here, but only until the stroke of midnight on Hollow-er-, Halloween. (OK, I can't claim credit for that pun.)

Review: Piñata Party - Moona Luna

PinataParty.jpgOver the past couple years, I've received a number of Spanish-language kindie albums. I've wanted to like them, I really have, but found that very few were worth spinning for the music alone. Whatever pedagogical value they may have had -- and most of them were designed to teach Spanish -- most were musically unremarkable. Albums from Dan Zanes and Mariana Iranzi -- albums that incidentally weren't designed to teach Spanish -- were the exception. Of course there are classic albums from Suni Paz and José-Luis Orozco, but they are far more traditional in their sound. So I greeted the news of Moona Luna with anticipation -- the Latin-alternative band Pistolera led by Sandra Velásquez, daylighting as a family rock band? Yes, please (or, in the lingua franca of this review, si, por favor!) So while it's difficult to create music that entertains while teaching, on their debut Piñata Party, Moona Luna are up to the challenge with songs that feature bilingual lyrics and preschool-focused subjects. "Tomorrow's Another Day (Mañana Es Otro Día)" has an poppy, earwormy chorus and features the accordion (a staple of a lot of Norteño and Tejano music generally as well as this album). My favorite track on the album, "Hay Que Trabajar (We All Have To Work)," in addition to being a zippy Mexican pop song, is the first song I've heard which explains the difference between working and playing and why both are important. And the track "¿Queires Bailar?," about a cow (la vaca) looking for a friend to dance with, is just a fun bounce-along song that does also work in several other animals and their Spanish names. A couple other shout-outs: Dan Zanes makes an appearance on "Brinca, Jump!," a song encouraging jumping on the bed. Also, their take on the classic "De Colores" rocks a lot more than most versions I've heard. Even if you've grown tired of hearing the song -- I have at least a half-dozen versions in my library -- I think you'll appreciate their more energetic take on the album, which is probably the closest to "rock" the album gets. If there's any downside here, it's that I think it could easily be more Latin/Mexican in its sound and a little more complex lyrically. The weakest track, "Don't Ever Give Up," is the most English-based track on the album and doesn't get much beyond the titular platitude. I'm not suggesting that the next Moona Luna album should go all Los Tigres del Norte on us and features narcocorridos, and their songs are more designed for preschoolers/kindergartners, but there were points when I felt like they were playing it a little safe. (Perhaps that's just a function of trying to write lyrics that need to work in two languages.) The album is most appropriate for kids ages 3 through 6. You can hear some of the songs using the widget below. The album, officially released next week, is an Amazon exclusive. I'm glad that Moona Luna's here, because I think they've got a chance to produce some really good songs and a little bit of cross-cultural understanding. In any language, Piñata Party is lots of fun. It's got bilingual pop-rock that stands up to repeated spins, and while the educational component isn't the focus, there's a fair amount of Spanish just waiting to be picked up. Yes, la vaca, I would like to dance! Recommended.
Disclosure: I was provided an advance copy for possible review -- a quote from me can be found on the album packaging.