DVD/CD Review: Gustafer Yellowgold's Have You Never Been Yellow?

HaveYouNeverBeenYellow.jpgI have come to think of Morgan Taylor, the creator of Gustafer Yellowgold, as the exemplar of the Kids New Wave, the term I have coined just now to encompass the genre and the artists responsible for its resurgence, especially in the past five years. A background in making music for adults, the unplanned shift into making music for kids, the occasional difficulty in figuring out where the distinction lies between the two -- the New York-based Taylor fits all of these categories. By no means is Taylor the only artist these apply to, but he's done a great job creating a musical path all his own, on his own terms. Taylor's second foray into the world of Gustafer Yellowgold, the DVD/CD set Have You Never Been Yellow?, released this week, is every bit as wonderful as the debut Wide Wild World and shows that Taylor has a fabulous career ahead of him. What distinguishes Taylor from many other talented kids' musicians is his visual artistic skills, which are obviously on prime display on the DVD. If you're not familiar with the Gustafer "animation," I can try to describe it, but it's easier to just show you. Here's the leadoff clip from the DVD/CD, "Pinecone Lovely" As you can see, it's animated in only a minimal sense -- the camera pans and scans, zooms in and out, and various components of picture move around, and that's about it. But it's very absorbing to watch. Taylor does the drawings but does get some help with animation aspects. While the animation on Wide Wild World was fine, the pictures and animation here are crisper and sharper -- the difference is small but noticeable. Of course, the animation could be done by Pixar and if the music (and images) were dull, you wouldn't care. Luckily, that isn't the case. As a group, I think the songs are stronger here than on the debut. "Pinecone Lovely," with its ode to nature ("Pinecone Lovely / To thee I sing") and sing-along chorus, I think finally fulfills the promise of the karaoke audio option that is once again present on the disk. "Beard For All Seasons" has a touch of Beatles to it while "The Bluebird Tree" gives Ralph Covert's "Hideaway" a run for its money for the title of "Best Song About Needing Time By Yourself." There are some tracks I think are only OK musically, but there's definitely no filler. Pop and power-pop, well-played, with some brass instruments providing some sonic boost, particularly on the closer, "Dream In Green." And the images are strong, too. The aforementioned "Bluebird Tree" has some of the most stunning visuals (the title is literal) on the disk, while "The Mustard Slugs" pairs amusing images with the silly math story. And, yes, "Punching Cheese" is the sequel to Wide Wild World's "I Jump On Cake" and every bit as funny. In fact, the whole disk feels ever so slightly lighter than the original, if only because the videos here seem a little more like vignettes rather than part of a story (Wide Wild World has a slightly stronger narrative drive). That's neither good nor bad, just that if you're looking for something with a concrete beginning/middle/end, you'll be disappointed here. I should also note that the DVD comes with, yes, an audio commentary. Morgan Taylor does the honors, of course, and it's definitely worth a listen for an adult Gustafer fan (or older child with the patience to listen to someone talking over the music for 30 minutes). Finding out which Steve Martin movie helped inspire "Aye, Aphid" or which '70s band "Dream In Green" apes was a cool bonus. Repeating spins probably aren't necessary, but it's worth at least one run-through. Kids ages 2 through 7 are most likely to enjoy the animation (and songs) here. In addition to "Pinecone Lovely," you can also watch the clip for "Birds" here. (Gustafer's two YouTube pages are here and here.) Or listen to "Beard for All Seasons" and "The Mustard Slugs" at his Myspace page. For being from the sun, Gustafer's adapted quickly to our modern technological modes of communication, no? Gustafer Yellowgold's Have You Never Been Yellow? is a fabulous DVD/CD set. Taylor has a gift for memorable images both visual and musical and I'm looking forward to many more images from him in the years to come. This set is highly recommended.

Debbie Harry and a Bunch of Punk Rock Posers

I don't spend a lot of time posting stuff that fails to entertain, but this... this approaches a realm of badness that it's hard to resist. We can argue whether or not kids assuming classic punk poses and statements of people 15 to 30 years older would ever be funny, but when a 7-year-old smears peanut butter on his stomach and says "I wanna be your dog," I think we can all agree that it's moved beyond funny into, well, sad. (You, my little one, are no Iggy.) I'm gonna go listen to my Dan Zanes duet with Deborah Harry on "Waltzing Matilda" and try to forget this now... (Via Stereogum.)

