While everybody and their dog is writing kids' rock and folk, there are still a few genres that are relatively open for new bands and musicians to make their mark, kid-wise. (There is, for example, virtually no kids' polka music, save for the occasional Weird Al Yankovic track.)
LA's Bummkinn Band is one of the few making country music for kids, and they've just posted a whole bunch of new tunes off their upcoming spring release -- love this title -- Rockin' the Yeehaw. (No, I have no idea what it means.) Where? At their Myspace page, of course. Six tracks, all off the new CD, and they're almost all a uniformly uptempo bunch, certainly more so than the songs off their debut CD, Starry Skies and Lullabies.
The band played a lot (probably all) of the tracks last September at Austin Kiddie Limits, so I'll recommend the two I mentioned back then, "Broke My Heart on the Swing Set" and "Crab Bit My Toe," along with the strutting "I Dropped My Ice Cream." They're aiming straight at the kindergarten set, but parents who can appreciate today's Nashville sound might find a few minutes skimming through the tracks worth their time.
Review Two-Fer: Hank Hooper & Mr. Leebot
They Might Be Giants are probably an inspiration for a number of musicians, having not only figured out how to make music for more than 25 years now, but also managing to open up new audiences for their music -- fans both 34 years old and 4 years old.
So it's not surprising that some kids musicians even sound a little bit like TMBG, or at least embrace their wide-ranging sound, and it's a couple of those musicians I'm going to talk about here.
The first, and most TMBG-like in sound, is Austin's Mr. Leebot, whose recently released debut Activate! sounds like all the tracks that were left off of TMBG's debut CD (or were heard on Dial-A-Song). Mr. Leebot (aka Lee Davila) has, as you might expect given the name, a very synthesized sound. "Good Bot" could have been part of Devo's kids' album, while "Brock Brock Chicky" is pretty much what I would expect a song about animals as created by a robot would sound like. But it's not totally synthesizer driven -- "I Want A Car" is early Green Day and "Dig Up the Roots" has an earthy, sun-tinged vibe. (Oh, and there's some Bob Wills-ian western swing in there, too.)
The 25-minute album improves as it goes along, with "Power Up!" and "Come On Along" a couple of highlights -- fun tracks that will get kids bouncing along. You can listen to samples of all the tracks here or full tracks for a few songs at his Myspace page.
Now if Mr. Leebot sounds like TMBG from 20+ years ago, on his debut Playground Fortune Teller, the Bay Area's Hank Hooper (aka Dren McDonald) sounds a little bit like the band maybe 15 or 10 years ago, a little more adventurous. The soulful cry/yodel of the chorus "That's My Chicken," the rap-for-wordplay's sake of "Raptor Cracker Rap," the country-tinged "Fly Away Pie" -- they don't really sound alike. Sometimes it al coalesces, such as on one of the better kids' baseball songs you'll ever hear, "Hey! Batter!," with its litany of different baseball phrases. Other tracks, like "How Lucky Can You Get" or "Robot Man," have more of a synthesizer, early TMBG-pop sound. (And still other tracks, like "Look Ridiculous" sound like Dial-A-Song experimentation that could have been left off the album.)
By comparing Hooper to TMBG, I'm emphasizing his willingness to try new styles of music, not in terms of, "OK, now I'm going to craft a perfect reggae song about brushing my teeth," but simply as avoiding being pigeonholed. The 41-minute album comes packaged with a short paperback picture book whose drawings and text can be seen here, or you can hear samples here or here, along with a few full tracks here.
I don't think either album is the type of album that will appeal to every family. I've tried to give a sense, though, of who I think would appreciate these disks, both of which have a number of strong tracks and are often fun, rarely boring. (The targeted age range, by the way, is probably ages 3 through 8.) Beyond the sense of fun on both Activate! and Playground Fortune Teller, the albums are recommended to listeners who, even if they don't like They Might Be Giants, are looking for disks that don't sound much like a lot of other kids' music out right now.
The first, and most TMBG-like in sound, is Austin's Mr. Leebot, whose recently released debut Activate! sounds like all the tracks that were left off of TMBG's debut CD (or were heard on Dial-A-Song). Mr. Leebot (aka Lee Davila) has, as you might expect given the name, a very synthesized sound. "Good Bot" could have been part of Devo's kids' album, while "Brock Brock Chicky" is pretty much what I would expect a song about animals as created by a robot would sound like. But it's not totally synthesizer driven -- "I Want A Car" is early Green Day and "Dig Up the Roots" has an earthy, sun-tinged vibe. (Oh, and there's some Bob Wills-ian western swing in there, too.)
The 25-minute album improves as it goes along, with "Power Up!" and "Come On Along" a couple of highlights -- fun tracks that will get kids bouncing along. You can listen to samples of all the tracks here or full tracks for a few songs at his Myspace page.
Now if Mr. Leebot sounds like TMBG from 20+ years ago, on his debut Playground Fortune Teller, the Bay Area's Hank Hooper (aka Dren McDonald) sounds a little bit like the band maybe 15 or 10 years ago, a little more adventurous. The soulful cry/yodel of the chorus "That's My Chicken," the rap-for-wordplay's sake of "Raptor Cracker Rap," the country-tinged "Fly Away Pie" -- they don't really sound alike. Sometimes it al coalesces, such as on one of the better kids' baseball songs you'll ever hear, "Hey! Batter!," with its litany of different baseball phrases. Other tracks, like "How Lucky Can You Get" or "Robot Man," have more of a synthesizer, early TMBG-pop sound. (And still other tracks, like "Look Ridiculous" sound like Dial-A-Song experimentation that could have been left off the album.)
