The Jellydots traveled to Charlotte, North Carolina about a month ago to perform at the Tricycle Music Fest. In addition to performing a special version of their hit "Bicycle" (take a wild guess at how they modified it and watch here to see if you guessed correctly), they debuted a song from their upcoming album.
Musically, it's got a sunny, late-California afternoon sort-of vibe. It's sort of hard to make out the lyrics in the muddy audio mix, but the chorus is pretty clear:
"Why don't we go to San Diego? / We can sign up this year / Why don't we go to San Diego? / I'm gonna pack up my gear."
The song seems pretty relatable to kids, but considering the line midway through - "It gets so hot in Texas" - it seems like this is a case of real (adult) life inspiring the song, as Jellydots main man Doug Snyder recently moved from Austin to here in Phoenix. Now, ordinarily I might cry foul ("Hey, where's the song about Phoenix?"), but I gotta tell you, "Phoenix" is not nearly as easy to stick in a chorus as "San Diego."
"Why don't we fix transportation in Phoenix?"
"Why do I get neck cricks looking at houses in Phoenix?"
So Doug gets a pass.
Anyway, enjoy.
Review: Music Makes Me Happy - Robbi K
For those of you wondering, yes, this album is better than its cover. Usually.
New York-based Robbi K has pretty impressive musical credentials -- backup singer for Mary K. Blige, Aretha Franklin, and Harry Belafonte, among others. And for her third kids' CD, the recently-released Music Makes Me Happy, Robbi is joined by a great group of musicians, include Brady Rymer, Hayes Greenfield, Guy Davis, and her husband Bakithi Kumalo (who played with Paul Simon) on bass and as executive producer.
The result is an album that, for the most part, effectively blends solid jazz, world-beat, and bluesy tunes and kid-focused lyrics to strong effect. As I listened to the 44-minute album, I ended up thinking of it in three parts. The first three songs don't break any kids' music molds, but they're well done, such as the fun "Eating Some Pizza," featuring a saxophone solo from Hayes Greenfield.
The next five tracks are the album's strongest, I think. There's a funky version of "John Henry" that's top-notch, and her jazzy cover of "My Favorite Things" would sound great on any CD, kids' or otherwise. That stretch also includes the album's best original track, "Music Makes Me Happy," a strutting blues number that features Brady Rymer and blues musician Guy Davis. It's hear that the band lays its best grooves and Robbi K's powerful voice is used to its best effect. If you're gonna move to the beat, it's here you'll do so.
And then there's the last three tracks, which I tried to listen to and enjoy, but just couldn't. The song "Happy! Happy! Happy! Happy! Happy!" made me anything but, and it's followed by a song called "I Love My Teacher." While I enjoy the comparative lack of irony and cynicism in kids' music, sincerity can be taken too far, and lyrics like "I love my teacher, I'll tell you why / She knows everything clear under the sky" just don't ring true to me about how kids think about teachers, even ones they love.
I think kids ages 3 through 7 will most appreciate the lyrics here (the melodies and beats are definitely friendly to kids of all ages). You can hear selections of Robbi's music at her homepage, her Myspace page, or samples of all the tracks here at the album's CDBaby page.
Many families will enjoy Music Makes Me Happy, though like many kids' albums it does land squarely in the "everything is wonderful and, yes, happy" camp. If you (or your kids) are on the other side of the divide, you'll probably want to stay away. Still, it's a solidly performed album that really grooves at points. I'll recommend the CD, but only if I get to hit "eject" after track 8.Yet Another List of Favorite CDs...
Some people get writing (or quoting) gigs they think are cool and let a lot of people know. (I would, uh, fall into that category. Just want to make sure you guys know about this stuff.)
Then there's Warren Truitt, who writes Kids Music That Rocks. I enjoy Warren's reviews for the sheer passion that shines through. He doesn't review a huge number of CDs, but those he does get some lavish praise. (I'd say that even if his tastes weren't reasonably similar to mine.)