Review: If I Could Be... - Meredith Brooks

IfICouldBe.jpgMay as well get it out of the way -- yes, it's that Meredith Brooks. But a decade after that big hit (and what seems like a lifetime ago) Meredith Brooks has released a kids album, If I Could Be... that is 100% kid-safe. The album has been out there since last year but got its formal release late last month. It's a sugary pop blend that might surprise those listeners who, like me, might have expected a slightly more rock approach based on our memory of that one song. (And who might not have followed Brooks as she continued to write and record over the past decade.) Because Brooks is a parent of a preschool-aged son, it's not surprising that the tracks are primarily geared lyrically at that age group. Brooks succeeds best when she simplifies the lyrics -- "Dance, Shake, Wiggle!" spends a good 50% of the song repeating those words in the album's most infectious chorus. It will be difficult for kids to resist that one. "What's Your Name?" has a fun chorus, too, with lyrics designed for kids to shout their name. If there's something that keeps Brooks from kicking Laurie Berkner off her perch at the top of the preschool musician pile, it's the lyrics. Brooks has a tendency to be too wordy for preschoolers, I think, sometimes forcing a line for the sake of a rhyme. Sometimes I felt she was writing for 3-year-olds using lyrics a 6-year-old would understand. "In My Chair" is an exception -- the more I listen to it, I think it's a very well-crafted song, though the line "I love my chair / And it loves me" cracks me up every time I hear it. (Y'know, it's not so unreasonable to think a preschooler might think of a chair in that way.) Regardless of my quibbles with lyrics, the music here is well-produced -- it's high-quality pop music, a step above the person-with-a-guitar-or-bad-keyboard production of a lot of music for this age. I think the music here will be of most interest to kids ages 2 through 5. You can hear samples from the 38-minute album at its CDBaby page. For those of you looking for a rock-guitar-focused album, you will probably be disappointed by the CD. But this is a decent album of pop tunes with a number of fun cuts. Perhaps as Brooks' son grows up and Brooks experiences some not-so-easy times with her child, maybe we'll get another album with a harder edge. Recommended.

Video: "Night Mantra" - Renee and Jeremy

This is about as lo-fi a video as you can get, but it fits the song. "Night Mantra" is one of the stellar cuts on Renee and Jeremy's debut It's A Big World. You get the feeling listening to the album version that it was probably recorded just like it was shown here. Well, maybe there was a little less lounging. This makes me a geek, but I love that green color on the wall behind them. In other R&J news, they note on their website that they "are starting to write for the follow-up to It's A Big World which will come out sometime in 2008."

Interview: Audra Tsanos (AudraRox)

AudraAndCarter.jpg Audra Tsanos, the driving force behind the New York band AudraRox, seems to know every kids' musician in New York. In AudraRox, she's assembled her own set of talented musicians whose debut CD, 2006's I Can Do It By Myself, ran the gamut from country to slick power-pop and very kid-targeted lyrics. Audra kindly answered a few questions about her musical upbringing and AudraRox's formation, among other things. Read on for the story behind Audra's first band name, her experience in a Music for Aardvarks cover band, and, yes, the title to their upcoming CD. Thanks to Audra for the interview (and the accompanying photo). ************ 1. What are your musical memories growing up? I was raised by fundamentalist Christians in Kansas City, Kansas - so my first musical and theatrical experiences were in the church. I sang my first solo when I was 2, did my first musical at church when I was 7 and joined the adult choir at 11. On my own I listened to bad Top 40. I won the talent show in high school my freshman year. I put together a band with the bass player from the jazz band and a sax player, played piano and sang Whitney Houston's' "Savin' All My Love for You." YUCK! My best friend in high school, Linda Amayo, played Ella Fitzgerald for me. The only cassette tapes I owned when I went to college were The Police, The Doors, and Sade. Hats off to Joetta, my first roommate from California - she played me The Violent Femmes, The Smiths, Billie Holiday, and Bessie Smith. Then I dated and married a guy who had an album collection of about 1,000 and finally, I grew up musically! I'm a late bloomer.

Review in Brief: Brazilian Playground - Various Artists (Putumayo)

BrazilianPlayground.jpgThe latest in Putumayo Kids' "Playground" series, Brazilian Playground continues Putumayo's tradition of selecting appealing tracks from cultures near and far and mixing them together for families' enjoyment. A stroll through Putumayo's typically well-done liner notes reveals that many of the songs weren't written with kids in mind -- songs about love or dancing until dawn. Of course, the foreign-language nature of the songs allow parents to use themes as a jumping-off point and the music as a dancing-off point. Claudio Jorge's "Coco Sacudido" ("Shaken Coconut") is about a Brazilian religion with a lot of rituals and ceremonies -- your kids won't care, they'll just be dancing to the big band. For the kids who've been raised on their parents' Bebel Gilberto CDs, Marissa's brief electronica bossa nova "Alo Alo" ("Hello, Hello") will sound familiar. One warning about the disk, though -- the CD's description of the tracks as "lively" is somewhat generous -- the two tracks above are among the more shimmering and vibrant of the tracks here. Which isn't to say that the rest of the CD is bad, just that the overall vibe is a bit more subdued than I'd expected. More 4 PM (if not quite 4 AM) than 9 AM... Musically, the 36-minute CD is appropriate for kids of all ages, though kids ages 3 through 7 will probably respond to the kids' voices in some of the songs. You can hear samples (and download a teaching guide) at Putumayo's page for the CD (released a couple weeks ago), or hear samples elsewhere on the web. If your family has enjoyed Putumayo's previous Playground releases, they will enjoy this one, too. It's another good compilation. Recommended.