Interview: Teresa Georgi (Putumayo Kids Europe)

TeresaGeorgi_AmsterdamFest.JPGLast month the energetic Putumayo Kids label released its latest globally-flavored CD, European Playground. Last week we chatted with Farmer Jason about life as a North American artist breaking into the European kids music scene. This week I thought it would be interesting to get a more European perspective on the kids music scene, so I talked with Teresa Georgi, who's the manager for Putumayo Kids Europe. She was born in America but has lived in Europe for a number of years now. Read on to find out the good parts about the kids music scene, the bad parts, and about the next Putumayo disk. Zooglobble: What music did you listen to growing up? Teresa Georgi: My mother loves the blues so we grew up listening to Bo Diddley, Howlin' Wolf, Elmore James, John Lee Hooker… When she wasn’t playing the blues we listened to the Stones, Bob Dylan, Al Green and Janis Joplin – I was lucky; there was always great music at our house. My first 45 was "Puff the Magic Dragon" by Peter, Paul and Mary. My mother finally had to take it away from me though as the lyrics always made me cry. My next 45 was "‘I Want To Hold Your Hand’ by the Beatles (I think "Can’t Buy Me Love" was on the flip side) and as far as I was concerned this was music nirvana. I couldn’t wait until I was a teenager! I was about 5 at the time. How did you end up working for Putumayo in Amsterdam? I’ve known the founder and CEO, Dan Storper, for over 20 years. In 2005 we met in a restaurant in Amsterdam by chance (the European headquarters are in Holland) and started talking and sharing ideas; when he told me about the fledgling kids division it immediately captured my imagination. I’ve always loved the brand and its socially-conscious profile and jumped at the opportunity to help grow the kids market in Europe. I really believe that our CDs are exceptional, not only are they fun and engaging but music helps children express themselves, and our music helps make children aware that there’s a whole world of kids out there that are fundamentally just like them. It’s a unique concept that takes children and their families on a journey around the world and helps them to become global citizens. There's obviously been a resurgence of interest in family music from both the public and musicians here in the States. What's the status of the genre in Europe?

Why This Cheap MP3 from Dan Zanes Is A Big(ger) Deal

CatchThatTrain.jpgEarlier this week I noted that the Sippy Cups were breaking a barrier of sorts by offering a free download of "Seven is the New 14" on iTunes. Well, Dan Zanes has always been at the forefront of adventures in the new world of selling music here in the 21st century -- you'll remember his free greatest hits album offer from earlier this spring -- and he's quite possibly breaking a different barrier this weekend. This Saturday, June 13, for one day only, Amazon will be selling an mp3 version of his Grammy-winning disk Catch That Train! for just $1.99. Amazon has a daily cheap mp3 deal, but this is the first time I can recall them offering a kids' CD. It'd be a pity to not have the great album packaging, but for $1.99, I think you and your family will survive. You can go here on Saturday to take advantage of the deal. (Although, c'mon, you don't have it already?)

Listen To This: New Music from Elizabeth Mitchell

This has been a long, rough week for me. So what better salve than new music from Elizabeth Mitchell, whose kids music has been part of my kid-filled life from just about the get-go. Head to her Myspace page to hear a couple new recordings. "Little Spring" is a quiet melody (albeit one that builds over its sub-2:00 runtime. "Under the Chestnut Tree" sounds a bit like the Shins (or your other favorite slightly minimalist indiepop band) doing a Japanese folksong -- in other words, totally awesome. Go listen to them now because they're only going to be up for a couple days. Mitchell says there'll be another new song next week. Update: Bill reminds me that he and Ella chatted with Elizabeth Mitchell and the rest of her band in February, including "Spring Song." Go there or here to listen to the song and details.

