Review: Make Your Own Someday - The Jimmies

MakeYourOwnSomeday.jpgThere are singers, and there are entertainers. In the former camp, I'd put artists like Elizabeth Mitchell, whose interpreter of songs is rivaled by few in the kids music genre and who have glorious voices. In the latter camp, I'd like to introduce Ashley Albert, lead singer, songwriter, and mastermind behind the New York-based The Jimmies. Don't get me wrong, Albert has a nice voice and could be a very adept interpreter of standards, kids-oriented or not. But on her band's recently-released debut album Make Your Own Someday (Silly Songs for the Shorter Set), Albert's strengths are in thinking like a goofy 7-year-old and performing for said kid. (It's not for nothing that Albert's done voice work for cartoons and commercials.) Watch this completely infectious (pun mostly unintended) for "Do the Elephant," one of the catchiest songs on the album, and tell me that the Nickolodeon/Nick Jr. corporate behemoth shouldn't find some show to feature Albert and the whole band on a regular basis. It did wonders for Laurie Berkner -- it could do the same here. Kinda like a cross between Gwendolyn and the Good Time Gang and AudraRox, except skewed at a slightly higher age bracket. The songs themselves sound bright and tackle common kid-themes like clothes (the swinging "What's On Your Shirt" or the rocking "Cool To Be Uncool") and pets (the unusually-sweet-for-the-album "Taddy") with a variety of musical styles. Albert gets the double-word-score for combining a foreign-language song with a song about pets (in "Spanimals," on which I kept expecting Rob Thomas to make an appearance on the Santana-lite melody). And the album's opener, "What's That Sound?," isn't quite a classic name-the-instrument musical piece like "Mama Don't Allow" and "Peter and the Wolf," but it's pretty darn close. The rest of the band -- who, like Albert, have day jobs that indicate serious musical talent -- backs Albert with aplomb. (Whatever "aplomb" is.) The album's not perfect -- Albert sometimes has a tendency to cram too many words into the lyrics (making them hard to understand) and some songs are just sort of "eh" -- but it's not for lack of talent or imagination. The silliness here will be most appreciated by kids ages 5 through 10, particularly if they have a "Weird Al" Yankovic album in their collection. You can listen to 4 full tracks at the band's Myspace page or samples from the whole album at the album's CD Baby page. You may as well get Make Your Own Someday now, because eventually these songs are going to end up on some TV show somewhere. Then your kids are going to beg to you play The Jimmies over and over again in the care and rather than investing in some dubious technology that rips audio from a DVD video, you may as well just get the CD and save yourself the hassle. Recommended.

One More Place That Talks About Kids Music

Hey, there's this great new website called Offsprung that's about parenting, about humor, about interconnecting, man, and it's being headed up by Neal Pollack, and it's got this great kids music website that's known as Zooglobble and-- Wait a minute. Yeah, that's me over there, spreading the word about kids music far and wide. For the most part, I'll be posting the same things there that I'm posting here, though there will be the occasional Offsprung-only post (and some stuff posted here I'm just too lazy to post there) -- I'll try to remember to let you know here when I'm posting something just for the other site. As you may have already heard, The Lovely Mrs. Davis has her own site over there called Huxtabled, in which she'll tackle kids TV and video. Maybe we'll even get into a few point/counterpoint things. You can read my welcome to the world here. Do stop by, say hello, and check out the other writers there. Should be a fun community.

