Perhaps forgotten amidst the controversy over Laurie Berkner's hair and the lengthy, ongoing discussion on the near-cancellation of the Disney Music Block Party Tour (yes, Bill, I agree that on the website, it's like Disney is taking the Obi-Wan Kenobi "these aren't the droids we're looking for" approach) and its lessons (consensus: all kids music is local) is the fact that a major kids music festival actually took place last weekend.
Kidzapalooza once again took over a tiny corner of Chicago's Grant Park as part of Lollapalooza, any while pickings are few, there are some details on YouTube.
Most people seem to be most excited about the Jeff Tweedy appearance at the Kidz stage. This video captures Tweedy cussing, catching himself, turning it into a lesson, then finally playing "Hummingbird." No, I'm not entirely sure what this has to do with kids' music, but it's still a sweet little song. Who ever would've thought A Ghost Is Born would be heard on the Kidz stage.
More videos after the jump.
Lessons From The Disney Music Block Party Cancellation
Again, slow to the punch am I this morning, as Bill has a nice update on the Disney Music Block Party Tour near-cancellation -- from the non-response from Disney (check out the disgruntled families here) to the Zapruder-like parsing of Gwyneth's crowd photos. (I admit to doing some of that myself from the other big photo dump -- see, for example, this shot near the end of the show.)
It seems clear that in the absence of any other reason, poor ticket sales are the only explanation, as I've already speculated. Or, at least, ticket sales too poor for the lineup constructed.
Now, without knowing the exact financial arrangements between Disney, AEG Live, and the artists, who knows where the breakeven point is. My (virtually entirely speculative) guess is that AEG Live was the one who was bearing the financial burden of the tour, that Disney was just lending its name in exchange for payment of some sort, and that if ticket sales were low, AEG Live was the one who decided to pull the plug. Disney, who worked with AEG Live to produce the wildly successful Hannah Montana/Miley Cyrus/Jonas Brothers tour, may be loathe to tick off their producing partner by throwing them under the bus. Plus, it's not entirely clear that it's in Disney's best interest to show that the tour wasn't doing well -- clearly, if they're not selling many tickets, the number of ticked-off families is low, and they made a cruel calculation that it's better not to offer a statement to those families. Were it just Disney producing the show, they may have figured the show was just an elaborate form of advertising. [Note: Spurred by a comment below, I should make clear, though, that by "statement," I'm talking about a big public statement as to why the tour was cancelled. Somebody should be notifying ticketholders. I'm not sure to what extent Disney/AEG are doing so, and how their efforts compare to that on other cancelled shows/tours.]
In the end, though, this is important, because with other kiddie entities looking to branch out (note: Kidzapalooza LA is now rescheduled for June 27), does this somehow put a damper in the multi-artist model?
As Bill suggests, Disney/AEG may have spent too much money on headliners. Now, I find it somewhat hard to believe that the bands wouldn't be giving Disney some discount, seeing as all the bands either have Disney shows on the air or in development, or at least have massive integration. Still, DZ and TMBG aren't cheap, and I don't expect Ralph or the Movers are, either. (Choo-Choo Soul, I don't know about.) So, yes, lesson #1 -- you can't have a 4-pole tent.
Lesson #2 -- go local. I realize that the whole point of the tour was to see these national faces familiar from TV. But it also means that there's no local artist with a substantial e-mail list to blast. It's pretty amazing what local artists can do, and, where appropriate, they could have included a local artist on the bill and probably easily generated more than their performance fee in additional ticket revenue.
Lesson #3 -- go cheap. I'm pretty sure that Kidzapalooza and Austin Kiddie Limits is produced for less than just one date of the DMBP. As a result, you can also lower the ticket prices. Families were paying close to $50 for a single ticket after ticket fees. Family of four, $200 -- that's a big hit. Considering you can typically see DZ for $25 or less after charges, with the other artists even lower, the marginal benefit to a family to see all the artists and have all the activities, might not have been worth it. The Kansas City Jiggle Jam might very well be the perfect amalgamation of the first 3 lessons -- a couple headliners (Justin Roberts, TMBG), some popular local acts (Jim Cosgrove, Funky Mama), and an insanely low ticket price ($8 kids/$5 adults per day).
Lesson #4 -- get a pay-or-play clause if you can. 'Nuff said.
The trick for artists is to get heard in front of live audiences. High ticket prices are a barrier to doing so. Most artists are still at the point where low prices are the key.
Any other thoughts?
Laurie Berkner Does Have Nice Hair
Sometimes I get stuff in my inbox and don't get a chance to post until the next day. So in today's first example, I present to you Laurie Berkner's Soundcheck performance. Now, some people have spent almost as much time talking about the sponsor -- SUAVE! A Unilever brand! Plus Walmart! -- as on the show.
And so in response, I'll probably do the same. To be clear, aside from a five-second ad at the start of the full performance and a tiny logo in the lower right-hand corner and occasional glimpses of "Suave" from the rotating camera, it's definitely not a hard-sell. I'm not a fan of corporate sponsorship -- as far as corporate sponsorships go, this isn't bad.
Anyway, tracklist for the 20-minute video is after the jump. There are four videos from this week's release Rocketship Run, plus two Laurie classics. The interview, as others have mentioned, is worth watching.
Readers Who Need Readers: Road Trip (Eastern U.S. Edition)
I got the following e-mail a few days back...
Hello from a Maine homeschooling Mom... My 8-year-old son has the incredible opportunity to drive from Maine to Mississippi next month with his grandparents. I'm putting together some 'on the road' school for him including short studies of each state he will go through. I'm wondering if there are albums that feature different regional music in the USA? Or, if you could recommend at good blues album for kids so that they can celebrate properly once they are in Mississippi.Unlike many "Readers Who Need Readers" segments, I was able to answer the question (in part) -- click through to see my response, which comes with some help -- and offer some more suggestions to fill in the gaps.
Recess Monkey - Live At Modified Arts
OK, it's not quite Live At Budokan, and I'm definitely no Scorcese or Demme, but I've got 12+ minutes of video from Recess Monkey's show at Phoenix's Modified Arts. One's below, four more after the jump.
Recess Monkey - "S-L-Double-E-P-Over"
Drew's foot reminds me, vaguely, of the Robert Klein "I can't stop my leg" bit.
Disney Music Block Party... Now, With Less Block
Gosh, I go to the trouble to set up a "Disney Music Block Party Tour" tag, and Gwyneth notes today that most of the tour dates have been cancelled. Only the Long Island show is still on. Just my luck.
The ticket prices did seem a bit high (though you were getting a lot of music and other stuff for those prices), so perhaps attendance was an issue. Or maybe karma for not venturing west of the Mississippi.
If I find out something else, I'll let you know...
Update: This from AEG Live, via Disney -- "Due to unforeseen circumstances, The Disney Music Block shows at the (name of building) has been cancelled. We are sorry for any
inconvenience and refunds are available at the point of purchase."
Doesn't really answer much, does it?