Interview: Adam Levy (Bunny Clogs)

Bunny_Clogs_AdamLevy.jpgThe Twin Cities' Adam Levy's got a lot going on -- still working with his main band The Honeydogs and a side project with a name he hesitates to use on a kids music site (it's OK, Adam, I mentioned it anyway), he's also got a kid-friendly side project called Bunny Clogs. He released More! More! More! earlier this year -- it's definitely one of the most interesting kids' CDs of the year, but it's also got some of the most entertaining tracks of the year, too. (Here's the review.) Adam recently answered a few questions about the project -- read on for how the album's like an old De La Soul disk, the unique aspects of playing for kids, and his defense and critique of contemporary pop music (in other words, arguments for and against Miley Cyrus). Zooglobble: What music did you listen to growing up? Adam Levy: Herb Alpert and the Tijuana Brass. KISS. The Beatles. Sly and the Family Stone. Hendrix. Dylan. I'd have to say the diversity of '70's radio was the biggest impact in my early childhood -- you heard elements of everything in pop radio from that era: British pop, soul, funk, country, classical, disco, prog, hard rock, blues. I also remember an explosion of interesting children's music in that Sesame Street era -- Free To Be You and Me, Carole King's Really Rosie, Harry Nilsson's The Point. When did you first know you wanted to make music for a living? When I was 12... You've been writing some of the Bunny Clogs songs for a while now -- how did you get into writing these songs?

Interview: Molly Ledford (Lunch Money)

molly-cookie-head.jpgEverything I like about Molly Ledford and the awesome band she leads, Lunch Money, can be summed up, I think, in that photo to the left, which Molly titled "cookie eclipse of the head." The self-effacing nature, the humor, the goofiness, the well-thought out design -- all of which Lunch Money and that picture have in spades. So without any further ado, here's Molly on the first time she was banned from singing something, her peppy song about a horror movie from the '70s, and why having fun (and looking like it) is an important part of being in Lunch Money. There is also some gauntlet-throwing, so please watch your heads. Zooglobble: What music did you listen to growing up? My parents always had records playing - Paul Simon, Roberta Flack, Neil Diamond, Billy Joel, Ray Charles, Kingston Trio, The Spinners, Vince Guaraldi. Most of it I enjoyed, except that I think I got subjected to Barbra Streisand's Guilty (the Barry Gibb collaboration) a few too many times on long trips to Pennsylvania. In the car, my brother and I would perk up when Glen Campbell's "Rhinestone Cowboy" would come on the radio. Or the chorus of British children singing in Pink Floyd's "The Wall." Or I even remember being delighted by Monty Python's "I Bet You They Won't Play This Song on the Radio" with all its funny sound effects. I think kids have always listened to their parents' music and panned for something they could relate to. But one moment that truly rocked me was the night my dad blasted Meet the Beatles shortly after I had gone to bed (maybe he thought he had headphones plugged in? It was unusually loud....). I think I was about seven at the time. I came running out, enthralled. My parents would not let me play their copy on my own relatively crummy record player, but I luckily found one at my neighbor's garage sale for a quarter. It was totally scratched, and I listened to it over and over. So really I became way more familiar with my personal scratched copy. I could sing along to every skip. I also listened to Casey Kasem's Top 40 every weekend in my room on an old clock radio, and I remember falling into a happy trance when Olivia Newton-John's "Magic" came on the first time. When did you first start getting interested in writing music (generally, not for kids)? My mom got me a guitar when I was nine and I took some lessons, but I have to credit my ever-scheming friend around the corner with getting me started on songwriting. One day she said she was writing a song (she was always up to something), so I tried my hand at it too. I came up with something especially for us to perform at the school talent show (we were in 6th grade). For some reason my chorus contained the lines, "I run away and throw away these chains. It doesn't solve my problems, but it helps to ease the pain." But to my surprise, when I gave my mom a sneak peek at my talent show song, she forbade me to play it. So we ended up covering "Take It to the Limit" instead. In high school I really started writing songs (still with angst, this time only semi-imaginary) and have been in bands ever since.

