Review: The Dragonfly Races - Ellis Paul

DragonflyRaces.jpgBoston-based singer-songwriter Ellis Paul has over a dozen CDs to his credit, and many accolades from fellow musicians. It is, therefore, a sign of the ascendance of kids and family music that after all that time this artist with such a career recently released his first album for kids and families, The Dragonfly Races. Paul has written (or co-written) a number of strong folk and folk-rock tracks here, with themes that will be familiar to listeners of folk music -- peace, or speaking truth to power. Indeed, the leadoff track, "Wabi-Sabi," talks about some things, as they get older, having "wabi-sabi soul." That's a good thing for Paul, but more distinctively, when was the last time you heard a kids' music CD use the word "soul"? It's a sign that Paul is not about to dumb down his material just because the audience might skew a little younger. And in many places, that choice pays off in spades. The most rousing track on the CD, "Because It's There," is an inspirational song about doing dangerous things "Because it's there / Because we could / Because we should / Because we dare..." It's a fabulous folk-rock song. Songs that tackle slightly more kid-focused topics such as swinging on a swing (the mid-tempo "I Like to Swing"), or pinwheels (the lullaby titled "Pinwheel," natch) do so with fun wordplay and imaginative lyrics. I should note that the album has a definite political undercurrent, and I'm not sure it always serves the album well. It wasn't the content itself -- if you're a fan of Dan Zanes and Pete Seeger (as I am), nothing here will offend you. But I was much more taken with the CD when Paul is telling stories or reeling out his views of life in smaller-scale ways. "Abiola," co-written with Antje Dukevot, is a fantastic song about a girl who ignores rumors spread by a king about a nearby monster to find out the truth. No small political allegory, there. Kids will enjoy the story and, the older ones at least, will understand the point. "The Million Chameleon March" and "Nine Months to Fix the World" have similar themes, but don't work nearly as well on this CD. Perhaps on another one, one targeted primarily at the parents... Kids ages 5 through 10 will most appreciate (and understand) the themes tackled here. You can hear several of the songs from the 40-minute album at the album's Myspace page or clips from all the tracks at its CDBaby page. (I would also mention that the album packaging, with artwork from Paul, is one of the nicer kids' music album packages I've seen recently.) In the end, I don't want to leave you with the impression that this is an overtly political album, because it's not. The Dragonfly Races is, however, political in that Ellis Paul has recorded songs that speak very clearly to the type of world he, as a parent of two young kids, would like his kids to grow up in. I suspect that most of you readers envision a similar type of world. These tuneful modern folk songs celebrate imagination and dedication -- we could use more of those. Recommended.

Sesame Street Goes Global, Musically

Yes, Putumayo Kids has a very full release schedule, with African Dreamland the next CD scheduled for release in March. But it's their next CD that really has me jazzed. In a recent interview Putumayo Kids director Mona Kayhan reveals what's to come: "It's our first collaboration with Sesame Street — we're calling it Sesame Street Playground, and it has all their songs from all around the world. For example, you've got the "Rubber Ducky" song in Chinese or the opening song in Dutch." Sound unheard, I wonder whether this is a better idea in concept than as an actual album, but if done properly, I think it'd be a pretty great global introduction for a lot of families. Update: Apparently the Sesame Street CD's been pushed back to September. Just so you know... Y'know, the obvious YouTube clip here is the Sesame Street theme song (seeing as Sesame Workshop's new video player doesn't have a clip available), but given the international flavor of this post, I thought I'd post Ozomatli's energetic reworking of the melody and the 2007 South by Southwest Festival. Ozomatli - "Sesame Street Theme Song"

A Small, Self-Serving Reference

I don't note every last reference to this website from other reaches of the web, but when an article nails a particular album so much more succinctly than I ever could, I feel the need to share (even beyond the kind words the author saves for this site). Discussing Buck Howdy's Chickens, author Sarah Bardeen writes: "We're still lamenting the lack of fart jokes (a mainstay of previous albums) but Buck Howdy did so well with this album of chicken-fried kiddie country that we're prepared to forgive him." Yes, I've now used the word "fart" on this website for the, er, second time. Read the whole list here and listen to a playlist of about 2 dozen tracks from a whole bunch of CDs here.

Kids' Musician, Oscar Nominee

It's been awhile since I checked in with Toronto's Jerry Levitan, who's put out a couple kids music CDs as Sir Jerry (read my review of his latest CD here). So I was a bit surprised to see him resurface... as an Oscar nominee. That's right -- Levitan produced I Met The Walrus, which animates a 5-minute excerpt of his 40-minute interview with John Lennon. I mean, I knew he was developing a movie on the experience, but it's not everyday that films based on 40 minutes of one's life get made, let alone nominated for Best Animated Short Film. So good for him. (Hat tip: The Daily Swarm)

Video: "Animal Alphabet Song" - The Hollow Trees

Kids' music videos don't have to be complicated or produced on a "Thriller"-like budget. In fact, this video, the first from The Hollow Trees' excellent new album Welcome to Nelsonville, is a little better because of the cut-and-paste nature of the video. It's not the best song from the album, but it's a cute little 2-minute video. The Hollow Trees - "Animal Alphabet Song"

Review in Brief: Hawaiian Playground - Various Artists (Putumayo)

HawaiianPlayground.jpgAnother month, another breezy mix CD from Putumayo Kids. This time it's Hawaiian Playground, which will be released tomorrow, January 22nd. As with other Putumayo Kids collections, the strength of this CD lies in its well-considered blend of modern and traditional sounds, silly and serious songs. I'm not sure too many other collections of Hawaiian music would have the nerve to kick things off with a song from a New York City band, but the Moonlighters play expert Hawaiian steel guitar music, and their jazzy cover of Sam Koki's "Right On" is lots of fun. Joe McDermott's well-produced Hawaiian pastiche "Come to Hawaii" is the most accessible song for kids here, all about using one's imagination about visiting the far-off state. The other artists here are from the islands, and the songs show how diverse the state's musical culture has become. With a number of traditional-sounding albums in my own collection, I preferred the more traditional sounds of Raiatea's "Po La'ila'i" or Keali'i Reichel's "Toad Song." But Hawaiian music today also includes styles such as "Jawaiian" (a mixture of traditional Hawaiian music and Jamaican reggae, as heard on Robi Kahakalau's "Pi'i Mai Ka Nalu"). The collection is typically all-ages, but I think kids ages 3 through 7 might enjoy talking about Hawaii via these songs (and liner notes) the most. You can hear samples of the half-hour disk at most internet shops. Hawaiian Playground isn't an introduction to the history of Hawaiian music; it is, for the most part, a sampling of what Hawaiian kids and families might listen to today. For those families looking for a brief audio vacation to the islands, this album will be the ticket. Recommended.