Review: It's A Big World - Renee and Jeremy

ItsABigWorld.jpgBeware the music of a new parent. Clouded by the biologically necessary attachment to a newcomer to the family, a normally rational person and musician can be fooled into thinking that these feelings are somehow unique to them, that nobody has ever felt like this before about their child. Which leads to rambling output that doesn't really say anything new. (Wait a minute. I'm talking about child-centric blog writers. No, wait, I'm talking new parent/musicians.) If you're going to sing about it, you'd better bring something new to the table. So it was with a sense of relief that as I listened to It's A Big World, released last week by the duo Renee and Jeremy, that I realized that the duo had generally avoided recording parental pablum (or, when necessary, put that pablum in tasty form). The duo consists of Jeremy Toback, who released a couple of major-label solo albums in the '90s and formed the band Brad with Stone Gossard of Pearl Jam, and Renee Stahl, who has also released a solo CD of her own. When they recorded the album, Toback's son was a year old and Stahl was pregnant with her first child. They recorded quickly (the room was soon to become Stahl's daughter's nursery) and deliberately sought out a raw, lo-fi sound. The promo materials name-check Jack Johnson as a reference, and it's an appropriate one. (For a more kid-centric reference point, think Elizabeth Mitchell, especially the slow songs off her earlier kids' CDs.) There's little more than an acoustic guitar accompanying Stahl's and Toback's vocals, and especially on tracks like "Welcome To This World" (on which Toback sings lead), you'd be forgiven for thinking it was a Johnson-penned (and played) piece. The lyrics on that track, which ostensibly are a welcome to the world for a new child, work just as well for new parents too. But new parents will probably respond to the rest of the album's lyrics, which focus on a child's sense of wonder with the world around them and a parent's sense of protection and care for their child. There are some stellar tracks here, most notably "Night Mantra," a gorgeous song which sounds like a somewhat happier Aimee Mann track and features Stahl's and Toback's best vocals. "Powder Blue," an original lullaby written by Stahl which would have fit in perfectly on the Innocence Mission's Now the Day Is Over, is a great addition to the lullaby canon. Oddly enough, while many uptempo albums end with a slow song or three, this album, which is essentially a lullaby (or at least a quiet time) album, ends with its three most vigorous songs at the end. Bulked up with just a little more production, "Sleep My Love" and "Shoorahlaywho" could easily be hits on adult alternative radio. Less successful are the time when the lyrics don't say very much. The leadoff track, "Miracle," begins with the wonderful lines "Are you the sun? / Are you the moon? / Are you the watermelon bug in June?" but ends up with the lines "You're a miracle / uh-huh / A little miracle / Oh yeah." If the song were two minutes long, that part would be tolerable, but dragged out over the song's 4-minute length, it's, well, not so much. And while I appreciated the overall mellow vibe of the CD, the exceedingly slow version of Bob Marley's "Three Little Birds" makes Mitchell's version sound positively raved-up in comparison. I'm going to peg the age range for this 39-minute album at ages 0 through 5, picking up again at maybe age 30. You can hear three songs at the duo's website, plus an additional track at their myspace page. (At the moment, you can purchase the album at CDBaby.) If the review sounds negative, it's only because there are enough stellar songs here that I could hear the stone-cold classic this CD could have been. (Frankly, I can't wait to hear what they come up with after another couple years of parenting.) But even if the album's not perfect, I guarantee you that this album would make a great new-parent or baby shower gift. While it's really targeted at the parents more than the kids, it'll make great quiet-time music for the whole family, even when (or especially when) your child has moved from giggling to throwing very verbal tantrums. Definitely recommended.

Ted Koppel Leaves... The Hipster Parents Move In...

Word from the Sippy Cups that they'll be included in a feature on Neal Pollack on ABC's Nightline tonight (Thursday). Or maybe tomorrow. Watch the piece and be bombarded, I'm sure, with your quota of the phrase "hipster parent" for the month/year/lifetime. Given that our son is currently enjoying waking up before 5 AM on a not-irregular basis and that, Luddites as we are, we don't have TiVo, I'm really hoping that videoplayer in the upper-right-hand corner will have this new segment on tomorrow.

Everyone Who Likes Preschool Fundraisers, Raise Their Hand

Thought so. Since before we joined it, our kids' co-operative preschool has eschewed a yearly fundraiser for a flat "fundraiser fee." Now, why they just don't increase the actual tuition by 10 bucks a month is beyond me, but that's probably just a clear indication of why I don't have a bright future in sales. And given the virtual 24/7 fundraising our daughter is now asked to participate in through her (public school) kindergarten ("Mom, they say we need to order pizza tonight or they can't keep our music teacher"), I can assure you that the simple check-writing the preschool approach entails is a vastly superior approach. (Again. Not a retailer.) Having said that, if my neighborhood preschool actually put together a spring fair that included, among other things, sets from The Hollow Trees, the Squeegees, and Ellen & Matt, I'd probably go. Which means, if I lived in Silver Lake and my kid(s) attended the Neighborhood Nursery School, I'd probably attend their Spring Fair on Saturday May 19. As a side note, the "about" section for the fair says "No Bounce Houses, no corporate sponsors and no plastic bottles." Now, I'm with 'em on the plastic bottles, but why does NNS hate bounce houses so much? Bounce houses rule. Also, "no corporate sponsors?" Does that mean there are preschool fundraisers in LA that have corporate sponsors? Do companies fight to sponsor the pony rides? Like I said, Not. A. Retailer.