What Warren does not do, apparently, is self-promote. Not a smidgen of his glowing language was used to note that his list of "12 Kids' Albums You Can't Live Without" was the cover story in the July School Library Journal. (Seeing as he's a children's librarian for the New York City Public Library's Donnell Central Children's Room, that's, well, appropriate. Not to mention cool.)
Check it out for some familiar names and some less-familiar ones, too.
Not Lullabies, But Close Enough
When I originally talked about my latest piece for Education.com, "Albums To Tame the Savage Beast," with my editor there, she made it clear that she wasn't looking for a list of lullaby albums, because the site focuses on kids aged preschool on up.
So these are five albums designed for quiet time for slightly older kids. Raffi's Quiet Time makes the list, natch, but rest assured that all five CDs will work well for times when everybody needs to take it down a notch.
If you fall asleep on the couch while listening some afternoon and your kids pull all the pots and pans out of the cabinets while you're sleeping, I can't be held responsible.
Contest Winner: The Top 50 Kids Songs of All Time
I know, I know, it took me way too long to figure out the winner of my "Top 50 Kids Songs of All Time Contest." Just waay too much to do...
In any case, the rules specified that the winner had to identify my #1 song, which was... "Twinkle Twinkle/ABC/Baa Baa Black Sheep." Four people correctly pegged that song at #1, which meant I had to go to the next tiebreaker, which was correctly guessing other songs in my Top 5. Seeing as Ellen listed the same melody twice, I didn't think that counted, so the winner is...
Clark, who also included "Miss Mary Mack" in his list.
Congratulations to Clark, who is at the moment selecting his CD prize, and thanks to everyone for participating and reading!
Review Two-Fer: Best of the Land of Nod Music Store, Vol. 1 & 2 - Various Artists
It's a little odd, given the wave of popularity kids' music is riding right now, that there aren't more best-of compilations. They're not unheard of, mind you (and, no, the Rachael Ray compilation doesn't count), but they're certainly not crowding the shelves either, are they? In part, I'm guessing it has something to do with the very independent nature of 99% of the kids' music produced. Sure, there are artists like They Might Be Giants or Ralph's World who are recording for a major label, but the vast majority of albums are self-released.
So perhaps the most noteworthy thing about the Land of Nod's first kids' music compilation, Best of the Land of Nod Store Music, Volume 1, originally released in 2004, is that it actually attempts to provide an overview kids' musicians of the past and present, off labels major and not, fitting the bill like little else on the market. You have the great quartet of Smithsonian Folkways artists -- Ella Jenkins, Pete Seeger, Lead Belly, and Woody Guthrie -- making an appearance alongside current stars Dan Zanes, Justin Roberts, Ralph's World, and They Might Be Giants. With the exception of maybe Roberts' "Yellow Bus" and Zanes' "All Around the Kitchen," there are no absolute must-have tracks here by the artists above, though the tracks chosen are solid, and picking just one track out of the many by each of those artists would be exceedingly difficult. Of the lesser-known artists, Rosie Flores' "Red, Red Robin" (off Bloodshot's Bottle Let Me Down comp) and Peter Himmelman's "Sherm the Worm" shine out most brightly here.
If Vol. 1 is a solid, if safe, collection that you could give to your parents for them to play when they have the grandkids over, Best of the Land of Nod Store Music, Volume 2, released in 2005, makes an attempt to speak to parents who might actually buy the CD for themselves. To some extent, it goes over the same ground as Volume 1 -- Zanes, Roberts, Mitchell, and Himmelman make a repeat appearance, as does Lead Belly. It's the new stuff that skews considerably younger. Cake's funky reworking of "Mahna Mahna" or the Mr. T Experience's rollicking "Unpack Your Adjectives" aren't necessarily seminal kids' music tracks, but they're a heck of a lot of fun. Andy Partridge from XTC provides not one but two excellent tracks of music originally written for Disney's James and the Giant Peach. (It was rejected in favor of music by Randy Newman -- hey, I love Randy Newman, but let somebody else do the Disney movies for a change.) If the first volume had more of an establishment view of the kids' music universe, this volume includes more newer and less conventional music to give a better sense of the possibilities inherent in the genre.