Lots of Free Music from Charity and the JAMband

I've mentioned how the Bay Area's Charity and the JAMband has given away mp3s for the past few months. Well, for a little less than a day, you can download a copy of their 2006 album Rock Your Socks Off for free. That's right -- in honor of Charity's son Silas' 7th birthday, she's offering a free download of the album. I liked it 3 years ago, and still like it today. Just go here and enter the code "SiSiJAMS" at checkout by 10 AM SF time on the 7th. You can even download free songbooks for that and the rest of her JAMband CDs. No word on whether or not you need to give Silas a present in exchange for the sweet goodie bag schwag.

Singing Together

I mentioned a few weeks back that Bill Harley had started a new blog and I've been checking it out occasionally ever since. What I like about Harley's blog, besides it being well-written, funny, and spell-checked -- I'm lucky if I get two of those three -- is that he's been taking a very big picture view of things. He's been interested in songs, and kids, and culture, big topics that don't lend themselves to quick posts, snappy one-liners, and links to other folks' comments. Things, if you haven't noticed, that I tend to rely on. So I was quite pleased to see Bill's recent post on singing together, because it says better than I could how wonderful making music together can be.
Singing together is what people have always done. There’s less of it today – we leave it to the “professionals” (me?) and forget that we’re happier and healthier if we open up our mouths and belt it out with the people around us. This has nothing to do with virtuosity, or perfect pitch, or being a soprano or alto or whatever. It has to do with being human.
I've found it a little sad that we've left most of the communal singing in our North American society to the churches. Don't get me wrong -- I think it's great for the churches, and it's one of the things that brings me joy on Sunday mornings -- but why it should be reserved for a segment of the population for maybe an hour on Sunday morning? So I'm hopeful to hear in Harley's post that there are still groups of people who get together and sing for the pure joy of it. As he puts it, "Singing is an expression and fostering of community." While I spend most of my time talking about how professionals craft songs and experiences for our families to enjoy together, I hope that you are all also taking the opportunity to sing your own songs, no matter how silly or out-of-tune you may think they are. Because they're probably not, and even if they are, it doesn't matter. Well, this wasn't quite quick, but there was a snappy one-liner or two, and a link. Two out of three ain't bad.

Here Comes Science Set For Sept. 1. Theoretically.

HereComesScience.jpgAs previously reported, They Might Be Giants' Here Comes Science CD/DVD set is to be released in September. Amazon has it up for preorder available September 1. (I wouldn't be surprised if that date slipped a little bit, though.) Although there's no track listing just yet, here's a list of the items described on the album cover, starting at the upper left: apatosaurus anthropoidea coccinella lepidoptera pinophyta rocket telescope microscope magnoliophyta john (flansburgh) atom test tube john (linnell) Where's my geology song? Also, apparently CD cases are 4.75" square.

Contest: Win Bob Marley's "B Is For Bob"

BIsForBob.jpgA couple months back, I told you about the latest Bob Marley album, a collection of his most popular tracks, 8 of which have been remixed and tweaked by his son, 4-time Grammy winner Ziggy Marley, with another four in their original versions. Well, now I'm happy to be able to offer a couple lucky Zooglobble readers the chance to win the new CD, courtesy of Universal and Ziggy. It was released last week, and I think both longtime Bob Marley fans and the most casual of reggae fans will find something to enjoy here. (Plus, the CD unlocks bonus online digital content including coloring book pages and a sing-a-long music video plus a one-year subscription to Parents magazine.) All you have to do to enter is to comment below with your suggestions for musical artists for the alphabet -- "M is for Mozart," for example, or maybe "E is for Ella" (Jenkins or Fitzgerald, take your pick). I'll pick 2 winners at random. All entries due by 9 PM West Coast time Thursday, July 9; one entry per family, please. Good luck!