Video: "Shoo Fly Pie" - Johnny Bregar

I think there are about a half-dozen food safety rules violated here, and kids, never get something out of the oven without oven mitts, but, hey, I like the song. Johnny Bregar's "Shoo Fly Pie" is not only on his excellent Dragonfly CD, it's also on the forthcoming Putumayo Picnic Playground compilation. Johnny Bregar - "Shoo Fly Pie"

Review: The Time Machine - The Sippy Cups

TheTimeMachine.jpgThe kids music resurgence has been relatively brief, and so we haven't necessarily had the time to watch too many bands mature and change their sounds over time. An exception is the Bay Area band The Sippy Cups. They started out doing nothing but covers, primarily of '60s and '70s psychedelic tunes. They then moved to mostly original '60s and '70s-sounding psychedelic tunes. It's only been on their last couple albums that they've developed a fuller sound (and added some skits to the mix). All of which has been to the good. Their latest album The Time Machine is at times both their most conventional-sounding and also their most adventurous. Although it's not quite a concept album, there a number of songs about about growing up (hence the title). As a result, based on subject matter alone, this definitely their most typical "kids album." Of course, I happen to like some of those songs the best. The power-poppy "My Angry Voice" describes anger in easily accessible phrases ("Breathing fast / My heart is racing / I won't look you in the eyes / What's that sound? / It's someone shouting / That sounds like me / What a surprise") while "Don't Remove the Groove" ameliorates whatever preachiness a song about environmental warming might contain by being, well, groovy and turning it into a "freeze dance" song. "Seven Is The New 14" will likely go over heads of the 14-, er, 7-year-olds the song is targeted at, but its amusing spin on "age is nothing but a number" will draw chuckles from the parents. For those of you originally drawn to the band for its original more psychedelic sounds won't be disappointed -- the title track and concluding track "Awake" (the latter clocking in at 6 minutes) are definitely could've been recorded 35 or 40 years ago, while "One Day Soon" is an excellent pastiche of Sgt. Pepper's-era Beatles. If there's a downside to the songwriting here it's that at times I felt like they were relying too heavily on the metaphorical imagery to the detriment of more sharply describing the experience of growing up. The worst tracks here are still better than 60% of the songs in the genre, but their excellent songs make the just adequate ones stand out. (As for the skits, I like 'em, and I typically haaaate skits, but I realize that your mileage may vary.) The 44-minute album is most appropriate for kids ages 5 through 9. You can listen to some tracks here or samples at the album's CDBaby page. The Sippy Cups have developed into one of the most adventurous kids bands on today's scene. With a strong catalog of songs and an energetic live show, they seem set to be around making music for years to come. The Time Machine is, appropriately enough, evidence of their continuing evolution, and shows that growing up is usually a pretty good thing. Definitely recommended.

Reminder: Win "B Is For Bob" Disk

Just a friendly heads up amidst all the interviews and other stuff going on 'round here -- you have until Thursday night at 9 PM, west coast time to enter the contest to win B Is For Bob, the collection of Bob Marley songs reimagined and remixed by his son Ziggy. There are a couple copies available -- go here for all the deets. (That's what the kids say these days, right? "Deets?" Sigh. Should've stuck with "details.")

Interview: Adam Levy (Bunny Clogs)

