After going over-the-top for their first two videos ("Do The Elephant" and "Spanimals"), New York's Jimmies do what all artists do for their third release -- go power-ballad.
OK, it's not really a power ballad (there is no poofed hair), but "Taddy" is one of the few sweet and tender songs off Make Your Own Someday, and now it has a video to match, one in which the band members sit around and don't even lip-synch a word.
But it's awesome in its own way.
The Jimmies - "Taddy"
By the way, is there a word for tweaking your video to make the YouTube "pull-clip" (such as the "Taddy" above) be particularly enticing (or relevant)?
Review in Brief: Hug Trees - Tom Freund and Friends
Southern California-based singer-songwriter Tom Freund released Hug Trees in late 2007, and I'm sort of surprised it's gone under everyone's radar (including mine) until just recently. In many ways, the album, inspired by his preschool-aged daughter, is a typical "kids' music" CD -- it's got a "freeze dance" song, there's a rendition of "The Cat Came Back," there's a song about baking a cake.
But there's a relaxed and playful attitude to the whole affair that makes it more compelling than you would think from the description above. Take "Freezedance," for example, which has a very funky '70s sound (Freund mentions James Brown as a particular inspiration for the track) and doesn't just involve Freund occasionally yelling "Freeze!" but also has him encouraging listeners to emulate animals and throwing out musical adlibs. "The Cat Came Back" is an admittedly hard song to screw up, but I quite liked his mellow approach on the song. "Party in the Yard" was actually written by Brett Dennen (who appears on this and one other track), and it's a soulful, funky tune (think Jack Johnson) about playing outside. (If you get a bit of a Ben Harper vibe, too, well, Freund's played with him quite a bit.)
Freund's roots-rock vibe on some tracks ("Hug Trees" or "Bump Bump Bump") will remind listeners of Brady Rymer, while on the closing "Go To Sleep (Fais Do-Do)" or "Seashells" (the former with Abra Moore, the latter with Victoria Williams), Freund sounds a little bit like a West Coast Elizabeth Mitchell. (And on "I Walk the Dog," Freund just sounds like a tired guy who knows how important it is to walk your dog, if you've got one.)
The 33-minute album will appeal mostly to listeners ages 3 through 6. You can hear four tracks at the album's Myspace page, or hear selections from more tracks at its CDBaby page.
The biggest strength of Hug Trees is its overall vibe, which turns what might have been a collection of typical kids songs into a fun little disk, something beyond ordinary. Fans of Brady Rymer or Elizabeth Mitchell I think will respond well to the musicianship and playfulness from Freund and friends here. Recommended.Review: Pop Fly - Justin Roberts
It's unfair, but I'll start this review of Pop Fly, the sixth solo kids' music album from Chicago's Justin Roberts, by saying I think Meltdown, Roberts' fifth solo kids' CD is easily on the shortlist of best kids' music CDs of the decade. Clearly, I had high expectations for the new CD, which is being released today.
Never fear, Pop Fly is a hit. (OK, I promise -- that's the only baseball-related phrase I'll use here. Read on fearlessly, folks.)
If Roberts isn't the best songwriter in the rock/pop/folk heart of kids' music, he certainly doesn't have many peers. The new album has a number of outstanding tracks that again showcase his songwriting strengths -- nifty lyrics that flow effortlessly ("Pop Fly," "Kickboard, Baby, Yeah"), carefully crafted portraits of life at home ("From Scratch", "The Backyard Super Kid"), and an affinity for singalong choruses ("Stay-at-Home Dad", "Field Trip"). If some of the lyrics don't quite work -- a stay-at-home dad who kids' clothes don't match very well seems a bit cliched -- it's forgivable because so much else does.
Roberts' melodic and musical sense is once again ably abetted by fellow musician Liam Davis, who again produces Roberts' CD. The album sounds great, from the faux Dylan (and loose chorus) of "Henrietta's Hair" to the strings on "The Backyard Super Kid" to the mellow surf sounds of "Kickboard, Baby, Yeah." And, yeah, there are a bunch of horns, a Roberts habit from almost the very beginning. The alterna-pop sound mixes in hints of Fountains of Wayne and ELO, and every great forgotten '80s alternative hitmaker, along with Burt Bacharach. It's a heady mix.
The overall mood of the album is somewhat more reflective than Meltdown, and maybe for that reason I liked Pop Fly a little bit less. It's maybe a little bit more in the Not Naptime camp -- another fine album, but more downtempo than Roberts' best-known songs. The irrepressible protagonists of "Meltdown" or "Ten Little Cookies" don't make an appearance here. Again, the songs are excellent, they're just a little more mellow. And I think Roberts' best songs are the less mellow ones.
