Concert Recap: The Terrible Twos (Phoenix, August 2008)

MattAndEric1.jpgA week after the fact, but I thought I'd share a few pictures and thoughts from the Terrible Twos I helped put on here in Phoenix. First, Matt Pryor and his Terrible Twos bassist Eric McCann are, unsurprisingly, really nice guys. That's one of the nice things about this genre -- I have this mental picture of the music scene for adults being rife with ugly personalities, and I just haven't seen that at all in this genre. Anyway, Matt and Eric are down-to-earth guys; some people you know are lawyers, some are teachers, and some happen to write or play music for a living. Matt and Eric are in that last category.

Review: "Central Services Presents... The Board of Education!"

CentralServicesBoardOfEducation.jpgLike many people, I first became interested in kids music when I first had kids. Which meant that my first exposure to the genre (as a parent) was to lullaby CDs, or to rendition of classics sung by families for years and years. It was not to songs about the produce aisle's remarkable similarity to junior high, the inventor of concrete, or elbows. So I guess what I'm saying is that the first kids album from Central Services and their not-so-mild-mannered alter ego The Board of Education isn't for those parents whose kids are just learning to walk. Heck, it's really not even for those parents whose kids are just learning to read. But if your family's got one of those kids who've blown past those learning-to-read barrier with flying colors a long time ago, Central Services Presents... The Board of Education might be their new favorite CD. From the pop bliss of the opening track, "Rise and Shine," the album is pitched right at that 9- to 12-year-old kid who's probably the smartest kid in class. School is the central part of their life, learning something so freakin' cool, even if the rest of the day doesn't quite measure up. (Unsurprisingly, one of the band's main songwriters, Kevin Emerson, used to teach elementary school science, and now has a book series, Oliver Nocturne, for kids ages 9-12.) The second track, "Beverly the Village Misfit," about a young girl who looks up at the skies and realizes the planet is in grave danger even though nobody believes her, includes the lines "Maybe you've had occasion to feel like this / When something you're so sure of / Is dismissed by all your friends / Despite the overwhelming facts you have to prove that / You are very right." I mean, if that isn't a description of a brainy but perhaps socially awkward tween, I'm not sure what is. And that's not the only song that captures that feeling. "It's awkward in the produce aisle / The salad bags they don't smile / Anymore / The mushroom looks the other way / The cucumber bristles," goes one of the lines in "The Lonely Tomato," which has been one of my favorite songs period for the 18 months I've been listening to it. In telling the story of a tomato, which is unsure of his position in the grocery store -- "Oh, where do I fit in?," as the chorus goes -- the song not only captures perfectly life as a tween, it loads every bit of production into it, with horns, pop hooks, and silly voices (yes, the cucumber has a speaking part). On it goes, combining great pop hooks (or pop pastiches) with obscure subjects like the invention of pavement ("Know Your Inventors"), punctuation ("The Many Uses, and Dangers, of Commas"), and volcanoes ("Volcanoes and You"). If this all sounds like a modern Schoolhouse Rock, you'd be right. There's even a song called "8 Is A Number." If there's any difference between that classic series and the songs here it's that Schoolhouse Rock would often take a more minimalist approach, while the band piles everything on here. It's unlikely the dripping-with-sarcasm-but-totally-peppy "Ice Ages Are Fun!" would ever make the cut on Schoolhouse Rock. Humor is common in kids entertainment; sarcasm, however, isn't, but if you're 12 years old, yeah, you're OK with it. Sometimes it's too much, actually, "Volcanoes and You," for example, mixes funk with a faux educational film, and while it sounds kinda cool, it's too baroque to actually to be more than a trifle. And lest you think the band can't show some restraint, the last track (save for the hidden track) is a gorgeous lullaby "August Lullaby" that's lovely and sweet. Another simpler track or two like that interspersed among the wilder, goofier parts would have served it well. While younger kids might bop along to the hooks, kids are really going to have to be at minimum 7 years old to get into the lyrics. You can hear songs at the band's Myspace page or samples at its CDBaby page. For the moment, it's only available as a digital download (at CDBaby, Amazon and iTunes, but will be released in physical format later this year. Update: Those of you living in the physical world can now enjoy the album... Long-time readers of this website won't find my enthusiasm for this album too surprising, because I've been talking about a number of these songs for a long time. After settling down with Central Services Presents... The Board of Education for many listens, I can hear why it's not an absolutely perfect album -- there are going to be some families it doesn't move. But for some families, this is gonna be one of those albums they listen to over and over, and, like Beverly the Village Misfit, they'll tell everyone who'll listen about it. That this album rocks. And they'd be right. Definitely recommended.

New Music On Its Way from the Sippy Cups

It's been a little while since I talked about the Bay Area's The Sippy Cups (last time: Austin Kiddie Limits 2007), but they announced last week that they'll be releasing an iTunes EP entitled One Day Soon, which will feature (among other things) a couple songs from their 2009 album The Time Machine. "More acoustic, intimate, and gentle," they promise, which makes it sound like it'll be a dead ringer for Nirvana's MTV Unplugged in New York. Anyway, if you're looking for some more recent visual input regarding the band (they're a very visual band), you can check out this slideshow from Sippy Paul, which includes a lot of photos from their sojourn out East, including pictures with Joan Osborne.

Beethoven's Wig Enters Rarified... er... Hair

Richard Perlmutter's Beethoven's Wig crashed through the 2-sequel barrier that seems to be the limit with most popular entertainment with the release a couple weeks ago of Beethoven's Wig 4: Live Free or Die Hard Dance-Along Symphonies. You might not think goofy lyrical adaptations of classical music showhorses would lend themselves to YouTube, but I think this does the job about as well as could be expected, with a blend of in-concert performance and animation...

Easily The Most Inappropriate Thing I've Ever Posted. Yet, Oddly Relevant.

Are the kids out of the room? Preferably asleep or at school? OK, then I can probably tell you about Z Rock, a new, partially-scripted comedy series on IFC which tells the somewhat fictionalized tale of a heavy-metal band by night, kids-music band by day. It is totally inappropriate for kids, so if you want to read more, go to the jump.

Video: "Bedtime Lullaby" - Mark Kozelek

This is waaay too dreamy to start off the week with, but I can't resist. Compared to the rest of Yo Gabba Gabba!, which can seem like it's aching to be painfully hip, this video is a peaceful respite. The music is by Mark Kozelek, and it's sweet, but it's the appropriately dreamy and slightly surreal visuals from Lippy that make it worth 90 seconds of your time.