Interview: Kathy O'Connell (Kids Corner)

KathyOConnell.jpgSometimes the printed page (or screen) isn't enough.  I've admired Kathy O'Connell, the host of the Kids Corner radio show at Philadelphia's WXPN for many reasons.  She is in essence the dean of kids music radio, having hosted Kids Corner for more than 20 years (and other shows before that).  She is also an absolute riot to be around -- meeting her at StinkFest/KindieFest 2009 was definitely a blast.  So I was excited when O'Connell agreed to answer a few questions.  Read on -- even if you live nowhere near Philly -- and find out how O'Connell got her start in radio, what she looks for in putting together Kids Corner, and her connection to Vampire Weekend (really). Zooglobble: What music did you listen to growing up? Kathy O'Connell: My parents had lots of novelty records, like Spike Jones, Stan Freberg, and Betty Hutton, along with a lot of Sinatra and Dean Martin.  When I started buying my own music, I went heavy on the show tunes.  The album that had the biggest influence on me growing up was Carol Burnett Remembers How They Stopped the Show.  I won talent shows lip-synching her version of “Adelaide’s Lament.”  I pretty much had the “novelty” category to myself in the CYO Summer Recreation Talent Shows. Then, the Beatles came, and I never looked back.  I was a British Invasion girl all the way, with a soft spot for novelty tunes.  When the Beatles and Soupy Sales were on  the same Ed Sullivan show, my brains fell out. What radio stations and DJs did you listen to growing up? WABC in New York.  Top 40 radio at its best.  I had a transistor radio to my ear all the time.  The WABC jocks were my first introduction to the possibilities of creative live radio.  I think people look upon radio as a conduit to music instead of an art in itself.  The WABC jocks were entertainers who happened to play records.  A good live radio artist is a like a good jazz musician.  They can roll with anything and make it entertaining.  And the intimacy of radio leaves such an imprint.  I can still sing the theme songs for Scott Muni and “Cousin” Bruce Morrow more than 40 years later. My favorite DJ, then and forever, was Dan Ingram.  He did 2-6 pm on WABC.  He was the most creative voice on the radio.  And when he needed to, when a news story warranted it, he was serious.  Dan Ingram had the mix of funny and serious down perfectly.  Listening to WABC back then, you felt like you were part of a bigger community. So, it was a big deal when Cousin Brucie’s son Dana John (DJ) was born, and we got swept up in the “Principal of the Year Contest” every year.  I even nominated the awful principal we had at St. Hugh’s.  We weren’t successful. When did you first realize that you wanted to work in radio?  When did you start doing kids radio -- it wasn't exactly planned, was it?

