Review: Sing With Me - Haley Bonar

SingWithMe.jpgOne of the most welcome trends of the past decade, kids music-wise, is that artists who spend most of their time making music for adults don't have a problem occasionally making music for kids, joining the lucky group of folks for whom making music for families is a full-time gig. Often these albums appear at the midpoint of an artist's career -- think of They Might Be Giants, or Barenaked Ladies, or The Verve Pipe -- well after they've established themselves. But I think we've gotten to the point where up-and-coming artists -- potential Next Big Things -- feel like recording family music is a perfectly acceptable detour along the way. Ten years ago, would Haley Bonar have released her 5-song EP Sing With Me? Probably not. Which would've been a shame, because this is a beautiful 16 minutes of music. Bonar, a singer-songwriter from the Upper Midwest who now calls Portland, Oregon her home, has a sweet voice ever so slightly ragged around the edges. On Sing With Me, she uses that voice to good effect on songs like the album "Beautiful You," which fairly aches with joy. Lyrics like "Beautiful / Everyone is beautiful / And I think you're beautiful, too" might sound trite in the hands of lesser artists, but in Bonar's sparse arrangement becomes a thing of beauty. It's basically a muted version of "What a Wonderful World." That's followed up by the title track, which in its brazen exhortation to sing and use of the major scale in the chorus is a 21st century version of "Do Re Mi." Those two songs, the album's best, are followed by "I Wanna Be Like You," of which Bonar's mellow take may not interest too many kids. The slow waltz "For Sister" is a little bit like Dar Williams' "The Babysitter's Here" in that it's a celebration of love for a little sister that may be best understood by the adults listening, but isn't outside the comprehension level of a kindergartner (who might be close to the experience). The EP finishes up with "If I Had A Rainbow," which features lines such as "If I had a rainbow / that'd follow me wherever I'd go / Everybody'd like me / Because I'd be so colorful." It's a cheery way to end the album. The 16-minute album will be most enjoyed by kids ages 3 through 7. For the moment, you can only purchase the album at Bonar's store. I know that Bonar's on the way up in the world, and we're not likely to get another family album from her anytime soon. That's a shame, because I'm really taken by Sing With Me and I think you'll be, too. Good songwriting is always appreciated, regardless of whether you're 3 or 33. Definitely recommended.

For Those Of You Wishing Your Four-Year-Old Would Learn "Ashokan Farewell"

I actually learned violin in the fourth grade (in public school, no less) without the benefit of the Suzuki Method, which, though very popular and I'd guess has taught millions of folks how to play various instruments, is criticized by some folks for being too rote in its instruction. Because I didn't actually learn through the method, I have no idea if the criticisms are correct, but I love the fact that fiddler Mark O'Connor is making an attempt to bring his "O'Connor Violin Method" to a few more folks. I'm not going to speak on the pedagogical method -- because, you know, I'm not a teacher -- but I like the fact that O'Connor sought to include "musical literature that represents all of the Americas -Mexico, Canada and every region of the United States – and all musical styles – classical, folk, Latin, jazz, rock and ragtime." O'Connor goes on to say that
"The tune that I have arranged to provide the most rudimentary studies for a beginning violinist - Boil'em Cabbage Down - is the first fiddle tune I learned as a child."
Who knows if "Ashokan Farewell" (a song which is barely 25 years old) is in the collection (I kinda doubt it), but it can't be a bad thing to have a fiddle/violin instructional method use some of those classic tunes, right? (And folks who want to learn from O'Connor -- or have their kids learn from O'Connor -- can go here to learn more about String Camps in Tennessee and New York City this summer. For once, being a viola player has its advantages -- cheaper registration.) Watch the ad here.

Video: "A Cow Says Moo" (Live) - Alastair Moock

I know you've heard a little bit about Alastair Moock and his first album for kids, A Cow Says Moo, and I think you'll probably hear more as the album gets into more and more hands, but for the moment I just wanted to post this video, which spotlights the benefits of getting a chorus of kids to sing along with you in an appealingly raggedly manner. Can't overdo it, of course, but used sparingly, like crushed red pepper, it adds flavor. Also: I'm hypnotized by the drummer's twirling of the drumstick in the right hand. Alastair Moock - "A Cow Says Moo" (Live) [YouTube]

Itty-Bitty Review: Banjos For Babes, Vol. 1 - Josh Turknett

banjosforbabes.jpgFirst, let's get this out of the way -- Banjos For Babes is a lot better than its cover might lead you to think. While I admit that the 4-year-old daughter of Atlanta neurologist/banjo player Josh Turknett has more drawing skills than I, a casual viewer might be forgiven if they opened the disk with some trepidation. But once they get the disk into the CD player, they'll be fine, because this is a sweet and simple little collection of, well, songs for the youngest banjo fans. Nothing revolutionary here, just solid banjo playing, nice arrangements, and even an unfamiliar nugget or two. The leadoff track "Head, Shoulders, Knees, and Toes" adds a few other body parts into the mix, while "Old Dan Tucker" takes a slightly more leisurely approach to the song than is commonly heard. And I really liked "Coke Oven March," a song whose origin Turknett traces back to a music box. If Turknett doesn't quite have Pete Seeger's golden voice -- and, really, who does? -- it's pretty good, and he does a good job making what is essentially a one-man affair seem much fuller. The song selections on the 42-minute album are most appropriate for kids ages 2 through 6, though the arrangements will have a broader appeal. You can listen to samples from the songs here or at the album's CDBaby page. Banjos For Babes is a well-crafted collection of folk takes on kids' classics, one worth checking out. Recommended.

Share: "Best of Hullabaloo" - Hullabaloo

First a holiday album, now this: San Diego-area folk-rockers Hullabaloo are offering their new Best of Hullabaloo album for free in the month of February. As one might expect, it's a greatest hits compilation and, yeah, it seems to hit all of the band's highlights from their first six years. The band thanks Stroller Strides for making the download possible, though exactly how is not clear. (One presumes the dozens of shows they've played for the groups have probably won them a few fans in the sippy-cup-toting set.) As long as you have an e-mail address to share, go here to download it, or just click on the links below... <a href="http://bestofhullabaloo.bandcamp.com/album/best-of-hullabaloo">High Roller by Hullabaloo</a> Track listing:

Video: "Super Friend Vacation" - Todd McHatton

This song from Todd McHatton is a couple years old, and I can't say that I'd probably listen to the song more than a couple times on its own. But the video for "Super Friend Vacation" puts a dorky grin on my face every time. McHatton's note on the very low-budget video -- "We had to give up on the editing process about half-way into it and just let these two knuckleheads do their thing" -- is spot-on. (PS -- download the song here.)

Super Friend Vacation from Todd McHatton on Vimeo.