Bunny_Clogs_AdamLevy.jpgThe Twin Cities' Adam Levy's got a lot going on -- still working with his main band The Honeydogs and a side project with a name he hesitates to use on a kids music site (it's OK, Adam, I mentioned it anyway), he's also got a kid-friendly side project called Bunny Clogs. He released More! More! More! earlier this year -- it's definitely one of the most interesting kids' CDs of the year, but it's also got some of the most entertaining tracks of the year, too. (Here's the review.) Adam recently answered a few questions about the project -- read on for how the album's like an old De La Soul disk, the unique aspects of playing for kids, and his defense and critique of contemporary pop music (in other words, arguments for and against Miley Cyrus). Zooglobble: What music did you listen to growing up? Adam Levy: Herb Alpert and the Tijuana Brass. KISS. The Beatles. Sly and the Family Stone. Hendrix. Dylan. I'd have to say the diversity of '70's radio was the biggest impact in my early childhood -- you heard elements of everything in pop radio from that era: British pop, soul, funk, country, classical, disco, prog, hard rock, blues. I also remember an explosion of interesting children's music in that Sesame Street era -- Free To Be You and Me, Carole King's Really Rosie, Harry Nilsson's The Point. When did you first know you wanted to make music for a living? When I was 12... You've been writing some of the Bunny Clogs songs for a while now -- how did you get into writing these songs?

Interview: Molly Ledford (Lunch Money)

molly-cookie-head.jpgEverything I like about Molly Ledford and the awesome band she leads, Lunch Money, can be summed up, I think, in that photo to the left, which Molly titled "cookie eclipse of the head." The self-effacing nature, the humor, the goofiness, the well-thought out design -- all of which Lunch Money and that picture have in spades. So without any further ado, here's Molly on the first time she was banned from singing something, her peppy song about a horror movie from the '70s, and why having fun (and looking like it) is an important part of being in Lunch Money. There is also some gauntlet-throwing, so please watch your heads. Zooglobble: What music did you listen to growing up? My parents always had records playing - Paul Simon, Roberta Flack, Neil Diamond, Billy Joel, Ray Charles, Kingston Trio, The Spinners, Vince Guaraldi. Most of it I enjoyed, except that I think I got subjected to Barbra Streisand's Guilty (the Barry Gibb collaboration) a few too many times on long trips to Pennsylvania. In the car, my brother and I would perk up when Glen Campbell's "Rhinestone Cowboy" would come on the radio. Or the chorus of British children singing in Pink Floyd's "The Wall." Or I even remember being delighted by Monty Python's "I Bet You They Won't Play This Song on the Radio" with all its funny sound effects. I think kids have always listened to their parents' music and panned for something they could relate to. But one moment that truly rocked me was the night my dad blasted Meet the Beatles shortly after I had gone to bed (maybe he thought he had headphones plugged in? It was unusually loud....). I think I was about seven at the time. I came running out, enthralled. My parents would not let me play their copy on my own relatively crummy record player, but I luckily found one at my neighbor's garage sale for a quarter. It was totally scratched, and I listened to it over and over. So really I became way more familiar with my personal scratched copy. I could sing along to every skip. I also listened to Casey Kasem's Top 40 every weekend in my room on an old clock radio, and I remember falling into a happy trance when Olivia Newton-John's "Magic" came on the first time. When did you first start getting interested in writing music (generally, not for kids)? My mom got me a guitar when I was nine and I took some lessons, but I have to credit my ever-scheming friend around the corner with getting me started on songwriting. One day she said she was writing a song (she was always up to something), so I tried my hand at it too. I came up with something especially for us to perform at the school talent show (we were in 6th grade). For some reason my chorus contained the lines, "I run away and throw away these chains. It doesn't solve my problems, but it helps to ease the pain." But to my surprise, when I gave my mom a sneak peek at my talent show song, she forbade me to play it. So we ended up covering "Take It to the Limit" instead. In high school I really started writing songs (still with angst, this time only semi-imaginary) and have been in bands ever since.

Lots of Free Music from Charity and the JAMband

I've mentioned how the Bay Area's Charity and the JAMband has given away mp3s for the past few months. Well, for a little less than a day, you can download a copy of their 2006 album Rock Your Socks Off for free. That's right -- in honor of Charity's son Silas' 7th birthday, she's offering a free download of the album. I liked it 3 years ago, and still like it today. Just go here and enter the code "SiSiJAMS" at checkout by 10 AM SF time on the 7th. You can even download free songbooks for that and the rest of her JAMband CDs. No word on whether or not you need to give Silas a present in exchange for the sweet goodie bag schwag.