Review: John and Mark's Children's Record - John Upchurch and Mark Greenberg

JohnAndMarksChildrensAlbum.jpgAt the risk of over-simplification, I think there are five kinds of kids music albums: 1.  Explicitly educational music (for the most part, left undiscussed here), 2.  Renditions of traditional kids songs (e.g., Raffi, early Laurie Berkner), 3.  Rock/pop/folk songs with kid-focused lyrics (Ralph's World, Justin Roberts, later Laurie Berkner, tons more), 4.  Music geared at the whole family simultaneously (Dan Zanes, Elizabeth Mitchell). 5.... Well, the fifth type looks a bit askew at the kids music genre.  If it doesn't quite subvert the genre, it doesn't quite buy into it, either.  They Might Be Giants, who could easily fit into the rock/pop/folk category above, fit here, as do albums from folks like Duplex and the Quiet Two.  You can also lump in every album that attempts to fit the kids song peg into an adult hole (traditional kids songs... done in electronica!) or the adult peg into the kids music hole (ahem, I'm looking at you, Rockabye Baby).  I wouldn't want a kids music library consisting of nothing but albums from this category, but their quirkiness is a welcome change, even from nothing but excellent albums in the other categories. For those of you looking for an album in that fifth category, I can't commend John and Mark's Children's Record to you highly enough.  The album is the creation of John Upchurch and Mark Greenberg, who played together in the Coctails many years ago and now find themselves each father to three kids.  The album was inspired, of course, by life with their kids, but the result sounds like little else you will hear this year. "The Lawnmower" kicks off the album with a kid's lament that he might be trapped inside the house all summer long since the grass has grown so high before chugging into a country-folk tune which will have you humming "the lawnmower goes off / and the lawnmower goes on" and the killer couplet "I can rest well assured / of a lawn well-manicured."  It's the kids music album equivalent of "you had me at 'hello'."  From there the album moves into "A Counting Error," which beyond its lyrical subversion (to tell you more would ruin the surprise) has funky "Mahna Mahna"-style vocalizing, whistling, and sax interspersed.  I can't think of a more striking kids song all year. "Pat, the Alligator Lady" is an odd little song about a lady who, Greenberg says, ran a rescue shelter for odd animals in an 80-year-old Victorian house.  "The Elephant Leads the Way" is a poppy banjo-accented number followed up by "People Have Good Reasons," which sounds like it lost its way from another album made just for adults -- the spoken-word carousel tune is amusing, but it's the album's one false step as kids'll probably be mystified ("It is very VERY important / So precautions that they've taken are all warranted / And accepted / as a rule of law"). And on it goes.  I have no idea what the titular shoes are of "Honey Boots," and the lyrics consist primarily of "I've got my honey boots on," but that's one of the joys of this collection -- not everything is spelled out.  "Colors" is about, yes, colors, but it's as if Shel Silverstein wrote a poem about colors and asked Sufjan Stevens to write song to along with it.  The album mellows as it draws to a close, ending with a lullaby ("Until the Dawn") and a slow instrumental ("In My Blue House"). The album is about 35 minutes long and most appropriate for kids ages 2 through 7; you can download a couple tracks -- including the sublime "A Counting Error" -- here.  You can download the entire album from iTunes or eMusic.  But I should mention the album packaging (designed by former Coctail member Archer Prewitt) is beautiful and well worth the additional shipping cost (the album costs the same in physical format as through iTunes). As you can tell by now, I think this album is fabulous.  It is a bit odd perhaps, but I've figured out over time that what separates the great "odd" albums from the annoying ones is love -- that people love the genre and the kids in their lives and they're making music borne out of their own musical and personal experiences.  John and Mark's Children's Record reflects that love in spades.  It's one of my favorite albums of the year.  Highly recommended.

KindieFest 2009: Final Thoughts

StinkFestFeet.jpgSo now that StinkFest has officially become KindieFest, I just wanted to gather everything KindieFest 2009-related in one spot. From the awesome photos used with permission of J.P. Stephens from the band Lunch Money (visit him at Lumos Studio) to my initial thoughts on the day to my notes on all the showcase performers, I wanted a collection. (Plus, I dig the shoes.) Having said that, the collection is poor, if only because so much is missing -- Molly Ledford and Ashley Albert leading a songwriting workshop with the kids in attendance; listening to those kids perform the song; walking down the street to pick up a fresh sandwich and looking up to notice HEY! IT'S THE MANHATTAN SKYLINE! But it was an excellent day of meeting people and talking about the genre's future. Kudos to Tor, Bill, and Stephanie for putting it on. If you missed it, join in at the KindieFest Ning community. And kudos to all the kids musicians who hopped on stage with Ralph's World to do "Sunny Day Rainy Day Anytime Band." Full set of artists' links (in the order I posted 'em) after the jump...

The Billy Kelly Show Is Here! The Billy Kelly Show Is Here!

I know, most people would say that reviewing his snappy song "People Really Like Milk" on NPR would be enough Zooglobble coverage for the week, but I love The Billy Kelly Show. Episode 1 is now online and I am adamant that you acquiesce to my request to watch the show. The poem is particularly brilliant. And here's part 2...

Video: "Summer Today" - Egg

I know I just talked about a video with a pre-production reel, but it's also possible to put together an effective video on a minimal budget, so long as there's some sense of editing and the song's good. Jeff Fuller from L.A.'s Egg just got a new Flip video camera and used it to record a video. "Not exactly a proper music video," Fuller says, "but fun none the less." Agreed - I actually think the lo-fi video is an excellent match for the song, one of my favorites off Sunny Side Up. Egg - "Summer Today" [YouTube]

Pre-Video: "I've Got A Laugh" - Debbie and Friends

GOT_A_LAUGH_CONCEPT_DRAWING-0001.jpg I'd seen a pre-production video of Debbie and Friends' "I've Got a Laugh" a few weeks back and thought, huh, that might make for an interesting post. And then Debbie sent me some animation art. Sold. There's nothing earth-shattering about the song, but I do think it's an effective echo song that's easily memorized and repeatable at home. I'm also impressed with the amount of work that goes into good video production. really enjoyed her video for "Hangin' Around" more than I thought I would, so I'm eager to see what the final product looks like. Debbie Cavalier - "I've Got A Laugh" (pre-production version) A couple more pieces of art from the video after the jump.