Having said that, my favorite song on the CD -- my favorite song of the year thus far, kids or adult -- is the tender "Fruit Jar". It's a stone-cold folk classic, with lines like "Life ain't no fruit jar / Stuck in a cellar / Sometimes you've just got to / Spin that old propeller / Watch it rise up / Way past the moon / And if love don't find you / You know it's going to be there soon." The song itself is beautifully constructed -- add the duetting voice of Nora O'Connor (who also appeared on Yellow Bus) and Davis' nifty guitar work, and it's one of those songs that should carry on far beyond this album. It's a tremendously affecting tune, and consdering how much some of Roberts' other songs have affected me ("Cartwheels and Somersaults," for example), that's high praise.
The album is most appropriate for kids ages 4 through 8. You can find Roberts' CDs in an increasing number of physical stores, but if you want to hear songs from the 37-minute album, you can hear "Pop Fly" by checking out Roberts' Radio or his (new) Myspace page (or check out snippets at your favorite online retailer).
Pop Fly is another masterfully crafted collection of songs which will have broad appeal just like the best in kids' literature. If Roberts has taken a slightly more mellow approach to his songs this time around, they're no less appealing. Highly recommended.Austin Kiddie Limits 2008 Lineup Announced. Along With Some Other People.
Well, they've announced the Austin City Limits Festival lineup for the 2008 edition, and it's a doozy. Foo Fighters, Robert Plant and Alison Krauss, and Beck appear to be the 3 headliners based on the fact they're listed first, and there are a lot of bands on the undercard worth seeing (David Byrne, Neko Case, Gillian Welch, Mates of State are just some of the intriguing names on the list).
But this is Zooglobble, and so here I am with the Austin Kiddie Limits lineup:
Jambo
Q Brothers
Buck Howdy with BB
Uncle Rock
Big Don
Mr. Ray
The Jimmies
School of Rock
With the exception of Jambo, Q Brothers and School of Rock, all are new to the AKL stage. The lineup is a little more country (Buck Howdy), a little more hip-hop (Big Don, who was there last year passing out CDs, so that seemed to work out well for him), with perhaps the Jimmies trying to fit the large showmanship shoes of the Sippy Cups.
Austin City Limits Festival this year is Sept. 26 - 28.
The Biscuit Brothers, Where They Belong. On YouTube.
Now, don't get me wrong -- Austin's Biscuit Brothers are most thoroughly enjoyed on your local PBS station or on DVD. But it's been a bit of a pain trying to describe the show with, you know, just words.
Relief for the word-challenged Biscuit-appreciating music writer is at hand, however, because the Brothers finally have themselves their own YouTube channel.
That's right, they have nine videos from the show posted on the site, ready for your viewing pleasure.
And I'm going to tell you which ones to watch first.
So, I'd start with the immortal "Chickens Playing Bongos," which has several things going for it, including the almost-always hysterical Tiny Scarecrow, lots of different instruments to learn, and chickens playing bongos. Sadly, the chickens are unseen, but otherwise it's a fun little vignette...
But there are eight more videos... Which ones should you watch first?
Listen To This: "Crayola Doesn't Make A Color For Your Eyes" - Kristen Andreassen
The kids music genre includes, of course, those songs explicitly written for kids. But it also includes those songs re-appropriated for kids, though perhaps not originally intended for that audience.
It was in the latter category that I thought "Crayola Doesn't Make a Color For Your Eyes," from Boston-based artist Kristin Andreassen and her solo album Kiss Me Hello, fell into when I first heard it (or, rather, saw the YouTube video below).
It's a love song, ostensibly, but it's about crayons. What a perfect re-appropriated song!, I thought.
And then I found out it won the "Children's Song of the Year" in the John Lennon Songwriting Contest back in 2006. Other winners in the category include Joe McDermott, Thaddeus Rex, and Cathy Fink & Marcy Marxer, so clearly it's not some out-of-left-field award. Andreassen wrote the song when she was teaching dance in grade schools.
Oh, well, loss of my preconceived notion is your gain, as you can go to the link above and download the track. Lots of fun.
Or you can just be mesmerized by the live rendition of the patty-cake on the album track. If your kids are anything like Miss Mary Mack, they'll be fascinated by the fact they keep that up for nearly 4 minutes.