Why This Free MP3 from the Sippy Cups Is A Big(ger) Deal

I post plenty of heads ups on free mp3s, but this one is a bigger deal. The Bay Area's The Sippy Cups have managed to get themselves the first free iTunes download in the Children's Music category. For the next week, iTunes users can go here to download "Seven is the New 14," one of the better (and funnier) tracks from their new album The Time Machine. ("Three and three? Not seven.") I expect a lot of clueless comments on iTunes from folks who aren't really part of the kids music demographic, but I think most readers here are going to like it. The Time Machine is out today as an iTunes exclusive, next week everywhere.

Interview: Robert Schneider (Robbert Bobbert)

RobbertBobbertStill.jpgEvery time I hear or see Robert Schneider, head man for the indie-pop group Apples in Stereo, I'm totally convinced that his side project Robbert Bobbert and the Bubble Machine isn't some cynical grab for attention -- he's 110%, maybe even 120%, jazzed by the stuff he does for kids. His fun debut album as Robbert Bobbert for Little Monster Records -- Robbert Bobbert and the Bubble Machine -- may have just come out this year, but as you'll read in the interview below, he's been working on a lot of this stuff for a long time. Zooglobble: What music do you remember listening to growing up? Robert Schneider: I was born in Cape Town, South Africa, so my early years were in a beach city. South Africa is where the Indian and Atlantic Oceans merge; they have awesome beaches and surf. After our family moved back to America, I eventually discovered the Beach Boys. I think their music reminded me of the feeling of living by the ocean. My parents listened to a lot of Cat Stevens. I love his music – Tea for the Tillerman and the song “Moonshadow.” I saw Harold and Maude when I was around 12, and it is one of my favorite movies with its great Cat Stevens soundtrack. However, the Beach Boys are still my favorite band. My son Max (age 8) likes them too - he heard Brian Wilson perform Pet Sounds when he was in the womb; and later saw him perform the songs from Smile - but I think he likes the Beatles a little bit more. He came into the Beatles on his own, hearing the music around the house and from other family members who are big Beatles fans. What impact did other pop culture (e.g., TV, movies) have on your musical tastes? TV was banned in South Africa until 1976. There simply wasn’t any TV there because the government thought it would corrupt the populace. In my last year there when I was 6, I can remember seeing TV for first time…there was a little picture of a springbok going across the savannah in black & white and thinking, “Wow – a movie in my house!” Prior to that, what people did was play movies at home on projectors. You could rent movies at the local store. When our family moved to America, I watched a ton of TV that first year. Between the ages of 6 and 7 (1977-78), I watched a massive amount of reruns and basically got caught up on American culture. I also listened to a lot of 70’s pop and disco, mostly from TV. This permeated my mind. So, the TV world of the 1970s probably influenced me somewhat. When I was in middle school, MTV first came out. We lived in the college town of Ruston, LA. The local cable TV service would not carry MTV, but Louisiana Tech had a satellite disc. My dad was a professor there, and I went to a school on campus (it was awesome! We had a planetarium, regular music class, art classes). Every day after school, once MTV started, my friends and I walked over to the student center on campus and watched MTV on the giant screen. I had to go out of my way to get it, so it was really special. I have great memories of the early years of MTV. There was a great show in the 80s called The Cutting Edge. I also watched 120 Minutes -- the absolute hippest music was on there, like REM and Robyn Hitchcock. I discovered this noncommercial, alternative music existed, and it blew my young mind. Most of my early musical influences came from buying records, reading magazines and listening to Louisiana Tech's great radio station KLPI. What came first -- the songs (or the album) or Robbert Bobbert?

As Mix Tapes Go, Kidzapalooza Volume One's a Pretty Good 'Un

KidzapaloozaVol1.jpgI previously mentioned that Tor Hyams was putting together a new label, Happiness Records, and that his first order of business was putting together a compilation album featuring folks who've played the Kidzapalooza stage. Now, that cover's not the prettiest I've ever seen and, more importantly, I'm not sure what the fate of a compilation album is in the era of the iPod. Having said that, the tracklisting makes for a pretty darn good mix tape...