By comparing Hooper to TMBG, I'm emphasizing his willingness to try new styles of music, not in terms of, "OK, now I'm going to craft a perfect reggae song about brushing my teeth," but simply as avoiding being pigeonholed. The 41-minute album comes packaged with a short paperback picture book whose drawings and text can be seen here, or you can hear samples here or here, along with a few full tracks here.
I don't think either album is the type of album that will appeal to every family. I've tried to give a sense, though, of who I think would appreciate these disks, both of which have a number of strong tracks and are often fun, rarely boring. (The targeted age range, by the way, is probably ages 3 through 8.) Beyond the sense of fun on both Activate! and Playground Fortune Teller, the albums are recommended to listeners who, even if they don't like They Might Be Giants, are looking for disks that don't sound much like a lot of other kids' music out right now.Video: "Campfire Song" - Orange Sherbet with Hot Buttered Rum
One of the 2007 albums that just missed making my list of 20 favorite kids music albums of 2007 was Campfire Sing-Along from the Bay Area band Orange Sherbet with some help from the band Hot Buttered Rum (here's the review).
I've been a little sad that the CD didn't get more attention, so I'm happy to have an excuse to provide more attention myself. I've found a video that the band put together with the artist Sarah Klein. Klein is friends with Orange Sherbet singer-songwriter Tamsen Fynn and will be showing a couple of her short films at the San Francisco Bay Area International Children's Film Festival this weekend. You can see the hand-animated "On the Farm" here (direct link to broadband version) and the live-action bread-filled "Feed the Starter" here (again, direct link to broadband version). They're both cute, in different ways
But those are from an older Orange Sherbet album, and I'm all about the new. (Usually.) So I'm most excited to find the hand-animated video for Campfire Sing-Along's leadoff track, "Campfire Song" (broadband link here). As you might expect, it involves a bear, which I always find to be a good thing.
If Spring is Too Early and Summer Too Late for Your Kids Music Festival Needs...
Kansas City kids musician Funky Mama (aka Krista Eyler) pointed out yesterday that Kansas City, Missouri will host its host its own kids music festival, the first Kansas City Jiggle Jam Family Fest, Memorial Day weekend (Saturday and Sunday, May 24 and 25).
"Don't forget the Midwest family music," asks Eyler, and with a lineup including They Might Be Giants, Justin Roberts, Trout Fishing in America, Tom Chapin, John McCutcheon, not to mention KC-area favorites Jim Cosgrove and Funky Mama, it would be hard to. Especially when the cost per day is $10/kid ($8 in advance, kids under 2 free) and $5/adult. Heck, at those ticket prices, you're losing money if you don't pack those kids of yours into the car/minivan/refurbished school bus and head out.
(Hey, I spent a number of years in the Midwest -- can't ever forget the Midwest family music.)
Anybody else have some sweet tours or multi-multi-artist festivals they know of? Let me know...
For Those Who Can't Wait For Summer Music Festivals
Perhaps you're thinking you don't want to wait until August or September to see a whole bunch of kids' music artists. Perhaps you're also thinking, hey, I'd like to see the Judds reunite! (Coachella's got Portishead, you decide which you'd prefer.) Well, then, Coachella's countryfied cousin, Stagecoach has come to rescue. In addition to booking the Eagles for the festival's second, Stagecoach also is doing its Half-Pint Hootenanny once more and announced its lineup today, with some familiar names on the list:
Brady Rymer
Buck Howdy with BB
The Bummkinn Band
Tom Freund and Friends
Uncle Ron and Aunt Sandii
Kid Fiddlers
The Bon Family and California All-Star Cloggers
Croakers Youth/Family Square Dancers Club
That's a decent lineup there. Stagecoach is May 2 through 4 in Indio, California.
And what if you prefer Austin in springtime?
In Case You're A Little Tired of Dan Zanes
I think the world of Dan Zanes. But I'm willing to acknowledge that not quite everyone is as OK with the pied piper of family music as I am.
Mark Foley, the creator of New York's One Man Blam, has put his own take on Mr. Zanes up on YouTube. Now, considering that in the very description of the video, Foley says, "Dan Zanes & Company do such great work, who can resist joining in the fun?," it's clear from the get-go that the phrase "gentle satire" was created for stuff like this.
"Well, I don't have a tangerine suit / Or a fiddler in hot pink tights," Foley starts out, then later notes that "I threw out the very same duds / He got in an old thrift shop." He's aiming Nerf balls at Zanes, but he's certainly hitting the target.
Considering the other songs Foley's made available, Foley is clearly mining the same seam Zanes has mined with such success. And I've got to believe that Zanes himself would probably completely approve what Foley's doing with One Man Blam and Volunteer Music, which brings "free concerts for underserved communities and worthy civic initiatives." He, uh, just doesn't have the distribution deal with Starbucks.
One Man Blam (Mark Foley) - "Dan Zanes Blues"
Now where did I put that DZ ukelele of mine?...
