Finally. Los Lobos Goes Disney

LosLobosGoesDisney.jpgWell, it wasn't September 1, as I mentioned earlier, but we have proof that the Los Lobos album of Disney covers not only exists, but will be sprung upon the population this month. Los Lobos Goes Disney is the title (check out that awesome cover art to the left), and it's being released September 22 as an Amazon exclusive. [Update: For a limited time, go here and listen to the whole thing.] The tracklisting -- a mix of stuff obvious and not (yay! it includes a song from Toy Story that isn't "You've Got a Friend in Me") after the jump.

Itty-Bitty Review: Homemade Fun - Keith Munslow

homemade-fun-225w.jpgA small delight. I've been a big fan of Rhode Island storyteller and songwriter Keith Munslow for awhile now. His last album of songs, Accidentally (on purpose) (review) was a well-crafted collection of children's pop, and his Dressed Up for the Party -- two stories, two songs -- is a popular request in our house. His new album Homemade Fun is even better. As you might expect from a storyteller and improv performer, Munslow spends a lot of time thinking about kids' lives and the importance of imagination in those lives. So on the funky horn-tinged "Every Day Is A Summer Day," he sings about picturing summer in the midst of winter (and sounds like a bit like Stan Ridgway on "Mexican Radio"). The silly "The Leftovers" describes an army of left-too-much-overs marching through the house. And on the '80s pop homage "Watchin' All the Cars Go By," the narrator sees freeway traffic and sings "Every one has a place to be / every one has a story for me / They just keep comin' / and I wonder why..." The humor in a lot of the songs is definitely not subtle (you neither expect nor receive any subtlety on a song title "Code Id By Doze"), which is fine -- kids'll eat it up. But parents (and kids paying close attention) will probably howl most at the denouement of "Dust Bunny," about a kid who chooses a dust bunny to be his pet. And the near-instrumental surf-rock of "Spork," featuring awesome tenor saxophone work by Gordon Beadle, is the best dance song of the year. The 34-minute album is most likely going to be appreciated by kids ages 5 through 9. You can read lyrics to the album and hear a few samples here. Homemade Fun is a sweet nugget of an album and what a lot of kids' music should be -- great music well-played and with lyrics that touch upon kids' experiences. Parents will like; kids will love. Definitely recommended.

Video: "Shadows" (Live) - The Not-Its

I mentioned a few weeks back the Bumbershoot offspring Youngershoot, and now it's here. The Seattle fest features Central Services Board of Education hitting the stage in about a half-hour, with Recess Monkey tomorrow, but here for your viewing pleasure is The Not-Its from Saturday's set playing one of the best tracks from their We Are the Not-Its! debut, "Shadows." Besides the fact that the brought their horn section to the show, I love the fact that the female trumpet player also donned a poofy skirt to blend in. The Not-Its - "Shadows" (Live at Bumbershoot)

Video: "King Ferdinand" (Live) - Peter Himmelman

Here's another Peter Himmelman song from My Trampoline performed on his Furious World webcast. I just love the guitar riff in this song. Plus a bonus made-up song (with a word that may or may not be acceptable for the kids in your household) and a brief snippet of Igor Stravinsky (who probably made a lot more people upset than the use of that word I just referred to). Peter Himmelman - "King Ferdinand" (Live)

(Kids) Musicians Who Need (Kids) Musicians: Booking Agents

In this episode of our sporadically popular "Readers Who Need Readers" series, I'm reprinting a portion of a recent e-mail from a kids musician who shall remain nameless...
Well, Stefan, how come I can't find a professional booking agent? Apparently I am at this weird professional juncture where I am now earning a healthy living and too busy and successful with shows and production projects to have any more time to actively BOOK my own shows (that seems good), but NOT quite successful enough to attract a professional booking agent (that seems bad). So apparently I am not such The Man after all. Admittedly, the extent of my booking agent search was to send a single unsolicited e-mail to nine booking agents I found online who represent other family musicians (and it was actually even hard to find NINE real agents in this business...), but thus far my "Yes, I would love to book [X]" response rate of precisely 0% is rather uninspiring... If you have any pearls of wisdom from your experience in this business... BRING IT ON PLEASE!
Well, my specific pearls of wisdom (such as they were, and hardly meriting the all-caps of "BRING IT ON") would tip off who the artist is, but I'm opening this up to other artists out there. Thoughts about ways to find a booking agent? A booking agent you'd recommend? This does strike me as a trickier genre for booking than traditional rock music, a niche, no doubt. And don't forget about Kindiefest.com -- there's another community that may be of help. (But entering responses here will also help folks who come searching for this info in months and years to come...)