At 38 and 40 minutes long, Vol. 1 and Vol. 2 are a good mixtape length. You can find them at any major internet retailer as well as the Land of Nod itself, natch.
Regular readers of this website will probably be familiar with many of the artists on the two CDs, and will even have a number of the tracks' original releases in their families' collections. If I had to recommend just one CD, I'd probably go with Vol. 2, just because I think the less-familiar songs are stronger. Having said that, both collections are strong and would be a nice introduction for your doubting neighbor or relative that there isn't some great music being made for kids now (or 50 years ago). Recommended.
Obviously, there are some conflict-of-interest issues here, seeing as my reviews (warts and all) are also used on the Land of Nod website. All I can say is that the collections here were one of the reasons why I decided to sign on with them. I'd be posting the exact same review even if I had no association with them.
So perhaps the most noteworthy thing about the Land of Nod's first kids' music compilation, Best of the Land of Nod Store Music, Volume 1, originally released in 2004, is that it actually attempts to provide an overview kids' musicians of the past and present, off labels major and not, fitting the bill like little else on the market. You have the great quartet of Smithsonian Folkways artists -- Ella Jenkins, Pete Seeger, Lead Belly, and Woody Guthrie -- making an appearance alongside current stars Dan Zanes, Justin Roberts, Ralph's World, and They Might Be Giants. With the exception of maybe Roberts' "Yellow Bus" and Zanes' "All Around the Kitchen," there are no absolute must-have tracks here by the artists above, though the tracks chosen are solid, and picking just one track out of the many by each of those artists would be exceedingly difficult. Of the lesser-known artists, Rosie Flores' "Red, Red Robin" (off Bloodshot's Bottle Let Me Down comp) and Peter Himmelman's "Sherm the Worm" shine out most brightly here.
If Vol. 1 is a solid, if safe, collection that you could give to your parents for them to play when they have the grandkids over, Best of the Land of Nod Store Music, Volume 2, released in 2005, makes an attempt to speak to parents who might actually buy the CD for themselves. To some extent, it goes over the same ground as Volume 1 -- Zanes, Roberts, Mitchell, and Himmelman make a repeat appearance, as does Lead Belly. It's the new stuff that skews considerably younger. Cake's funky reworking of "Mahna Mahna" or the Mr. T Experience's rollicking "Unpack Your Adjectives" aren't necessarily seminal kids' music tracks, but they're a heck of a lot of fun. Andy Partridge from XTC provides not one but two excellent tracks of music originally written for Disney's James and the Giant Peach. (It was rejected in favor of music by Randy Newman -- hey, I love Randy Newman, but let somebody else do the Disney movies for a change.) If the first volume had more of an establishment view of the kids' music universe, this volume includes more newer and less conventional music to give a better sense of the possibilities inherent in the genre.
At 38 and 40 minutes long, Vol. 1 and Vol. 2 are a good mixtape length. You can find them at any major internet retailer as well as the Land of Nod itself, natch.
Regular readers of this website will probably be familiar with many of the artists on the two CDs, and will even have a number of the tracks' original releases in their families' collections. If I had to recommend just one CD, I'd probably go with Vol. 2, just because I think the less-familiar songs are stronger. Having said that, both collections are strong and would be a nice introduction for your doubting neighbor or relative that there isn't some great music being made for kids now (or 50 years ago). Recommended.
Obviously, there are some conflict-of-interest issues here, seeing as my reviews (warts and all) are also used on the Land of Nod website. All I can say is that the collections here were one of the reasons why I decided to sign on with them. I'd be posting the exact same review even if I had no association with them.
