We made it! To Day 2! After a nice breakfast/brunch with the family, Miss Mary Mack headed back out to downtown Austin, snagged a shuttle, and made it to Zilker Park in time for most of
Uncle Rock's Saturday set. I figured that since Saturday would involve not only ACL but also aftershows (i.e., Family Music Meltdown 2), we could get there a little late. Unfortunately that meant missing Jambo's set, but since we'd seen him Friday (not to mention last year), I figured that'd be OK. Uncle Rock's set contained some music from yesterday's set (the superhero medley, for example), but also some new stuff (compared to Friday), but because I'm not the assiduous set list chronicler that
Gwyneth is, I couldn't tell you what that new stuff was. Here he is performing with Abu from the Lannaya Dance Troupe that's been showing off African dance during the breaks all weekend. He did wear his big black shirt, which, I gotta tell you, must have helped him sweat off a bunch of fluid, because it was slightly warmer Saturday...
It's been a little while since we've heard from Seattle's Johnny Bregar, but that doesn't mean he hasn't been busy, and he's got a new album out to prove it. On Election Day (Tuesday, Nov. 4th), he'll be dropping his third CD, Dragonfly. Check out that sweet cover art by Kelly Angelovic.
Here's the track listing...
After two days of hanging around mostly with Miss Mary Mack at the Austin Kiddie Limits stage (not to mention the Family Music Meltdown 2), I thought it was important that she experience some other genres of music in other parts of Zilker Park. So after getting to the park after noon, we went over to the AT&T stage on the east side of the park to catch Abigail Washburn and the Sparrow Quartet featuring Bela Fleck. I thought she might dig the violin and banjo action. It was also early enough in the day that I felt like I could put her on my shoulders without offending the people behind me (because, at 12:30, I could still get close enough to feel, well, close, even at the back of the non-chair-sitting crowd). Washburn has spent a number of years in China, and so when she sang Chinese folk songs in a bluegrass arrangement, it didn't sound anywhere near as pretentious as you might think reading that description. In fact, it sounded, well, cool. But by about halfway through their set, we were getting hungry, so we left as the quartet riffed their way through "Eleanor Rigby."
